52 pages 1 hour read

The Keeper of Stories

Fiction | Novel | Adult | Published in 2022

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Chapters 9-15Chapter Summaries & Analyses

Chapter 9 Summary: “In Search of a Heroine”

Content Warning: This section of the guide includes discussion of child death and death.

Janice cleans the home of Carrie-Louise, a polished and proper widow in her eighties. As a young woman, she met her husband when she stopped a street gang from beating a man. She pretended to be a policewoman, holding a store credit card like a badge and yelling at them. One hit her as they fled. She later married the young doctor who tended to her. Today, her friend Mavis is coming to visit. Carrie-Louise cannot bake well, so Janice bakes madeleines that Carrie-Louise will pretend she made herself. Janice enjoys Carrie-Louise’s company and respects her story: “Carrie-Louise will always be able to say that she has been the heroine of her own story” (53). Janice regrets that she cannot say the same about herself.

Chapter 10 Summary: “Every Man Should Leave a Story Better Than He Found It”

On the way to work, Janice tries not to stare at the handsome bus driver who looks like a rugged geography teacher who might have climbed mountains. She returns to the elderly mother-in-law of Mrs. YeahYeahYeah, whom she learned has a “Lady” title and whose husband was thought to be an important spy in addition to Master of the college. When the woman answers the door, Janice asks four questions: Will the woman tell her about Becky Sharp? The woman says she will. Is the story about Becky true? She says it is. Will the woman let Janice organize the books in the house? She says she will. Janice states more than inquires that she must be called Janice and that she will call the woman Mrs. B (not “Lady” anything). The woman agrees and shuts the door.

In a brief shift out of Janice’s viewpoint, the bus driver watches Janice and thinks she is attractive.

Chapter 11 Summary: “Choosing Your Own Story”

Janice has coffee with Fiona while Adam plays with Decius. Fiona expresses worry for Adam, who refuses to return to counseling. After Fiona mentions how much Adam loves Decius, Janice says that she can bring Decius more often. Fiona mentions that she and John, her husband, tried to hide John’s depression from Adam, but Janice wonders if Adam knew more than Fiona realized. Children often know more than they let on, as she recalls from childhood.

Chapter 12 Summary: “Every Story Has a Beginning”

Mrs. B begins Becky’s story. Becky was born in 1890s Paris to a chare woman and a cab driver. She had a younger sister and a baby brother; the parents loved the baby boy very much. Becky was tasked with watching the boy while they worked. Here, Mrs. B asks Janice if she has siblings. Janice explains that her younger sister lives in Canada and that she sees her only rarely.

Mrs. B resumes the tale: When he was four, the beloved baby brother was hit by a delivery van while Becky was daydreaming. Janice asks if the brother died, but Mrs. B leaves the story on this cliffhanger. Afterward, Janice recalls her last visit to Canada, when her sister wrote a note just before she returned to England: “I remember what you did” (67).

Chapter 13 Summary: “Every Story Ends in Death”

On Janice’s next cleaning visit, Mrs. B does not bring up Becky. Janice reminds the old woman of her promise to share the story. Mrs. B curtly tells Janice that it was no promise. Janice mentions news she heard from Stan, a college porter (security doorman): Mr. NoNoNotNow (Mrs. B’s son, Tiberius) is scheming with the college to sell and convert Mrs. B’s home into a virtual-reality space for students. Mrs. B is angry and shocked. She says that she will have to give the matter “some thought.”

She returns to Becky’s story: The young brother died, and the parents sent Becky to live with nuns. Becky was consistently troublesome while living at the convent and was dismissed at 15. She stayed with a family of aristocrats for a year and then arrived at her parents’ house pregnant.

Here, Mrs. B explains that she fell in love with her husband, Augustus, while in Russia and implies that she and her husband were both spies for MI6 (the United Kingdom’s foreign intelligence agency). She mentions that she will call Fred Spink, a lawyer, regarding the college’s plans for her house. Mrs. B nicknames this man Mycroft (an allusion to Mycroft Holmes, the older brother of Sherlock Holmes in the stories by Arthur Conan Doyle).

Before Janice leaves, Mrs. B asks her to inform her of anything she overhears between Tiberius and Mrs. YeahYeahYeah, but Janice refuses.

Chapter 14 Summary: “One Perfect Moment”

Janice inadvertently says, “Oh, it’s you” (77), to the geography teacher driver when she gets on the bus. He smiles, puzzled. She is mortified but spends the ride thinking about how some people’s relationships stem from one perfect moment like Mrs. B meeting her husband in a Russian coffee shop.

Another client, Arthur Leader, met the love of his life when a lady and her then-boyfriend reported the theft of the boyfriend’s rain jacket to Arthur, a policeman on duty at the local precinct. He located the rain jacket from the thief “but stole the girl” (79), only to learn upon his wife’s death that she fell in love with him that night at the precinct too. Janice is so caught up thinking about the value of single perfect moments that it takes her time to remember that she is married.

The door hangs open at Decius’s house, so she enters to ensure that Decius has not escaped. She hears Tiberius angrily discussing his mother. He declares that she is a burden who should be out of her home so that the college can use it, that he never dreamed that Janice would start cleaning there, and that money for his mother’s expenses is no concern. Janice slips out before she is caught eavesdropping.

Chapter 15 Summary: “The Oldest Story in the World”

On her next cleaning day, Janice takes care with her hair and clothes in case the morning bus has her driver, but it does not. Mrs. B notes that Janice’s clothes are nice enough for dinner out at a pub with steak as the special. When Janice makes no answer, Mrs. B comments, “Ah, so not your husband. Like that, is it?” (86). Ashamed, Janice goes to clean the bathroom.

Mrs. B seems to feel apologetic later and continues Becky’s story. Becky’s parents gave away her baby daughter, and Becky became a sex worker. She also took fashion and elocution lessons from a madam and attended high-society events. Mrs. B suddenly stops to ask Janice if she would rather be a sex worker or a cleaner. Janice does not answer, and Mrs. B reveals that everyone she asked highly recommended Janice. Janice offers to make them both hot chocolate, and Mrs. B accepts.

Becky soon worked her way toward becoming a significant man’s courtesan, but he eventually paid her and went away. Mrs. B says that she will end the story for the day with Becky in Paris and the war approaching. Janice departs, feeling unsure about whose side she might be on in the coming conflict between Mrs. B and her son.

Chapters 9-15 Analysis

While the first eight chapters center on introducing Janice and establishing the setting, Chapters 9-15 focus on the novel’s various conflicts. Both internal and external conflicts begin to consume Janice’s comings and goings. The external conflict is Mr. NoNoNotNow’s (Tiberius’s) intention to sell his mother’s (Mrs. B’s) home to the college for student use as a virtual-reality studio, which feels treasonous to Mrs. B.

Besides demonstrating Janice’s strong morals and compelling her to question which side is more just, this external conflict also introduces irony with the intended use of Mrs. B’s home. While the home is filled with real, concrete objects representing Mrs. B’s life, her son wants the space to be emptied and converted into a virtual-reality studio—the very opposite of real or concrete. This juxtaposition is not only ironic but also symbolic: It highlights the difference in how Tiberius and Mrs. B feel about one’s life story. Mrs. B wants to surround herself with meaningful mementos, while Tiberius’s cold, stark home indicates that he—according to Janice—has no story at all.

Another example of external conflict is the tension between Janice and Mrs. B, which is reflected in Mrs. B’s story about Becky. Mrs. B’s tale takes inspiration from Vanity Fair, in which Becky is born into a lower-class family but works high-society’s rules to her favor, using the elite’s etiquette, relationship arrangements, and economic systems to climb the social ladder. Mrs. B likewise presents an adventurous and outspoken “Becky” who comes from socioeconomic struggle and has the gumption to enter social circles where she does not “belong.” However, Mrs. B’s story is also informed by her perception of Janice, who is herself an average woman (a house cleaner) who flirts with sexual scandal (harboring extramarital feelings for another man) and slips in and out of socioeconomic circles (through her clients). Even the external war in Becky’s story parallels the internal war waging within Janice.

These parallels support the theme of Storytelling as a Means of Connection. While Janice knows the full story of the Becky in Vanity Fair, her favorite novel, Mrs. B’s Becky is a mystery since the storyteller starts and stops the story at will and interrupts herself with questions about Janice’s background and family. This mirrors what readers know of Janice: Though the initial chapters establish her current status quo, her past remains a mystery, and her future is undetermined. As more of Becky’s story is recounted, more of Janice’s story is revealed, bringing her character arc closer to resolution.

Internal conflicts develop in this section as well. After the initial chapters establish Janice’s world, these chapters introduce threats to that foundation. For example, Janice gains favor with Mrs. B after revealing Tiberius’s scheme. However, when Mrs. B asks Janice to eavesdrop on Tiberius regarding her home’s fate, Janice refuses. She continues to refuse even after learning that Tiberius was using her as a pawn to manipulate his mother.

While this shows the strength of Janice’s moral integrity, it also raises questions about why Janice clings so tightly to such rigid morals, enriching the narrative’s exploration of The Complexities of Self-Worth. The text’s continued foreshadowing about her past—such as in Chapter 12 when Janice recalls the note from her sister about “what [she] did” (67)—suggests that Janice’s strict morality is a response to guilt over some dark event in her childhood. These chapters question the value of such inflexibility, as Janice finds herself caught in the fight between mother and son, unsure who is more right or wrong.

Janice is similarly conflicted about her marriage to Mike, as demonstrated by her girlish crush on the bus driver. Through a quick viewpoint change, the author creates dramatic irony, revealing that the driver is aware of Janice and finds her physically attractive too, giving readers more insight into his feelings than Janice herself. Another internal conflict regards Janice’s childhood; she recalls her childhood with negativity again and then mentions her sister’s revelation that she recalls “what [Janice] did” (67). This clue foreshadows growing development in the mystery of Janice’s background. She still believes that she has no valid story (another internal conflict), but each mention of her lack of a personal, significant story builds up to the future revelations about her childhood.

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