40 pages 1 hour read

The Hating Game

Fiction | Novel | Adult | Published in 2016

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Chapters 1-6Chapter Summaries & Analyses

Chapter 1 Summary

Lucy Hutton, the narrator, and her officemate, Joshua Templeman, engage in the Mirror Game, where they copy each other’s movements to irritate one other. Lucy and Joshua work at Bexley & Gamin Publishing as executive assistants to co-CEOs Helene Pascal and Richard Bexley, respectively. The publishing companies Bexley and Gamin merged a year ago to save themselves from collapse, but their office cultures were, and remain, different. Gamin cares most about the art and magic of books; Bexley cares most about sales. Lucy notes: “The Bexleys are hard geometrics, the Gamins are soft scribbles” (2). Josh is a Bexley, Lucy a Gamin.

Lucy tells the reader, “[T]he most essential thing anyone needs to know about me, is this: I hate Joshua Templeman” (4). She hates him so much that her computer password is “IHATEJOSHUA4EVA@.” Her previous passwords have been various variations of the same.

Lucy receives a call from Julie Atkins, who once again asks for an extension on the monthly report. Lucy grants it, knowing that means she’ll have to do it herself. She also knows without having to look that Joshua is shaking his head at her lack of assertiveness. They play the “Staring Game” next, in which Lucy assumes the objective is to make the other smile or cry, although she admits she doesn’t actually know the end goal of these games. Lucy comments on the predictable order of his shirts’ colors, which leads to the HR Game, when one of them reports the other to human resources. She’s previously reported him for calling her “Shortcake,” his nickname for her.

Lucy also dislikes Mr. Bexley, who she secretly calls “Fat Little Dick” because of his stuffy and misogynist behavior (8). Mr. Bexley calls Joshua “Doctor Josh,” which Lucy assumes is due to Joshua’s “clinical” behavior; Joshua tells Lucy to not call him that. Joshua and Lucy leave the office for the day. Joshua offers her a ride since her car is in the shop, but she refuses.

Chapter 2 Summary

Lucy tries to get information about Joshua from his desk before he arrives to work. She assumes his password is about how he hates her, but she’s wrong. She finds codes written in his planner that she can’t decipher, taking a photo of them with her phone. She hears him coming up the elevator and races to her desk. His chair spins slowly from the movement; he knows she was there.

Joshua steps close to her desk to confront her. They engage in the Staring Game. Joshua is very tall and has “ink-blue” eyes; he looks like Clark Kent from the old Superman comics. Lucy keeps her eyes steady so she doesn’t look at his mouth: “Why would I want to see it up close? I wouldn’t” (18).

Andy the courier arrives with a package for Lucy. He reveals to Joshua, to her dismay, that it’s a rare Smurf figurine for her collection. After Andy leaves, Joshua comments on Lucy flirting with Andy. She says that she was simply nice to him. Joshua thinks she cares too much what other people think. He says: “’You’re chronically addicted to making people adore you’” (22). This stings. She tells the reader: “Joshua is like a mirror that shows me the bad parts of myself” (22). They try to get the other to show vulnerability, the ongoing game. The chapter ends with Lucy trying to decode the marks she found in his planner. She’s dubbed this the Spying Game.

Chapter 3 Summary

Lucy initiates the You’re Just So Game. She begins: “You’re Just So predictable’” (26), and adds: “You’re just so inflexible” (27), one of the primary things that bothers her about him. Joshua mentions her upbringing. Lucy grew up on her parents’ strawberry farm Sky Diamond Strawberries. Joshua doesn’t know how homesick and lonely she feels when she thinks of her parents; he looks concerned when tears come to her eyes. She knows she’s lost this round.

At the staff meeting, Lucy talks to Danny Fletcher. She sees that he’s attractive, and they flirt. Mr. Bexley and Helene announce that they’ve established a third executive position of chief operating officer (COO). Helene tells Lucy she wants her to get it. Lucy wants it badly. For one, she’d be Joshua’s boss, and for another, she’d have enough money to go home more often and get herself a new car. Joshua tells her: “’The job is mine, Shortcake” (38), but Lucy is determined to win “the most important game we’ve ever played” (38).

Chapter 4 Summary

Lucy and Joshua head to the office’s kitchen. Their coworkers watch, accustomed to Lucy and Joshua’s enmity. Jeanette from HR appears and reveals with irritation that she was called in to referee; their complaints about one another have become what she calls her “full-time job.” Lucy and Joshua start playing a new game, telling each other how they will treat them when they become the boss. The game grows more and more heated. Joshua makes a mark in his planner.

Lucy video chats that evening with her parents. They discuss the chief operating officer position, strawberries, and how Joshua continues to make her office life miserable. Lucy’s mother asks if she’s made any new friends since Val from work had gotten fired. (Val was laid off when Gamin merged with Bexley; hurt that Lucy didn’t warn her that she was losing her job, Val ended the friendship.) Lucy tells her she has no friends. No one wants to be her friend because of her relationship with and loyalty to the boss. She mentions having met Danny, and her parents grow excited about the possibility of Lucy dating him.

Before going to sleep she studies the photo of the marks Joshua made in his planner. She considers that some of them may tally their arguments, but doesn’t know what the others mean. She plans a sexy outfit for the following day that will throw him off his game.

Chapter 5 Summary

Lucy has an erotic dream about Joshua and finds herself aroused. She arrives to work in a sexy, little dress. Joshua asks if she has a date. He makes a mark in his planner, and she tries not to think about the dream. He can tell something is up and asks what’s going on. She tells him she had a dream, and they play Word Tennis, in which whomever can’t think of a reply loses. When he asks who her date is with, she knows she needs to find someone quickly. He asks when and where the date is taking place. She makes something up. He says that coincidentally he’ll be there too at the same time. She invents an elaborate and sexy dream to tell him about, and realizes he’s turned on. Lucy finds Danny and asks him to meet her that night so Joshua will believe her lie.

Lucy suggests a team-building retreat to Helene to get the Bexley and Gamin employees to intermingle. At the same time Joshua suggests something similar to Mr. Bexley. Helene and Mr. Bexley argue about which idea they’ll choose, and Helene concedes defeat. She apologizes to Lucy; they’ll be playing paintball. She demands that Joshua and Lucy be on the same team.

Chapter 6 Summary

Joshua offers to drive Lucy to her date, and stops the elevator on the way to the garage. He picks her up, puts her on the metal railing, and kisses her. The kiss is lustful and intense. Lucy is knocked off her senses. She accuses him of trying to throw her off before her date, and he learns she really has one.

When they arrive at the bar, Lucy jumps out of the car and finds Danny inside. He tells her she’s beautiful. Lucy excuses herself to the hall near the bathrooms where she cries. Joshua appears, bringing her coat, which she left in his car. He asks about her tears, and she gets mad that he’s seeing her like this. She tells him: “’You’ve broken me down so completely, I can’t even handle when a guy tells me I’m beautiful […] You’ve ruined me’” (76). Her hatred for Joshua has become much more complex.

Chapters 1-6 Analysis

The first chapters establish the two primary characters: Lucy and Joshua. Lucy is a people pleaser, which will change during the novel. When Joshua talks to her about being addicted to other people’s adoration, he foreshadows her character arc and how she will transform. He also foreshadows how her relationship with him will be a mirror, one that will give her the courage to become stronger and more assertive.

Joshua seems to be Lucy’s opposite. He is cold and rigid, but the reader will learn, along with Lucy, that this is simply a persona to guard against being hurt. Lucy’s tight first-person point of view limits what readers learn about the other characters, particularly Joshua. Only once she starts lowering her guard can she see that he’s more complex, as can the reader.

Lucy and Joshua communicate primarily through games. These games are really about protecting their vulnerability. They’re like children on a playground with crushes, teasing each other; it will take both of them maturing to have a successful relationship. They’ll have to drop the façade and approach each other with authenticity, which is frequently the case with romantic enemies-to-lovers storylines.

The 19th century British author Jane Austen popularized the enemies-to-lovers narrative. Her novel Pride and Prejudice tells the story of Elizabeth Bennet and Mr. Fitzwilliam Darcy. Like Lucy and Joshua, Elizabeth and Darcy are apparent opposites. Elizabeth is down-to-earth and poor. Darcy seems to be an aloof, aristocratic snob. As the novel progresses, we see that Darcy, like Joshua, is compassionate, that his coldness is a self-protective front. Elizabeth and Darcy open up and mature, and their contempt turns into intense love—much like how Lucy and Joshua will grow and fall in love.

The first chapters of The Hating Game establish Thorne’s approach to plot, one that is typical for romantic comedy. Had Lucy not had the sexy dream about Joshua, she might not have dressed to attract him the next day. Had she not been dressed that way, Joshua wouldn’t have asked if she had a date. Had he not asked, she wouldn’t have asked Danny out. Had she not asked Danny, Joshua might not have kissed her, and so forth. Everything happens because the protagonist makes messy choices and slips and falls into the next situation. She decides things impulsively, leading to more mixed-up situations and confusion. Thorne infuses Lucy and Joshua’s discord with humor; we are not meant to see Joshua’s treatment of Lucy as serious harassment.

The new job opening creates conflict for the rest of the novel. It raises the stakes for Lucy and Joshua’s will-they-won’t-they relationship. If he gets the job, he’d be her boss, and vice versa, making a workplace romance against office policy. This is one more obstacle for Lucy and Joshua to overcome if they want to be together.

The romance genre almost always includes at least one big relationship barrier like this. The protagonist longs for the love interest because of the impossibility of consummation; this heightens tension and defines the genre. For instance, in Pride and Prejudice, Elizabeth feels that her sister Lydia’s scandalous behavior and Darcy’s impeccable reputation will never allow them to unite. The more impossible the barriers, the higher the stakes.

The friends-to-enemies narrative focuses on what gets in the way of the romance, rather than the romance itself. Most romances end when the couple finally comes together. In these first chapters of The Hating Game, barriers are established: the COO position, Danny, and the childish games Lucy and Joshua play with one another.

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