61 pages 2 hours read

The Jasmine Throne

Fiction | Novel | Adult | Published in 2021

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Background

Authorial Context: Tasha Suri

Tasha Suri is a British fantasy author whose novels draw inspiration from Indian history and folklore. Born in London to Punjabi parents, she frequently visited India during her childhood, and these experiences influence her writing. Her 2018 debut, Empire of Sand, was the first book in the Books of Ambha series. This novel and its sequel, Realm of Ash (2019), are set in a fantasy world inspired by the Mughal Empire and explore themes of cultural identity and resistance. The story follows Mehr, whose father is an imperial governor and whose mother is a nomadic woman from a marginalized group called the Amrithi. Mehr possesses forbidden magic in her blood, and when the empire discovers this, she is coerced into using her abilities to serve the empire’s interests. Critics praised the novel’s prose, world building, and emotional depth. TIME included it in their “100 Best Fantasy Books of All Time” list in 2020, and Suri won the Sydney J. Bounds Best Newcomer Award at the 2019 British Fantasy Awards.

In 2021, Suri began publishing the Burning Kingdoms trilogy, beginning with The Jasmine Throne. She followed this with The Oleander Sword (2022) and The Lotus Empire (2024). This trilogy has a complex plot, an expansive cast of characters, and an immersive world. The Jasmine Throne was praised for its handling of real-world issues, such as patriarchy, religious fanaticism, and the consequences of colonialism. Suri also includes complex, morally nuanced characters, particularly focusing on strong female protagonists. The fantasy genre has been long dominated by Western influences, and Suri’s work represents a shift toward more inclusive and culturally diverse narratives.

Cultural Context: Indian Culture and Folklore

One of the defining characteristics of Suri’s writing is her use of Indian folklore and culture to shape the fantasy worlds of her novels. In The Jasmine Throne, this manifests in every aspect of the story: the food, the clothing, the characters’ names, and the magic that permeates the setting. The novel draws from the Mahabharata and The Ramayana, two of the best-known epics from ancient India, as well as from Sangam literature from the Chola dynasty, which is a rich body of work that highlights Tamil poetry and philosophy.

The novel also incorporates creation myths inspired by Hindu cosmology: While depicted as separate in the story, the origin stories from Parijat and Ahiranyi beliefs both share the same source. Priya describes the world as coming from an egg and water, and this directly references the Garuda Purana, an ancient Hindu text that describes the universe as beginning from a cosmic egg. The Parijati belief that the current world arose after the burning of a previous one also borrows from Hindu beliefs: It refers to the cycle of creation and destruction, known as pralaya, which is referenced in the Upanishads and later Puranic texts. The name “Parijat” itself refers to the South Asian flower Nyctanthes arbor-tristis, also known as night-blooming jasmine or the “tree of sadness.” The flower blooms at night and dries up by morning, embodying the concept of fleeting beauty, loss, and regeneration.

The novel also incorporates the yaksa, which are nature spirits from Hindu, Jain, and Buddhist traditions. Originating in the ancient Vedic texts of India, the yaksa are portrayed as spirits that inhabit forests, rivers, and mountains. They are thought to possess control over natural elements and are often linked with fertility and the life-giving forces of the earth. They are also invoked for protection or blessings, especially regarding wealth and prosperity. While often depicted as benevolent, they can also appear as mischievous or malevolent entities.

By weaving elements of Indian culture and folklore into the novel, Suri creates a fantasy landscape that echoes past mythical worlds while exploring contemporary themes.

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