36 pages 1 hour read

The Glass Hotel

Fiction | Novel | Adult | Published in 2020

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Part 3Chapter Summaries & Analyses

Chapter 10 Summary: “The Office Chorus”

The narrative shifts to a first-person plural perspective (“we”), as the workforce in Alkaitis’s office reorganizes around who knew what, and when. At one o’clock on the day of the office Christmas party, Alkaitis announces that the business is “having liquidity problems” and that “we all know what we do here” (163). This is not strictly speaking true, as guilt for the “Arrangement” falls mainly on key members of Alkaitis’s asset management team. Nevertheless, an air of dread is discernible even to the company’s newest employees, such as the receptionist Simone.

Among the senior executives of the company, reactions in the next months will vary. An executive named Joelle will loudly declare her innocence, while Harvey admits to everything. Enrico will act quickly to extradite himself to another country, whereas Oskar will only dream of doing so, before leaving the office to go to the Metropolitan Museum of Art. Clueless Ron still believes the business has legitimate activity in London, though the other senior people understand that the London office is a front. The business is split between floors 17 and 18; the FBI will later conclude that the 18th floor conducted legitimate brokerage, while the 17th floor (and every senior executive with an office there) engaged in criminal activity.

That afternoon, Alkaitis enlists Simone to walk to a big box office supply store, purchase paper shredders in bulk, return to the office, and then spend many hours shredding evidence. Suspicious, Simone folds and keeps a few pieces of evidence. Claire, whose work is confined to the 18th floor, comes into the office and begins asking pointed questions, which her father fills in for her.

Later, in legal depositions, Alkaitis is revealed to have a self-delusional quality. This is a spirit that invades the Christmas party, which most of the staff attend and try to impart with a sense of normalcy. The senior management gossip and chit-chat as if everything were normal, but they feel a sense of doom gathering around them. They note Enrico’s absence from the party. Harvey stays late to gather more corroborating evidence for his full confession. Vincent, seemingly estranged from her husband, leaves the party early. Oskar follows her out, accompanying her to the apartment Alkaitis keeps for her in downtown Manhattan. She says she keeps seeing her mother in random places in the city. They flirt and go to bed together.

Joelle and Harvey stay after the party and take over Simone’s task of shredding evidence. Oskar wakes next to Vincent the next morning and sees Lucas with Shadows hanging in the apartment. He recognizes Olivia Collins’s signature on the painting and is guilt-stricken over the lives he knows he’s destroyed. He leaves without saying goodbye. Later, he remembers the first time, a decade ago, that he was asked to backdate a receipt and accepted a large bonus for doing so.

At 4:30 that morning, the FBI raids Alkaitis’s house in Connecticut.

Chapter 11 Summary: “Winter”

The day following the Christmas Party, Harvey continues writing his confession. Oskar returns to work, noting the presence of FBI agents in Alkaitis’s office. Joelle, who slept under her desk in the office, is torn by feelings of guilt and abandonment. Hateful phone calls come in, and a crowd of fleeced investors and reporters begins gathering in front of the building. As Oskar leaves the building, he sees that Olivia Collins is among them.

Olivia tries her best to maintain composure, but her diplomacy gets her no closer to Alkaitis’s office. She goes home and calculates that she can financially support herself in her apartment for two more months. In the meantime, Leon Prevant is attending a shipping conference when he hears the news about his investments with Alkaitis. He calls his wife, and together they begin planning a life without their life’s savings. Separately, they both watch Ella Kaspersky on television that night. She says to a CNN reporter, “There’s no pleasure in having been right” (208).

The next morning, Olivia recognizes Harvey on his way into the office. This causes a scene in the lobby, forcing him to make a break for it through the locked turnstiles. When Harvey finds FBI and SEC officials in his office, he readily hands them his full written confession from his desk. In the meantime, Joelle takes her children out to a toy store, knowing it will be among the last free moments she’ll have with them. Simone brings a few effects to Claire, who drives her home and informs her that, though she’s soon to be unemployed, she’s lucky not to be involved in any of the criminal activity. A pair of detectives arrest Oskar outside of his office building.

At the trial six months later, Johnathan Alkaitis pleads guilty on all counts, though his defense attorney puts up an unconvincing argument that his client was merely confused and grief stricken at the loss of his wife. No one comes to speak on Alkaitis’s behalf at the trial. Olivia attends the trial, but feels nothing when his prison sentence of 170 years is handed down.

Chapter 12 Summary: “The Counterlife”

In prison, Alkaitis continues seeing ghosts. This time, it’s Yvette Bertolli, a woman who lost everything to Alkaitis’s scheme, and who died of a heart attack the day of his arrest. In interviews with Julie Freeman, Alkaitis still insists on his senior executives’ and associates’ innocence. When he sees the ghost of Olivia Collins, he asks Julie to look her up for him, and she reports that Olivia died the previous month.

Julie notes that her book on Alkaitis will use “mass delusion” as its central theme. He recounts his meetings with Ella Kaspersky before the arrest, particularly those times she confronted him about the potential for fraud. In their last meeting at a restaurant, his dying wife Suzanne, who was well aware of the fraud, walked over to Kaspersky and said, “Why don’t you swallow broken glass?” Alkaitis does not disclose these words to his interviewer, which mirror the writing Paul etched on the glass of the Hotel Caiette (231).

Alkaitis’s memory continues deteriorating while his daydreams and hallucinations become stronger. He fights his sense of guilt with growing self-delusion. He struggles to remember his brother Lucas, and how they played frisbee on the last day he saw him alive.

Chapter 13 Summary: “Shadow Country”

After the collapse of their life’s savings, work opportunities dry up for both Leon Prevant and his wife Marie, and they are saddled with debt for a house they can’t afford. Their marriage is saved when they decide to leave everything behind, driving away in a recreational vehicle they bought just before the crash. In the following years, they live from town to town in what Leon calls the “shadow country” of poverty (247). In December 2018, 10 years after the disaster that took his life’s savings, Leon Prevant is working in a hotel in Colorado. His wife Marie stocks shelves at a big-box store. Miranda, his former assistant from the shipping industry, calls unexpectedly with a consulting opportunity and he jumps at the chance. The job is to discover the circumstances of Vincent’s disappearance from the Neptune Cumberland. He recognizes the name vaguely from his past.

Leon plays it cool with Miranda, letting her believe that he’s been in comfortable retirement for the past 10 years. Leon’s job is to act as a second in interviews conducted by former NYPD detective Michael Saparelli, the purpose of which is to ascertain the exact circumstances behind Vincent’s disappearance. Reviewing the case file, he sees that Vincent typically spends nine months at sea and three months on land, and has no fixed address. The only suspect in her disappearance is Geoffrey Bell. Witnesses say they heard Bell and Vincent arguing in her cabin hours before her disappearance. Security footage is spotty, but puts the two nearby at a critical time. If there was a crime, it happened in international waters near Africa, with no jurisdictional authority.

Leon and Michael Saparelli meet on the plane to Germany, where they will rendezvous with the Neptune Cumberland. Saparelli establishes his role as lead in the investigation, and he discloses that Bell has an unearthed petty-criminal background. Seeing a photo of Vincent, Leon still can’t convince himself that she was the same woman who was married to Alkaitis.

In Germany, the ship’s steward shares his suspicions about Bell, and that Vincent and he had a sporadic but discreet relationship. He reveals that he liked working with her, and that she liked making short home movies. Reluctantly, he reveals that he saw Bell once hit another woman and threaten to throw her overboard. Leon writes this in his notebook.

The next morning, however, Saparelli confiscates Leon’s notes, revealing that he knows Leon’s recent history, and that neither of them is there to make waves. He has done his research on Vincent, too, revealing her as Alkaitis’s partner. Reluctantly, Leon recognizes the wisdom in Saparelli’s position, and they achieve an uneasy alliance.

Leon returns to the “shadow country” with Marie, seeing it again with renewed eyes. A week later, Saparelli sends him a digital file of one of Vincent’s videos, one in which she is leaning out dangerously over the side of the ship.

Chapter 14 Summary: “The Office Chorus”

In December 2029, Simone is at a cocktail party in Atlanta, talking about her experience working with Jonathan Alkaitis. She accurately recounts the details of her last day, basking in the attention.

In narrative first-person-plural mode, many of the members of the 17th floor “office chorus” reveal their fates. Though they each serve variable prison terms, their lives are all adversely affected by the events of December 2008. They all think often of Enrico, who lives under an alias in a foreign country.

Chapter 15 Summary: “The Hotel”

In the Hotel Caiette in 2005, Paul meets Ella Kaspersky, who asks him if he plans to work as a janitor at the hotel for much longer. He replies no. She describes Jonathan Alkaitis to Paul. She says that he’s due to arrive at the hotel in two days, and proposes that Paul write “Why don’t you swallow broken glass” (275) on the outside of the window in acid paste so Alkaitis can see it. She will pay him for this prank. Writing the message under cover of night is exhilarating for Paul, but when he sees the reactions of Vincent and his coworkers, he is mortified. By the time of Alkaitis’s late arrival, the graffiti has been obscured.

In 2008, Walter Lee, the house manager of the Hotel Caiette, reacts to Alkaitis’s arrest with shocked dismay. He, too, was an investor. Soon after, the hotel announces its closure, and the hotel’s general manager discloses that the place has not been profitable. Walter contacts the asset trustee of the hotel with the strange offer of becoming the hotel’s caretaker after it’s closed. The trustee is concerned that Walter may mentally deteriorate in an abandoned and secluded hotel, but Walter assures him that the nearest population center is not so far away, and that he is sound enough to be by himself. Walter gets the job. Secretly, Walter wants solitude, and believes that he will “never fully trust another person again” (281).

In 2018, Paul runs into Ella Kaspersky in Edinburgh. She apologizes for pressing him to write the graffiti. They fill one another in on their lives, including the fact that Paul’s sister was Alkaitis’s partner. Secretly, Paul wrestles with guilt over plagiarizing his sister’s video work. He still struggles with heroin addiction, which has begun to eat away at his ability to function, and he excuses himself from Ella to go shoot up in the bathroom. He and Ella have an awkward conversation in which he admits that his music is stolen from Baltica. She indicates that she can tell he’s on drugs. After his meeting with Ella, Paul wanders the streets of Edinburgh, eventually passing out under a streetlight. There, he imagines he sees Vincent staring at him from across the street. Coincidentally, he finds out later that this is the same night Vincent disappeared at sea.

After 2009, after the last guest has departed the Hotel Caiette, Walter begins the routine he will keep to for the next decade. He keeps his modest apartment in the building rather than move into one of the more luxurious suites, and is visited regularly by Melissa, who runs a water taxi around Vancouver Island. He has a sense of not being alone, as if the hotel were haunted by benign spirits.

Chapter 16 Summary: “Vincent in the Ocean”

Twenty minutes before her disappearance, Vincent argues with Geoffrey Bell about going out in a storm to film. She has been out on deck against captain’s orders, and he worries that she’ll be unsafe. Vincent feels that she’s only truly alive when she’s filming things while hanging off the side of the deck as the ship rocks back and forth. She hates being told what to do, so she goes back out on deck. As she leans out over the side, she imagines she sees Olivia Collins standing next to her. She slips and falls into the icy cold water.

Her life flashes before her eyes, with memories of her mother predominating, but she also seems to see other things. She sees Geoffrey mourning her loss. She sees Alkaitis in his prison cell looking back at her as if he’d seen a ghost. She visits Paul outside of a therapy session, where he apologized for stealing from her. Finally she sees her mother on a beach and joins her in death.

Part 3 Analysis

The novel concludes where it began, with the strange clarity of Vincent’s first-person perspective as she falls over the side of the Neptune Cumberland and disappears. One might expect the narrative perspective to clarify as Vincent approaches her doom, but the opposite happens: The perspective becomes kaleidoscopic, spiraling out into multiples of perspectives, abandoning the first-person singular (“I”) for the first-person plural (“we”). In some analyses, this collective perspective represents a good turn, signaling collective responsibility in the face of individual wrongdoing. In Mandel’s telling, however, this multiplied perspective signals total collapse, the fracturing of a logical, unified perspective with the hollow chattering of a mob. This mob works on the 17th and 18th floors in the offices of Alkaitis’s Ponzi scheme, and while only one floor is guilty of criminal activity, both floors are treated as an indistinguishable whole, with ignorance and guilt comingled to create a single impression of wrongdoing. The sin at the heart of the Ponzi scheme is self-delusion, for which victims and perpetrators are equally culpable.

The other half of Part 3 is devoted to uncovering the mystery of Vincent’s disappearance at sea. Leon, acting in his role as a corporate detective, works as a surrogate for the reader, interviewing on the reader’s behalf those on the Neptune Cumberland who were with Vincent on her last night. Like the reader, however, Leon is in a compromised position in relation to those telling the story, only seeing a tantalizingly small portion of the story. His position is also compromised by his victimization by Alkaitis’s Ponzi scheme. Desperately in need of money and validation after losing everything, Leon becomes another passive character in The Glass Hotel, powerless to dig deeply into what he perceives as the truth.

Leon was never close to the truth in any case. Vincent’s death is the result of her own recklessness, of leaning out too far over the edge of the ship in spite of urgent warnings from her lover. Mandel leaves the gravity of Vincent’s self-destructiveness open to interpretation.

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