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A flashback from Raleigh summarizes the discovery of Moloch. Shelly Framington, an astronaut, was commander of the International Space Station (ISS) when a large unknown object attached itself. It was smooth and white, without seams or damage from space dust; the astronauts on the ISS quickly determined that it was an artificial construct of non-human origin. Framington argued that the object should be brought to earth to be studied, and Ringrock Island was chosen, as it was already a high-security biological lab. The object was kept on the ISS for 20 days and then transported to Earth to be studied. Raleigh’s account comes seven months after that event, and scientists have discovered that the object is hollow, containing something. Raleigh ends with his certainty that the object is a gift from an advanced alien civilization.
Libby continues explaining, in her own words, what happened with the object after this study. The scientists took great precautions in trying to open the artifact; when it opened of its own volition, a worm-like creature of living tissue emerged. The scientists put a rat into the clean room with the creature, and it morphed into something terrifying, combined with the rat, and created the first hybrid. The creature then reformed into the worm and re-entered its shell. The scientists, initially horrified, became excited by the possibilities of this creature. Raleigh wanted to name it Proteus, but the other scientists decided on Moloch—a demon who eats children.
In a flashback journal entry from Raleigh, dated five years and five months before the crisis on Ringrock, he recounts in its entirety a letter from four other scientists demanding to destroy Moloch because of the danger that its escape presents. They argue that they have learned nothing about the organism and that assuming it will help humanity to cure cancer or other diseases is self-deception. They also tear down Raleigh’s theories about Moloch as a biological librarian or artist, calling them “ludicrous.” They theorize that Moloch is in fact a weapon created by an alien civilization and demand that it be destroyed or quarantined far out in space. In his journal, Raleigh responds to this letter by revealing that these four scientists have been fired and threatened with huge legal, financial, and physical consequences if they ever violate their nondisclosure agreements.
Katie begins packing their escape supplies while Libby tells her about how the fusions break down. The theory that Moloch is learning—that eventually it will master life on earth and create a stable fusion—horrifies Katie. While Katie packs her go bag with $250,000 in cash, they hear the creature in the cellar. Libby tells her that it is probably a failed spawn—a mess of cellular soup trying to find a form that may have fused with the grass around Katie’s house. They finish packing and plan to leave using Katie’s outboard motorboat, but before they leave, the house shakes.
Katie thinks about how Moloch could have been handled by scientists and leaders with more prudence and blames them for ruining her Eden. She, Libby, and Michael J. run as the house creaks and shudders around them, a hole eventually developing over the cellar. Katie finds herself longing to see what is in the hole, but Libby grabs her attention and tells her to run. As she pauses on the threshold, she looks back to see a giant worm emerging from the cellar, imprinted with the same human face over and over—a 50-year-old man. Katie closes the door behind her and runs to the boathouse with Libby and the fox, reminding herself that they need to get to the mainland to survive.
In a flashback, Katie sits in a funeral home waiting for Avi’s ashes to be brought to her. On the way home, she is followed by a black vehicle with tinted windows. Later, when she visits the cemetery, a man with binoculars observes her. She thinks that someone is monitoring her phone calls and tells what friends she still has to keep their distance. She believes that someone might try to stage her suicide and stays alert for that but ultimately decides to escape to Jacob’s Ladder.
Back in the present, Katie considers that although she knows her island well, it appears unfamiliar in the stormy dark. They find the boathouse, but a light is on; someone is inside. Katie finds Robert Zenon attaching her missing engine to her boat. She keeps her gun on him and demands that he disarm. He tries to persuade her out of it, but she eventually gets him to drop his pistol on the dock. She forces him to get off the boat so that she, Libby, and the fox can use it to escape.
Holding Zenon at bay with a gun, Katie keeps him talking while Libby prepares the boat for their escape. She asks him what he was doing on the island; he says that he and Rice were sent to follow an escaped fusion from the lab. He claims that they killed it and two of its spawns and then claims to have killed Rice. Since Katie knows that Libby killed Rice, this lie tips her off that Zenon cannot be trusted. Katie wants to kill him but shows pity. They drive away with Rice on the dock, leaving him an unloaded gun. As long as he has more ammunition, it will give him some means of defending himself from whatever else might be on the island.
In “Part 6: Brink,” Katie and Libby share information and pack food, money, weapons, and personal effects for their journey off of Jacob’s Island. As a firm believer in Preparation as the Best Defense, Katie has been ready for an eventual escape for years. Their preparations are in sharp contrast to the story that Libby tells Katie of the discovery of Moloch on the ISS and the government’s eager rush to learn more about the creature. Katie thinks of all the ways that scientists and the government could and should have been more careful with the discovery of an obvious alien artifact, considering them “individuals of great learning and no prudence” (265). Their lack of preparation and forethought left them—and everyone else on Earth—vulnerable to Moloch.
As Katie and Libby leave, the seemingly indestructible house begins to crack and crumble around them, and all of Joe Smith’s solid wooden and stone elements break under the stress of Moloch’s attack. Katie turns on the threshold of the house only to see it broken and slanted behind her like “a fun house” (268), with Moloch rising from the cellar. The horror of this image is not only repulsion at the sight of Moloch but also dismay that her house, the symbol of her privacy and safety, has been thoroughly invaded and destroyed. The “fun house” image heightens the novel’s eerie sense of the uncanny since a fun house distorts the conventional elements of a house. This is reinforced when the island, a pre-established, familiar setting, begins to change before Katie’s eyes. Once outside, the storm and the shock of the events has defamiliarized Jacob’s Ladder so much that Katie feels that the entire island has been changed and is “changing further under the influence of an entity not born on this world” (269). Katie’s earlier decision to move on and live fully is compelled by being forced from the island to the mainland and back into relationships with other humans, starting with Libby.
“Part 6: Brink” ends with the reveal of the book’s secondary antagonist, Robert Zenon, who has been lurking on the island since Part 2. By threatening Katie and Libby at the dock, he represents yet another obstacle to their escape, but his cruelty and arrogance in this scene foreshadow the reveal of his plans to leverage information about Moloch to take over the ISA.
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By Dean Koontz