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Content Warning: This section contains references to unwanted sexual comments and touching.
Solène travels to Maine with her parents to visit Isabelle at camp. She continues to hide her relationship with Hayes from Isabelle but shares that Hayes has become a client. The next week, Solène flies to New York to see Hayes. As they leave for a weekend trip to the Hamptons, Solène is overwhelmed by the aggressive nature of August Moon’s fans. In the Hamptons, they have sex and confess to each other that their relationship is “more than [they] expected” (130).
Later that evening, Hayes and Solène spend time with Oliver and his girlfriend Charlotte while the other bandmates party in Miami. In the morning, Solène goes for a run with Charlotte, who details the creation of August Moon. Hayes created the band with the help of his mother and her friends, the Lawrences, who work as the band’s managers. Charlotte alludes to Hayes’s penchant for older women. Back at the house, Solène dresses for the day and discovers Oliver has entered their bedroom without knocking. His behavior disturbs her.
While out for the day, Hayes sends his bodyguard to buy more condoms for them. Hayes and Solène quarrel about Solène’s hesitancy to have sex with Hayes without a condom. She continues to wonder if Hayes is having sex with other women. At the house, Hayes, Solène, and Oliver enjoy an afternoon in the sauna. When Oliver and Solène find themselves alone in the kitchen, she feels Oliver caressing her shoulder with a finger. She feigns illness and escapes to her bedroom. Unsure of what to do, Solène keeps her fears about Oliver’s intentions to herself. On their last day together, Solène expresses to Hayes her desire for Hayes to be honest with her about any other romantic partners. He agrees to tell her should the need arise.
Solène and Daniel attend an event at Isabelle’s school. At the end of the evening, Daniel confronts Solène about her relationship with Hayes. She reiterates that Hayes is just a client. Although he expresses disbelief, Daniel warns Solène about how Solène’s relationship with Hayes “would likely kill Isabelle” (150).
After weeks apart, Hayes travels to Los Angeles to visit Solène and attend a show at her gallery. As Solène shows Hayes around her home, he observes a photograph of Solène pregnant and touches her stomach. When she recoils, they drop the subject and continue the tour of her home. In Isabelle’s bedroom, Hayes acknowledges the awkwardness of their situation and discusses Solène’s plan to tell Isabelle that Hayes is just a friend and client. An unexpected delivery arises. Hayes has purchased a photograph that Solène loved from her gallery. She cries and thanks Hayes. They begin to have sex in front of the art. When Hayes suggests not using a condom, Solène agrees.
Solène and Hayes attend the opening at her art gallery. While Hayes chats with Isabelle and her friends, Solène learns from one of her employees about Hayes’s plans to purchase the art for her and about photos that have leaked of them in the Hamptons. Solène escorts Hayes into her office where they have sex.
Solène heads to Paris with Lulit for a work trip, which coincides with her birthday. Hayes insists on joining the trip. He supports Solène at an art fair and joins her for dinner with her friends from the art world. During the dinner, Hayes demonstrates a newfound knowledge of art, which excites Solène. They return to their hotel room and have passionate sex. After, Hayes confesses his love for Solène as he falls asleep.
The following day, Hayes arrives unexpectedly at the fair and asks Solène to leave early for the day to spend time with him. He convinces Lulit to allow Solène to leave by purchasing one of the remaining paintings in their booth. When Solène refuses to hold his hand outside out of fear of being photographed, Hayes grows upset and confronts Solène. After she expresses her concerns about their age difference, Hayes dismisses her fears and asks Solène to tell Isabelle about their relationship. The trip ends on Solène’s 40th birthday. Hayes calls himself Solène’s boyfriend and gifts her a diamond bracelet.
August Moon releases their new album. Hayes plans to rent a Malibu house with Solène for a few days. In preparation for Hayes’s arrival, Solène attempts to reveal her relationship to Isabelle but fails. On the day of Hayes’s arrival, Daniel informs Solène that he cannot watch Isabelle due to a last-minute business trip. When Solène informs Hayes of the change in plans, he expresses his frustration at Daniel and at Solène’s hesitation in telling Isabelle the truth. Frustrated, he arrives to take her to dinner. At the restaurant, Hayes shares his thoughts about quitting the band. Solène comforts him.
Later that evening, Solène arrives home after dinner. After seeing them kiss outside, Isabelle confronts Solène about her relationship with Hayes. Devastated, Isabelle expresses her disgust with Solène and heartbreak over Hayes choosing Solène over her. A week passes before Isabelle speaks to Solène. Daniel drops her off and confronts Solène about her relationship with Hayes. Overly concerned with what others will think, Daniel derides Solène and abruptly informs her of Eva’s pregnancy and their impending marriage.
Unsure of how to repair her relationship with Isabelle, Solène reluctantly accepts Hayes’s offer to speak with Isabelle. He arrives at the house unannounced and speaks with Isabelle candidly about his feelings for Solène. After Isabelle seems to cheer up, he invites her and her friends to his film premiere in New York.
Isabelle continues to keep her distance from Solène until Daniel informs her of Eva’s pregnancy. Overwhelmed by the amount of change, Isabelle seeks out her mother for comfort, and they reconcile. Solène heads to Miami with Lulit for work. Hayes plans to come for the weekend. Lulit makes Solène promise not to leave her like she did in Paris. When Hayes arrives, he confesses to Solène that he has told his parents about their relationship and that they will be attending his premiere in New York. Later that evening at dinner, Solène struggles with trust issues when she and Hayes encounter one of his former lovers.
Early the next morning, Hayes receives the news that he and August Moon have been nominated for the Grammys. They celebrate later that night with some of Solène’s friends from the art world. Over dinner, they discuss the work of Anya, one of the attendees, whose art explores the ways society deems women undesirable after a certain age. Solène contemplates her own relationship with this standard. Alone, she and Hayes discuss her decision to be a working mother. Solène again expresses her strong desire to maintain an independent life despite the responsibilities of motherhood.
At the fair the next day, Solène learns that her relationship with Hayes has been featured on a gossip website as a blind item that does not feature her name but alludes to their identities. She decides not to inform Lulit. During a lunch break, Solène informs Hayes of the blind item. Unaffected, Hayes advises Solène to ignore the blind item and warns her the gossip will get worse. Back at her booth, Lulit confronts Solène about her relationship with Hayes despite her earlier support. Lulit expresses concern over Hayes breaking Solène’s heart.
Over the weekend, Hayes and Solène return from lunch and unexpectedly meet one of Hayes’s former lovers named Filipa in the lobby. When they are alone, Hayes reveals that he was responsible for ending Filipa’s marriage. Insecure about Hayes’s past and fame, Solène attempts to end their relationship, but Hayes refuses and declares his commitment to her.
In this section, Solène and Hayes’s relationship progresses. Solène struggles to tell Isabelle about their relationship out of fear of hurting Isabelle’s feelings, as Isabelle has long expressed an obsession with Hayes and August Moon. Solène also grapples with her growing insecurity over Hayes’s past relationships and possible other current sexual partners. She encounters two of Hayes’s former lovers in this section, which initiates anxiety spirals that lead her to attempt to end their relationship. As their relationship gains more exposure, Solène learns of Hayes’s penchant for older women. The fact that Solène and others consider this suspect is an exploration of how Society’s Disregard for Aging Women can be internalized and reflected in women’s attitudes toward themselves and each other. When Isabelle finds out about the relationship, she expresses distress over Hayes’s choice of Solène over herself, a reflection of the competition often experienced between mothers and daughters as daughters attempt to create their own identities separate from the shadows of their mothers.
Lee here is also exploring the idea of the “sisterhood”—that loyalty demands that women put each other first before their relationships with men. This is another societal pressure that Solène must navigate. Not yet a woman, Isabelle turns 13 over the course of the novel and enters a transitional phase. Unable to share her thoughts about womanhood openly with Isabelle, Solène struggles to navigate Isabelle’s turbulent emotions while honoring her deep connection to Hayes.
Isabelle’s reactions demonstrate that she is growing into a sexual being and personifies the female teenage fan crush and also the dangers for underage girls as they navigate their feelings in the adult world: Although Isabelle is closer in age to Hayes than Solène, any attachment between them would be deeply inappropriate. The implicit dangers in this dynamic are here combined with Solène’s insecurities over Hayes’s sexual history and potential lack of monogamy. Solène continues to minimize her growing feelings for Hayes to protect herself from being hurt. In this way, Lee generates conflict and plot momentum between Hayes and Solène as Hayes expresses his love for Solène openly and takes steps to define their relationship, following the genre pattern of the romance novel.
Despite her hesitation, Solène continues to explore a relationship with Hayes and challenges her impulse to restrict herself from expressing her true feelings. This section further develops the theme of Reality Versus Fantasy. When Hayes touches her stomach during her house tour, Solène reacts harshly to Hayes’s comments about her being pregnant. Although she maintains doubts over her ability to fulfill Hayes’s desire for a family, Solène allows herself to accept Hayes’s love.
As Solène and Hayes’s relationship grows stronger, outside forces threaten to uproot their progress, a common trope of the romance genre: one where reality begins to intrude on the private world of the lovers. In particular, secrets and the resulting shame become important to the narrative. Oliver, Hayes’s bandmate and childhood best friend, begins to act strangely toward Solène by initiating physical contact and making inappropriate sexual comments about her; she conceals this. This secret mirrors Hayes’s secret about his previous relationship with Oliver’s sister. Secrets raise the tension and suspense in a context centered on the major secret of Solène and Hayes’s relationship that, even when it is known by friends and family, must be hidden from the public.
Art as an expression of love plays an important part in this section. Hayes gifts her a photograph from her gallery that represents his support of her passion for art, and by extension her career. The photograph depicts a seductive image of a nude woman entitled “Unclose Me,” a reference by Lee to Hayes’s description of Solène as a slowly opening flower. Lee positions Hayes as a foil to Solène’s ex-husband Daniel whose lack of support for Solène’s work and passion for art ultimately led to their divorce. In an act of full trust, Solène allows Hayes not to use a condom during sex for the first time after she receives the photograph. This step indicates the growing trust between Solène and Hayes and the significance of his support for her. Hayes’s support of Solène’s artistic passion continues as their relationship progresses. He purchases art for himself and learns about it on his own to engage in conversation with her and her friends. He remains patient through Solène’s consistent attempts to push him away and declares his commitment to her openly. Through his steadfast dedication to her, Hayes encourages the growth of Solène’s self-awareness. After a fight over one of Hayes’s former lovers, Solène acknowledges her attempts to push Hayes away over her insecurities by claiming “I knew I was wrong. My way of coping. To distance myself before the inevitable. In some ways, I had done the same to Daniel” (237). Through her relationship with Hayes, Solène’s character arc shows her beginning to recognize the patterns in her relationships that allow her to shield herself from vulnerability but, ultimately, destroy her connections.
Lee expands on the complexities of womanhood not only in her depiction of Solène and Isabelle’s relationship but also in her discussion of art. She chooses Solène as her protagonist and places her as an expert in the art world with a passion for increasing opportunities for women and, particularly, women of color. She juxtaposes Solène with Hayes who struggles with defining himself as an artist due to the heavily commercialized nature of August Moon’s pop music. Through her description of art and Solène’s relationship with art, Lee explores the purpose of art and comments on society’s expectations on women. In this section, Solène meets with Anya, an artist whose exhibition explores “how women of a certain age cease to be seen. How society sweeps them under a rug, ignores them, discards them once past their prime” (222). Solène connects with Anya’s message and ponders her advancing age and loss of desirability in society’s eyes. Solène’s thoughts regarding her future as an unvalued older woman fuel her to embrace every moment with Hayes and their passionate love affair while, simultaneously, contemplating the limits of their relationship.
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