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The small room beneath the stairs in both the Accardis’ house and the Lowells’ house symbolizes the secrets that lurk on Locust Street, thus developing themes of The Danger of Family Secrets, Trust and Deception in Relationships, and Appearance Versus Reality in Suburban Communities. The small room in the Accardis’ house first appears obliquely: Millie hears a scraping noise in the night. Millie describes the noise as “horrible” and “terrible,” which foreshadows the depth of the evil that took place in the Lowells’ room. The noise alerts Millie that something is wrong with the house and the neighborhood, though she cannot identify where the sound comes from or what it means for her family.
When the room in the Accardis’ house is revealed, Millie realizes that Nico has been keeping secrets from her and using the room as his clubhouse. This is only the first of the secrets, however, and the most innocuous. Using the clubhouse is not indicative of Nico’s trauma on its own, but his use of the clubhouse in the middle of the night is unusual and a sign of the impact of the trauma on Nico’s psyche, which he keeps secret from his family. The room in the Lowells’ house is symbolic of Jonathan’s concealed depravity, which is secret from everyone except Suzette. The room does not appear until Nico reveals its existence to Ada, who then goes to investigate herself. For most of the novel, the room is known only to Nico. With Ada’s discovery of the room, the secret of Braden Lundie’s murder is revealed.
Millie’s blood pressure symbolizes the levels of danger she and her family are in; it also speaks to The Psychological Impact of Trauma. Millie’s blood pressure first rises shortly after the family’s move to Long Island, when she begins to feel faint after a stressful incident at work. Her blood pressure remains high, though she monitors it frequently throughout the novel.
At first, Millie dismisses her blood pressure issue, telling Enzo, “But you’re making too big of a deal out of this. I was just stressed out, and that’s why my blood pressure was high” (99). She disregards Enzo’s concerns about her health; she wants to believe the stress of the move is the cause of the problem since that stress is temporary. She fails to acknowledge the seriousness of the problem, just as she fails to realize the danger her family is in while living next door to the Lowells.
Millie’s blood pressure lowers when the danger is eliminated after Jonathan’s death: “I’ve been checking it every day, and for the last week, the numbers have been perfect” (374). When the danger is gone, so is her high blood pressure. Her family is safe again, and her health returns, illustrating the symbolic connection between her family’s safety and her blood pressure.
The pocketknife that Enzo gives Ada symbolizes heroism. When Enzo gives Ada the knife to defend herself, he tells her that it’s just “cautionary.” He wants her to use it only to defend herself, as he uses violence only to defend those who need it, like when he nearly killed Dario both in revenge for his abuse of Antonia and to protect anyone else who could be abused by him—a heroic attempt to rid his community of an abuser. Once Ada has the knife, her own heroic arc begins. When Hunter is harassing her at school, she thinks, “I bet if I took out that knife, Hunter would go away real quick” (324). She wants to threaten Hunter only to keep herself safe, as she later threatens him verbally to keep him away from both her and any other girl at their school.
Ada is a foil for her mother, but in her defense of Nico, she is like her father. When she stabs Jonathan, she thinks, “[Jonathan] doesn’t see the glimmer of the knife in the overhead lights until I have jammed it right into his belly, exactly where my dad told me to put it” (344). She copies Enzo’s instructions for how to use the knife to incapacitate the man who abused her brother and would likely kill her if she didn’t stop him. Millie acknowledges Ada’s heroism, thinking, “Ada did not do anything wrong. She is a hero, as far as I’m concerned” (374). Though her actions were violent, the novel suggests that they were justified to prevent a child killer from abusing and murdering any children again.
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