58 pages 1 hour read

The Diving Bell and the Butterfly

Nonfiction | Autobiography / Memoir | Adult | Published in 1997

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Chapters 21-22Chapter Summaries & Analyses

Chapter 21 Summary: “The Duck Hunt”

Bauby tells us that one of the discomforts of his condition is its effect on his hearing. While his right ear is completely blocked off, his left ear “amplifies and distorts all sounds farther than ten feet away” (95). This means that the sound of TV ad morphs into the noise of a coffee mill drilling right next to his ear drum, the voices of hospital workers sound like those of “stockbrokers trying to liquidate their holdings”, and “a floor waxer sends out an auditory foretaste of hell”, despite his efforts to tell staff about his affliction (95-96). He recounts the story of a very young neighbor whose velveteen duck “emitted a reedy, piercing quack” on any of the numerous times that someone would enter their room. He humorously says that the patient went home before he could carry out a plan to kill the duck—although he keeps his scheme ready. He also recounts the story of a woman who awoke from a coma with dementia, who “bit nurses, seized male orderlies by their genitals, and was unable to request a glass of water without screaming ‘Fire!’” (96).

However, when “blessed silence” returns, Bauby is able to “listen to the butterflies that flutter inside [his] head” (97). He intimates that, in order to hear them, one “must be calm and play close attention, for their wingbeats are barely audible” (97). He ends the chapter by musing that he must have butterfly hearing, because although his hearing is not improving, he is hearing the butterflies better and better.

Chapter 22 Summary: Sunday

Bauby observes that the reddish-yellow brickwork of the hospital buildings assumes the exact shade of pink as the Greek grammar book which he used in high school. This color conjures fond memories of “a world of books and study, in which we consorted with Alcibiades’ dog and the heroes of Thermopylae” (99). He contrasts the color, called “antique pink” by hardware stores, against the cotton-candy pink of the hospital corridors and the mauve of the baseboards and window frames, which resemble the wrapping on a cheap perfume.

Bauby tells us that he dreads Sundays, because if there are no visitors, there is never anything to break the monotony that the absence of his physical therapist, speech pathologist, and psychiatrist creates. Even the sponge bath he receives on Sundays are inadequate—and more akin to being drawn and quartered than hydrotherapy—as the nursing staff “is plunged into gloomy lethargy by the delayed effects of Saturday-night drinking, coupled with regret at missing the family picnic, a trip to the fair, or the shrimp fishing on account of the Sunday duty roster” (100).

On Sundays, he must be careful to make the right choice in TV programming, as whatever he chooses is likely to stay on for hours without attendance. He observes by the small and forlorn Health Department calendar on his wall that it has already become August. “Mysterious paradox: time, motionless here, gallops out there” he muses, as he imagines that his friends, along with their wives and children, have “scattered to the summer winds” (101). He imagines himself sneaking into their summer quarters, in order to observe a pack of children returning from the market on bikes, as even the older children rediscover their innocence along the “rhododendron-lined Breton roads” (101). He also imagines them boating around the island—someone stretched out on the bow of the boat, eyes closed, with their arm trailing in the water. He imagines a small cat with a broken leg slinking into shady spots in the priest’s garden, and a group of young bulls skirting over a fragrant marsh in the Camargue delta country.

He muses that, all over the country, mothers everywhere are tired of preparing the “legendary forgotten ritual” of lunch (102). He muses over the small library of books compiled on his windowsill, softly lamenting that no one will arrive to read to him today, before stating that Olympic wrestling is child’s play compared to the labor of waggling his head in an attempt to dislodge black fly that has begun digging into his nose. 

Chapter 21-22 Analysis

Nearing the end of the book, and quite far from the flights of fancy that characterized earlier chapters, these two chapters highlight the drudgeries of Bauby’s hospital life. Although the light touch that characterizes much of his writing still makes an appearance in these two chapters, the reader can here feel the weightof locked-in syndrome settle in. Here, Bauby’s talent for sensory imagery is used to its fullest extent. But instead of recalling the wonders and fullness of his imagination, this imagery depicts the persistent horror of his physical and mental afflictions. The auditory details, rife with figurative speech that demonstrates the torment of his hyper-sensitive ear, paint a vivid picture of the acute sensory discomfort that locked-in syndrome creates. So, too, does Chapter 22’s final image of a fly on Bauby’s nose that refuses to be moved. Here, we see a cataloguing of banal and mundane complaints whose weight becomes ever more burdensome within the diving bell of his syndrome. In contrast to the earlier chapters, these chapters thus develop a narrative arc that traces the psychic and physical toll that the syndrome has exacted on Bauby. 

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