77 pages • 2 hours read
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The First to Die at the End by Adam Silvera begins on July 30, 2010, with Orion Pagan and his adoptive sister Dalma Young attending the launch of Death-Cast, a service predicting imminent death. They meet Valentino Prince, who also enrolls. Valentino learns he will die that day, and despite threats to his own safety, Orion helps ensure Valentino’s final hours are meaningful, deepening their bond. Themes of death, violence, and loss are explored.
Emotional
Bittersweet
Romantic
Inspirational
Contemplative
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Adam Silvera's The First to Die at the End showcases poignant storytelling, resonating deeply with readers through its exploration of love and mortality. The narrative’s emotional depth and character development are praised, though some find the pacing uneven. Overall, the prequel enriches the universe of They Both Die at the End, appealing to existing fans and newcomers alike.
Readers who appreciated the emotional depth and speculative elements of They Both Die at the End by Adam Silvera will find The First to Die at the End equally compelling. Ideal for fans of poignant, character-driven narratives like The Fault in Our Stars by John Green, this novel appeals to those who enjoy exploring themes of love, destiny, and mortality.
96,977 ratings
Loved it
Mixed feelings
Not a fan
Valentino Prince
A tall, muscular aspiring model who moves to New York City, embarks on a significant friendship with Orion, and navigates his past familial challenges.
Dalma Young
Orion’s best friend and adoptive sister who supports him through his health challenges and is deeply involved in the emotional dynamics surrounding Orion’s decisions.
Joaquin Rosa
The founder of Death-Cast who is dedicated to ensuring the company's success as he manages the operations and faces initial hurdles with the service.
Gloria Dario
Lives with her son in Valentino’s building, seeks control over her life circumstances, and makes pivotal decisions regarding her family dynamics.
Frankie Dario
Valentino’s landlord and an abusive husband to Gloria, focused on exploiting media attention around Death-Cast Deckers.
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