69 pages 2 hours read

The House of the Scorpion

Fiction | Novel | YA | Published in 2002

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Part 2, Chapters 6-9Chapter Summaries & Analyses

Part 2: “Middle Age: 7 to 11”

Part 2, Chapter 6 Summary: “El Patrón”

Rosa shouts at Matt to wake up. She takes him to the bathroom and cleans him, cuts his hair, and dresses him in clean clothes. Rosa is to take him to the doctor and important members of the family. She threatens to kill him if he says anything about her or his treatment. Rosa takes him to the nicer part of the house, he takes in the polished floors, colorful walls, and gardens. They reach a big room with a luxurious carpet and a table with tea and cookies. Matt sees the elderly, frail man called El Patrón sitting in an armchair and Celia in the doorway. Celia tells El Patrón about Rosa and Tom’s horrific treatment of Matt. Though Rosa denies the accusation, El Patrón calls the doctor in. After examining Matt, the doctor concludes that Matt is malnourished and has an allergic reaction to the chicken litter. He denies knowledge of Matt’s situation and Rosa flails at him. El Patrón is amused as bodyguards take Rosa away. Matt likes El Patrón—his face seems oddly familiar. El Patrón calls Matt forward and admires how young he looks. He decides to call Matt mi vida (my life) just as Celia does. Though Matt doesn’t speak, Celia shares how intelligent Matt is. El Patrón says that of course Matt is smart—he is his clone.

El Patrón offers Matt cookies and shares stories of his childhood in Mexico, before it was called Aztlán. The people of his hometown, Durango, were called scorpions, or Alacránes. After earning his first million, El Patrón made Alacrán his family name. Each of his siblings died young. When El Patrón falls asleep, Matt worries he will be taken back to his prison. Instead, Celia takes him to her new apartment in the Big House. María visits Matt a few days later and tries to make him talk, which he has not done since he was freed. El Patrón is leaving and everyone will be present to bid him farewell. He bites María instead. When she calls him a bad clone, he wonders why he should bother being good when being a clone is bad no matter what. Celia arrives and tells María that Matt was locked up for six months—longer than her dog was—and it will take him longer to recover. Celia takes Matt into her arms and sings him his favorite song.

Matt starts to panic when Celia takes him out of his room. She promises not to let anyone hurt him, and they head to the front of the Big House. The marble walls, statues, and white pillars enchant him. Matt is introduced to the entire family lined up on the porch, including Mr. Alacrán, his sickly wife, Felicia, and his elderly father. None are pleased to meet him, but they are polite out of fear of El Patrón. El Patrón announces that Matt, his clone, is the most important person in his life. He demands that Matt be educated, well fed, and treated with respect. He looks directly at Tom and threatens to punish anyone who harms Matt. El Patrón then asks Matt to pick one of his bodyguards. They are rough-looking men from Scotland—El Patrón always picks his bodyguards from another country. Between Daft Donald and Tam Lin, Matt picks Tam Lin because of the hint of friendliness in his eyes. El Patrón says goodbye and leaves, after which all the family members leave. María is dragged off, and Matt is left with Celia and Tam Lin.

Part 2, Chapter 7 Summary: “Teacher”

Matt avoids leaving Celia’s apartment unless María and Celia persuade him to. The servants and the entire family ignore him. Matt doesn’t like seeing Tom, who teases María to tears. One day, Tom follows María to Celia’s apartment and rips the ear off Matt’s teddy bear, pushing Matt to hit him. María calls Tam Lin to break up their fighting. Tam Lin reminds Tom of El Patrón’s warning, and Tom apologizes. However, María and Tom leave because Matt is still angry. Though Tom is courteous around adults, there is something off about everything he does. Tam Lin spends his days reading the newspaper as Celia and María attempt to interest Matt in playing and eating. When Matt develops a cough, the doctor visits. Matt wakes up one night unable to breathe. Tam Lin slaps Matt’s back, clearing his throat. Matt enjoys Celia and María’s panic whenever he coughs, as it makes him feel cared for.

María tells Matt that she has to go to school, reminding him that she doesn’t live there. She reaches out to Matt and tells him that she thinks he can talk if he wants and asks him to say he will miss her. Instead, he shoves her away. When she cries and runs off, Tam Lin tells Matt that he could have been nicer. Tam Lin knows that Matt understands him—Matt takes in everything with his sharp eyes just like El Patrón. He tells Matt that El Patrón has both a good and a bad side, and that because Matt is still young he can choose to be kind now so he can grow into a kind man. Matt is left alone when all the children leave for school. Matt looks at himself in the mirror—he doesn’t look much different than other kids and wonders if he is different on the inside. He remembers the doctor telling Rosa that clones fall into pieces when they get older and wonders if he actually will.

Tam Lin takes Matt to meet his teacher, who goes by the name Teacher, speaks with a cheerful voice, and has an odd smile. She makes Matt copy letters, color pictures, and count objects repeatedly. Though Tam Lin tells Teacher that Matt is an orphan, she keeps telling Matt that his mother will be proud of him. Tam Lin shares that there is something strange about Teacher. However, Celia explains that repetition is how you teach children. The next few days pass with Teacher making Matt repeat the same tasks. When Teacher asks Matt to count apples again, he snaps, saying he isn’t a good boy but a bad clone. When he continues yelling and throwing her supplies around the room, Teacher whimpers like a frightened animal against a wall. Tam Lin bursts in and comforts Teacher, telling her that she fixed something no one else could and that he didn’t know what he was looking at until now. As Tam Lin escorts Teacher out of the apartment, Matt tests out his voice by saying his name aloud and calling himself a good boy. Tam Lin reenters, confirming that Matt can actually talk. He is thankful that Matt is finally speaking—he was fed up with all the counting. When Matt announces that Teacher was an eejit, Tam Lin tells him that he doesn’t know what he means. He decides to take Matt on a picnic to celebrate and explain on the way.

Part 2, Chapter 8 Summary: “The Eejit in the Dry Field”

Matt is excited to ride a horse with Tam Lin, just like the bandidos in his favorite cowboy TV shows. He excitedly chatters with Tam Lin about the nature all around him as they ride through the poppy fields toward the hills on the horizon. Matt observes farm laborers for the first time as they slash the pods with knives, which Tam Lin explains is the process to release opium. Matt notices that the workers bend and slash in a hypnotic rhythm without speaking or wiping sweat off their faces. When they come across a man lying on the ground, Matt begs Tam Lin to help him. Tam Lin snaps at Matt and explains that the man died from either heat or dehydration. Matt wonders why the man didn’t return home and why other workers didn’t help him.

When they reach the hills, they stop underneath a cliff. Tam Lin commands the horse to drink water. He explains that it is a Safe Horse, which means it can neither leave the farm nor do any action without being commanded to. Tam Lin leads Matt up the hills, where they climb through a hole in a boulder into a hidden oasis. Tam Lin shares that he brought Matt to the oasis to teach him important things in secret, as he is a clone and doesn’t have parents to teach him. Tam Lin explains that a long time ago, some doctors took a piece of El Patrón’s skin and froze it, and eight years ago it was used to grow a copy of him. This piece of skin was placed inside a cow to allow him to grow until Matt was born. Tam Lin admits that though many people will hate him for being different, there are still people who love him, like Celia and María.

Tam Lin explains that Matt can’t go to school because he is a clone. El Patrón insists that Matt be educated and live a normal life, and since no private teacher would consent to teaching a clone, they had to hire an eejit. Matt is surprised at the word, as he previously thought it was a swear word. Tam Lin explains that an eejit is a person or animal with an implant in its head. Eejits are only able to do simple actions, and they cannot rest or drink water until someone tells them to. Connecting the dots, Matt realizes the dead man was an eejit. Tam Lin admits that the man probably lagged behind other workers and worked himself to death when he didn’t hear the command to stop. Matt covers his ears, not wanting to know any more. Tam Lin and Matt spend the rest of the day exploring the secret valley.

Part 2, Chapter 9 Summary: “The Secret Passage”

Matt continues his schooling through distance learning. Despite his excellent performance, he feels hollow inside. He knows he is only a “photograph of a human” and isn’t important (84). The eejit dying of thirst in the fields haunts his dreams and causes him to wake up throughout the night unbearably thirsty. María starts to bring her dog, Furball, during her visits. Matt hates that everyone assumes he and the dog are the same, despite Matt’s excellent grades and manners. When María isn’t there, Matt explores the house alone, pretending he is his favorite TV character scouring an enemy fortress. Matt hides and listens to Mr. Alacrán’s wife Felicia fervently playing the piano in the afternoons. Her passionate playing is unlike her usual sluggish self, and she plays until she is exhausted. The servants then bring her a drink and carry her to her apartment.

One day when Felicia doesn’t come to play, Matt approaches the piano and touches its keys. He hears Felicia approaching and runs to hide in a closet. To his surprise, Matt finds a switch that slides open the inner wall to reveal a hidden passageway. Matt flips the switch to close the wall again. After the maids carry Felicia away, Matt escapes back to Celia’s apartment and is scolded for his dusty clothing. Matt thinks his discovery is even better than an episode of his favorite show and is pleased with his new secret. Over the next few weeks, Matt explores the hidden passageway, snaking between the walls of the house. The walls contain peepholes through which Matt sees into empty rooms and closets. When he finds another switch, the door slides open into a closet. On the other side, Matt can hear the doctor and Mr. Alacrán pleading with his father to go for chemotherapy. However, the old man wants to return to God, calling the Big House “a place of shadows and evil” (88).

While listening to Felicia play one day, Matt overhears her complaining to the doctor. The doctor gives her an injection and carriers her away when she falls asleep. Alone in the music room, Matt moves towards the piano and starts to play. He is so enchanted by the music that he decides to come and play when no one else is around. He finds himself able to re-create the songs Celia sings to him with one finger. The ability to play music fills him with so much joy that he forgets he is a clone. Tam Lin finds him one day and tells him not to stop—he admits El Patrón was never musical. Tam Lin decides to ask El Patrón to find Matt a music teacher. Though difficult at first, they finally find a deaf teacher who is able to feel Matt play with his fingers and catch every mistake. Soon enough, Matt excels in his musical ability as in every other subject. He is determined to learn and excel so everyone will love him and forget that he is a clone.

Part 2, Chapters 6-9 Analysis

As Matt settles into life at the Alacrán estate, he is further exposed to society’s attitude toward him as a clone. Matt questions his treatment and the nature of his existence as a clone. His questioning raises the ethical argument of whether clones should be treated or perceived as unequal when there is no apparent difference between an original and a copy. However, the fact that Matt has musical abilities that El Patrón himself did not suggests a distinct humanity within the existence of clones—and that a clone is not necessarily a complete copy and might have a soul and identity disconnected from his or her original. The reader is also introduced to the zombie-like eejits—human beings turned into mindless workers for the sake of productivity. While the medical and scientific advances in the futuristic setting might seem miraculous and life-changing, the real human cost of such achievements is examined in the existence of both clones and eejits. Matt is deeply bothered by the lifelessness of the eejits, and his dreams are haunted by the eejit who worked himself to death. The use of eejits for labor is another form of slavery that strips humans of not only their free will but their minds, too.

El Patrón saves Matt from a terrible fate at the hands of the hateful Rosa. While Rosa embodies the most intense form of hatred for clones, El Patrón treasures Matt and demands that he be treated with respect and granted the highest education. El Patrón is clearly feared by all members of the family, and they obey him without question. However, none of the members of the Alacrán family seem to hold true, sincere reverence for the old man—they seem to view him more as an unavoidable, foreboding power in control of their lives. Matt is revealed to be curious and sensitive to those around him. He does not see any physical difference between himself and the other children and strives to excel academically and artistically in the hopes of being treated as an equal. Matt’s questioning is one form of commentary on the ethics of the cloning of humans and the subsequent costs that arise from the existence of such a being.

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