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39 pages 1 hour read

Eugene O'Neill

The Emperor Jones

Eugene O'NeillFiction | Play | Adult | Published in 1920

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Symbols & Motifs

The Emperor’s Name

The symbolism tied to Brutus Jones’s name serves a dual purpose in conveying his character traits and reinforcing central themes within the play. The name “Brutus” immediately evokes connections to historical figures, particularly Marcus Junius Brutus, a pivotal conspirator in the assassination of Julius Caesar, the Roman emperor, as well as Shakespeare’s homonymous character. This association reflects Jones’s transformation from a powerless individual to a self-proclaimed ruler who governs with an iron fist. It underscores how far he is willing to go in his quest for dominion, resorting to cruelty and exploitation.

However, by characterizing Jones as a “brute,” the play inevitably invokes a problematic racial trope, thereby detracting from his complexity as a character. His name leaves no room for subtlety, presenting him as a dominant, forceful, and at times violent figure. This reductionism not only oversimplifies the character but also perpetuates harmful racial biases that have been historically used to marginalize Black individuals.

The Silver Bullet

The silver bullet holds profound significance throughout the play. Notably, the play was originally titled “The Silver Bullet,” emphasizing the central role of the motif. At its core, the silver bullet symbolizes control and domination. After surviving a failed assassination attempt, Jones cunningly convinces the island’s inhabitants that he is immune to lead bullets and that only a silver one can end his life.

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