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An important motif throughout the novel is food. Lee’s former career as a restaurateur and references to food demonstrate the difference between her previous life and her circumstances during the novel. Whereas she previously worked in restaurants that served “bone marrow croquettes, cured scallops, Wagyu carpaccio” (14), when she’s without identification, she’s only able to work in a diner in Seattle where “each item is a heart attack on a plate” (13). The difference in cuisine, particularly given Lee’s passion for cooking, shows how much her life has changed.
In terms of her own eating habits, food has become a survival necessity for Lee while she’s living in poverty. Additionally, she views food as comfort and connection. When she meets Jesse, he gives her an orange, and “it’s not a particularly good orange—a bit stringy—but [she] eat[s] it ravenously” (17). In addition to providing the vitamin C she desperately needs since she’s sick, Lee sees the orange as an important point of connection with Jesse and an example (ultimately false) of his kindness. Similarly, Lee is impressed with Hazel’s baking; when Hazel brings Lee a scone after their chance meeting outside the oyster bar, Lee thinks about how she’d “forgive almost anything for this” (79). Lee therefore thinks about food in relation to her now-rare positive interactions with other people. For Hazel, baking represents her own identity: It was something she loved to do before meeting Benjamin, and she hopes to eventually open her own bakery.
Throughout the novel, cars symbolize class differences and economic circumstances. Lee’s poverty is evident immediately because she lives in her Toyota Corolla. The car is her only means of shelter and safety. The novel’s first important plot event, an assailant breaking Lee’s window, is catastrophic for her since it removes her protection and security, and she has no money to fix it. In addition, the broken window is the catalyst for the novel’s subsequent events because it prompts Lee to drive to the affluent Seattle neighborhood where she saves Hazel from drowning. As her home, the car is important in every aspect of Lee’s life. For example, she and Jesse have sex against it behind the diner. While this demonstrates Jesse’s growing sexual aggression, it simultaneously highlights that Lee doesn’t have a home or apartment to bring a date back to.
Hazel drives a Mercedes, exemplifying her wealth and privilege. It’s one of the factors that demonstrates the contrast between her circumstances and Lee’s. Whereas Lee sleeps in her car and the vehicle is present in every aspect of her life, Hazel’s car is only for functional transportation purposes.
Jesse drives an Audi but lives in a run-down basement apartment, which indicates his complex economic circumstances: his recent release from prison and recently receiving $25,000 from Benjamin to murder Hazel. His car suggests that he cares about social appearances and aspires to own expensive things, but his current circumstances don’t entirely align with its luxury.
A Japanese heirloom that men used to secure their kimonos, the netsuke is from the 19th century and is an expensive object from Benjamin’s collection. Hazel gives it to Lee, ostensibly to thank her for saving her life and as a valuable object that she can sell. However, the novel later reveals that the netsuke is important to Jesse and Hazel’s plan to implicate Lee in Benjamin’s murder. Hazel selects a netsuke from Benjamin’s collection before she has spent time with Lee and while she thinks Lee may be working for Benjamin. Therefore, she’s careful to select one designed as a snake: “If the woman’s presence in the park was benign, she could sell this for five hundred bucks, maybe more. If she was working for my husband, the gift was symbolic. I was onto her, and I would strike” (131). Ultimately, the netsuke instead becomes symbolic of Hazel’s shift from passivity to action and of her prioritizing her friendship with Lee. The netsuke is the last clue in Lee’s car that would implicate her in Benjamin’s murder, and Hazel is careful to remove it. This shows that Hazel is beginning to think and act for herself rather than in terms of what Benjamin or Jesse wants. It also shows that she cares about Lee.
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