68 pages • 2 hours read
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Charles is a keen collector of fossils and an amateur paleontologist. While in Lyme Regis, he spends his free time scouting up and down the cliffs for the tests that fascinate him so much. Charles’s pursuit of fossils symbolizes his class status. While men like Sam must organize their interests around their employment, a gentleman like Charles has no such obligations. He can devote his energy to pursuing whatever piques his interest. Like many paleontologists, Charles is an aristocrat. In the Victorian era, only aristocrats had the time and resources to pursue such an interest.
On another level, the fossils represent the society itself. Victorian society is dependent on appearances. Characters interact with one another and, at all times, they must maintain their performance of good etiquette and manners. This performance hides the swirling chaos of sex, blackmail, and betrayal, which is happening at all times but is buried beneath the outward manners and etiquette. Fossils are hidden truths about the way in which the world once worked. They must be dug up, studied, and interpreted if the characters are to learn more about them. Through his fossils, Charles is able to explore this feeling of unease about a hidden reality which lurks behind the public appearance of the world. His desire to find and scrutinize fossils reflects his desire to better understand his world and himself.
Literature plays a prominent role in The French Lieutenant’s Woman. The characters in the novel all read both poetry and prose, allowing them to reference literary figures, texts, and clichés in the course of their daily lives. Since many of the characters are in the upper or middle class, they have been educated in the British school system, and they have enough free time to indulge their literary habits. Even minor jokes take on a literary tone, such as in Chapter 2, when Ernestina points out a place where a character in Jane Austen’s Persuasion slipped and fell. That was a time, she jokes with Charles, when men were “romantic” (8). This small literary aside shows the way in which the characters’ awareness of literature serves to ratify their social ideals. Ernestina does not live in the same era as Jane Austen or her characters as Austen died two decades before the beginning of the Victorian age. Nevertheless, Ernestina views the romance of Austen’s characters as aspirational. Her literary choices symbolize her connection to the past and her desire to perpetuate these ideals in her own life. She seeks to make her own existence just like a romantic novel from the past, while Charles feels increasingly uncomfortable with this belief.
The narrator plays an important role in the novel’s relationship with literature. As someone who is keenly aware of Victorian literature and its tendencies, the narrator is able to take a step back from the literary conventions that dictate the lives of the characters. The narrator ironically explains how his characters’ actions are determined by their relationship to literature and the conventions of Victorian novels. For example, Charles cannot be with Ernestina because this would not provide a satisfying ending for a dishonored Victorian man, so the narrator abandons this conclusion. The narrator’s self-aware relationship with Victorian literature informs the novel’s postmodern desire to explore the subjectivity of existence. The characters live their lives as reflections of literature, purposefully adhering to the literary conventions that they prefer in an effort to give their lives purpose and structure. This is an impossible task, however, for anyone but the narrator.
The French Lieutenant’s Woman is set primarily in the town of Lyme Regis or the cities of Exeter and London. These urban spaces are bastions of social etiquette. Everywhere the characters go, they are being observed and judged. Beyond the urban space, however, the countryside symbolizes a wild form of escapism. Once the characters head out along the cliffs or into the forest, they are removed from the judgement of others. They are symbolically freed from the moral shackles of Victorian society and permitted to act in a more honest, emotional manner. Sam and Mary venture out into the countryside when they want to be alone together, as do Charles and Sarah. The countryside symbolizes an honest space, a physical location in which the characters are free to express themselves without having to perform to social expectations.
For the novel’s strictly religious characters, such as Mrs. Poulteney, Ware Commons symbolizes immorality. A person who willfully travels to Ware Commons is someone is planning to act in an unchristian manner. For Mrs. Poulteney, even the suggestion that a person might go to such a place is an irredeemable offence. She fires Sarah for this exact reason, having been told that Sarah was seen on Ware Commons. While characters like Sarah and Charles may crave the freedom provided to them by the countryside, other characters resent this freedom. They believe that a desire to escape the town threatens society’s moral order.
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By John Fowles