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Characters in The Dragonet Prophecy are obsessed with making choices that will either reject destiny or fulfill it. The tension between fate, destiny, and self-determination are explored by centering the novel’s plot and character development around a prophecy.
In the prologue, the first character to speak of the prophecy is the war-mongering SandWing Burn, who is on a mission to spurn the prophecy by destroying every SkyWing egg set to hatch on the brightest night—the night the prophecy’s dragonets will be born. Her words to the IceWing trying to get the egg to safety show that her violent motivation stems from the prophecy: “No prophecy decides what happens to me” (iii). Burn is willful and unafraid to take what she wants by force. Her pull to self-determination is not uncommon, but her tactics involve killing anyone who gets in her way, including unborn dragonets.
Tsunami also wants to take fate into her own hands and have a choice in how she will live her life in relation to the prophecy. She hates how the guardians treat the dragonets, and she hates not being able to see the world for herself, but she’s also motivated by wanting to live life on her own terms and make a choice about the prophecy. When Kestrel asks them what they are going to do after leaving the Sky Kingdom, Tsunami says they’re going to see the world, “then we’ll figure out for ourselves if we’re going to do anything about [the prophecy]” (251). Of all the dragonets, Tsunami is most aligned with the idea that the dragonets should get to choose what to do and when to do it. She also believes that it doesn’t matter what they do—any actions the dragonets take can lead them to fulfill the prophecy. Essentially, Tsunami believes the prophecy, but that the dragonets should get to decide how it happens.
Clay struggles with his self-determination in the face of destiny. He realizes that the prophecy doesn’t include a RainWing, but he would also never leave Glory behind. When he learns about the lengths the adult dragons would go to eliminate Glory, he wonders, “What if the prophecy was wrong?” (45). If the prophecy can be wrong, the dragonets can make choices about how to end the war that have nothing to do with the prophecy. The novel’s plot explores this possibility from the beginning. The guardians steal Glory’s egg in hopes that having five dragonets is more important than having the five described in the prophecy. Burn speaks as if she is sure that the prophecy doesn’t matter anymore because there are only four dragonets from the prophecy left alive. Still, she wants to kill all the dragonets of destiny, just in case. At the same time, Clay worries that his own failure or death would also cause the prophecy to fail. All the dragons, old and young alike, have doubts and hopes about whether fate can be changed.
Clay’s biggest breakthrough helps him understand Tsunami’s position that the prophecy is open to interpretation. The prophecy says that the dragonets will end the war, but it doesn’t say how, which used to scare Clay and the dragonets. As they learn more about Pyrrhia, they learn more about how to resolve the conflict and act with confidence. Clay’s journey illustrates how he inspires peace between dragons, problem solving instead of fighting, and treating old and new friends with kindness through his self-determination to fulfill his destiny. The dragonets’ actions align with both sides of this internal conflict, whereas their oppressors fight destiny, their own self-determination, or both.
Dragon societies in Pyrrhia organize themselves into tribes based on their shared attributes and common homelands. While all dragon tribes have female dragons as rulers, within the tribes, family organizations vary greatly. Dragons in the MudWing kingdom build family units based on sibling groups. Dragons in the SeaWing kingdom have households with two parents. Some dragon tribes care for their eggs and care for them tenderly, while others pay their eggs no attention. The world building and Clay’s character development show that there are benefits and drawbacks to every family structure, and that finding family among friends is valid and important.
The dragonets of destiny don’t know the families they would have been hatched to in their respective kingdoms. They only know each other and their guardians. Each dragonet yearns to know more about their families and their tribes firsthand. Most of the dragonets only know about their tribes from reading scrolls. Desire to see the Mud Kingdom and happily reunite with his family, especially his mother and father, motivates Clay to escape the cave with the other dragonets. However, when he gets to the Mud Kingdom, his mother doesn’t welcome him. In fact, Clay learns that she sold his egg to the Talons of Peace, and she doesn’t want him back. When Clay learns that MudWings live in sibling groups, not the family groups he learned about in SeaWing fairy tales, his encounters make more sense.
Clay’s protectiveness and happiness when he is with the other dragonets shows that Clay’s actual family is the dragonets of destiny. Even though Clay’s siblings offer him a place with them, Clay ultimately chooses the dragons he grew up with in the cave under the mountain. The dragonets’ playfulness when they are together highlights this theme as well. Even during stressful times, they are happiest when they are together.
The developing theme for the series begins in this novel. The dragonets are meant to stop the war come from several different tribes, symbolizing that it will take inter-tribal cooperation for the war in Pyrrhia to end, just like it took inter-tribal cooperation for the war to engulf their world.
Because the dragons are highly adapted to their various climates, they can visibly classify one another based on appearance. Knowing where a dragon is from based on how he or she looks quickly leads to stereotyping and prejudice in Pyrrhia. The cruel behavior dragons show one another based on prejudice demonstrates the ways prejudice and stereotypes can hurt, and how those who are subject to mistreatment might overcome it.
War-like dragons like Queen Scarlet, Kestrel, and Morrowseer have problems with dragons who can’t fly or fight; they believe a dragon who can’t fight is no good to anyone. Queen Scarlet is known for killing dragons who can’t fly. She kills Dune at the beginning of the novel, and later, Peril tells Clay how Osprey’s life was only spared after his injury because he gave all his treasure to the queen. At the same time, Clay encounters many dragons that others would consider somehow wrong that he connects with easily. The minders call Sunny “defective” when they think the dragonets aren’t listening (31), and everyone underestimates her because of her size. She proves to be a fierce fighter and a loving friend to Clay and the other dragonets. According to Clay, “her small size made it easy for her to dodge and slip under his defenses” (20). In the test fight with Morrowseer, Sunny helps to overwhelm the much larger dragon by attacking his tail in “the vulnerable spot near the end” (38).
Instead of going out of the way to prove other dragons wrong about them, characters focus on being true to themselves. Even when he worries and doubts that he’ll be good enough to fulfill the prophecy, Clay never thinks about purposely being like other dragons. In this world, doing so leads to failure. Whenever Clay tries to be aggressive, he fails. In Queen Scarlet’s arena, he’s forced to fight Fjord for his life. His instincts and training keep him alive, but he still can’t bring himself to kill another dragon and prepares to die. He lives because Glory saves him with one of her many secret weapons.
Glory endures verbal abuse from the minders and every other adult dragon she meets in silence. Glory uses color to show her mood, or to mask it, depending on the situation. When the dragonets meet Morrowseer, for instance, “trails of violet and gold [chase] each other through [Glory’s] scales. Only the shades of flame around her feathery ears [hint] that she [is] upset” (36). The methodical moving of color up and down her scales indicates that Glory uses meditation to cope with the stress of face-to-face prejudice.
When Queen Scarlet captures the dragonets and puts Glory on display, staying true to oneself in the face of prejudice is communicated as the ideal response. No one expects the RainWing to shoot poison from her mouth, or blend in so well she disappears, so Glory behaves lazily, which allows her to act as a spy on behalf of her friends in the SkyWing kingdom and stay alive in the otherwise cruel world. Even though the brushes with prejudice hurt Glory and she feels out of place, being herself and only herself is what adds to the beauty of the world and keeps her friends alive.
Inherent differences are what make the dragonets special. Each of their eggs has a unique quality that will ultimately help them step into their destiny. Clay isn’t a regular MudWing—being born in a red egg makes him impervious to fire, which helps him defeat many of his fire-breathing enemies as he and the dragonets travel, trying to avoid danger, capture, and death. Each of the dragonets’ unique qualities make them seem strange to other dragons, but those same traits help them get ahead, too. The message is clear: Embracing the true self and using unique qualities to achieve success is better than trying to fit in with others who are uncaring, cruel, and violent.
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