45 pages 1 hour read

The Dinner

Fiction | Novel | Adult | Published in 2009

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Parts 4-5Chapter Summaries & Analyses

Part 4: “Dessert” and Part 5: “Digestif”

Chapters 36-39 Summary

Back in the restaurant, the diners move on to dessert. Babette interrupts the floor manager’s explanation of the dishes to tell him that she does not want hers. Serge fidgets hungrily; as ever, he has chosen the simplest dessert. Paul believes that Serge lacks imagination. Serge offers to eat Babette’s dessert in addition to his own. Paul stares at the slices of cheese on his plate and wishes that he could go home. Babette insists that the floor manager swap her dessert and the floor manager acquiesces. As he leaves, Babette calls him “an asshole” (126). Serge tells her that she is out of line but she cuts him off. As they argue, Paul thinks about hereditary conditions and which traits can pass down across generations. Neither he nor Claire intervene in the brewing argument between Serge and Babette. When Babette mockingly imitates her husband, Paul has to try not to laugh. She begins to shout, accusing Serge of a lack of support. He should not prioritize his own image, she screams. She knocks over a wine glass and announces that she never wants to return to the restaurant.

 

The other diners stop and listen, while Claire tries to console Babette, who wants to go home. Serge stands to leave, apologizing to the restaurant at large. Paul imagines how the news of the fight between politician and wife will spread, whether it might actually make Serge seem more human. He tries to make a joke and Claire gestures to the now-weeping Babette. Claire tells Serge, still lingering by the table, to sit down. Paul swaps seats with his wife, allowing Claire to sit beside Babette. The owner of the restaurant, Tonio, appears and begins to talk to Paul. He reminds Paul of a former neighbor, a single man who had one day given Michel a pile of vinyl records. On learning that the neighborhood kids frequently went to this particular neighbor’s house, Paul visited the man one evening. A few weeks later, the man moved. Paul shouts at Tonio, telling him to “get the fuck out of here, you pervert […] before things really get out of hand” (129).

 

Finally, they begin to talk about “what happened” (130). Made nervous by Serge’s manner of discussion, Paul looks around the restaurant. He is certain people are talking about them. Rick, Serge tells the table, is suffering. Paul feels compelled to defend Michel but remains quiet. Babette begins to sob quietly. Serge asks whether any of them could live with the murder of the homeless woman on their conscience. Claire disputes the use of the word “murder.” She insists that it was an accident, positing that the homeless woman was far from an innocent party. Claire becomes increasingly impassioned in her defense, demanding that they prioritize the futures of their children over the life of one homeless woman. Serge does not believe that the boys will be able to live with the secret all of their lives, nor will he. Babette fishes a packet of cigarettes from her purse. She does not agree with Serge’s as-yet unspoken decision. As Serge’s eyes show a “moist glistening” (133), he announces his decision: He is going to withdraw from the election. Babette asks Paul and Claire to convince him otherwise.

 

Claire instantly agrees with Babette. Paul secretly believes that Serge withdrawing from the election is an “excellent idea” (134) for him and the country. The idea of Serge as a world leader has long bothered Paul. Out loud, he wonders whether Serge should take some time to think about his decision. Claire says that it is not Serge’s decision to make; all four of them are in this situation together, she says, and wonders whether Serge understands the damage he will do if he withdraws. It will destroy Michel’s future. Serge believes that the boys ruined their future already. He thinks that the boys might serve a few years behind bars for manslaughter but their consciences will be clear, allowing them to rebuild their lives. Claire suggests that they do nothing, that they allow the scandal to blow over. In the meantime, the parents will be able to help Rick and Michel. And Beau, Paul thinks to himself but remains quiet. Tomorrow, Serge announces, he has scheduled a press conference at the ordinary café where Paul and Claire had stopped for a beer that very evening.

 

The floor manager offers the table coffee. Paul wonders how to think of his brother, now that Serge will not be the prime minister. Serge suggests that they have a coffee at the café where he has scheduled his press conference. But before Serge can order the check, Paul interrupts to ask for an espresso. Claire agrees and orders a grappa as well. Serge and Babette get nothing apart from the check. When Babette asks Paul for his opinion on the press conference, Paul reveals his annoyance about the location. If Serge follows through on his plan, Paul and Claire will not be able to return to the café ever again, their pleasant memories tainted. Claire agrees with him, lamenting the casual manner in which Serge appropriates “everything that’s ours” (138); he appropriates the café like he appropriates the children’s futures. Serge’s phone rings. He answers it, infuriating Babette. Serge walks to the bathroom, trying to hear, while Claire considers calling Michel. But she worries about calling him too late and that he has been alone all evening. Michel tries to act grown up, she says. But there are some things that “they’re not too young for” (139) counters Babette. Claire, trying not to get angry, says that the adults do not have the right to take away the boys’ childhood.

 

Babette laments that Rick’s youth seems to have vanished since the murder. Babette lists the ways in which her son worries, about the ways he unfairly suffers because of his father’s fame. She does not want Rick to suffer because of his father anymore. Paul thinks about Beau. Claire worries that the magnitude of the murder has not yet become apparent to Michel. Paul looks into his wife’s eyes. Paul says that Michel needs to be able to continue with his life, that he and Claire do not want to hand him over to a lynch mob. Michel is too intelligent and precious for that. After asking Babette for the time, Claire phones Michel. Paul studies her face. After a brief conversation, she tells Michel that she and Paul will be home in about an hour. Plenty of time for Michel to clean up his own mess. Paul is suddenly certain that he has witnessed “a fine bit of acting” (141). But he wonders who the act is for. Paul understands just as the coffee and grappa arrive. As the floor manager places the drinks on the table, Claire purses her lips and kisses the air between herself and Paul. 

Chapters 40-46 Summary

Not long ago, Paul remembers, Michel wrote an essay about capital punishment for his history class. Paul offered his help and Michel asked only whether he was allowed to include certain ideas. Paul was impressed by the essay and told his son not to worry. Paul helped Michel revise the essay and they spent a long time discussing its moral dilemmas. But a week after the essay’s submission, the principal’s office summoned Paul. The principal told him that parts of the essay were concerning. Never having met this particular principal, Paul admitted to having helped his son, including the parts about citizens taking the law into their own hands. As a former teacher, Paul knew that he was treading a former line. He wanted to defend his son but not invoke the teacher’s revenge against him. The principal continued to question Michel’s discussions of extra-judicial murders, insisting that Michel’s seeming defense of lynching was not morally sound. The principal asked how much help Paul really provided. Paul, attempting to protect his son, admitted that many of the ideas were his own. He lied, his preferred strategy “when faced with lower intelligences” (146). The principal asked about Paul’s own teaching experience, about Paul having now been unemployed for 12 years. While Paul insisted that he could return to work at any time, the principal pointed out that he would need a psychiatrist’s report to do so. The principal had talked to one of Paul’s former colleagues about people who had suffered burnouts or nervous breakdowns. Paul denied having experienced either. He believed that he could smell the principal’s fear. He stood, intimidating the principal. Then, he punched the man in the nose. Blood sprayed everywhere. Paul continued to beat the man, knocking out his teeth. The principal managed to fight back for a moment and called for help. Through the window, Paul caught sight of Michel as he beat the principal. He found the sight comforting.

 

Serge returns to the table, explaining that he has just talked to the prime minister on the phone. Thus far, he has told the man nothing. Claire is interested that Serge is keeping his options open, for himself and the others. Serge and Babette prepare to leave; Claire says that she and Paul will join them at the café shortly, after finishing their grappa. Claire also offers to take care of the check. Serge and Babette leave, shaking Tonio’s hand as they go. Claire finishes her drink and tells Paul that he has to stop Serge from hosting his press conference. Then, a phone on the table rings. Babette’s phone. Before Paul can react, Claire grabs it. She stops the ringing without answering, revealing that the caller was Beau.

 

Claire tells Paul that Beau’s mother is “too busy to talk to him right now” (151). She places the phone back on the table. Claire seems as though she is trying to say something, tears of rage welling in her eye. Finally, she reveals that she knows that Beau is blackmailing Rick and Michel. Paul feigns ignorance. As Babette’s phone receives another message, Claire explains that Beau claims to have witnessed the murder. Claire says that she had always thought that Beau was horrid. Paul asks Claire whether Beau has any proof. No, she says, but he may not need it. Claire reveals that her phone call to Michel was an act, heard by Babette. In fact, her call went to the house answering machine. Paul looks at his wife with admiration. Michel, he understands, is now with Beau and Rick, meeting at some unknown location. If Michel cannot reason with Beau, Claire reveals, then she told him to do “whatever seemed best” (152). Whatever happens, she says, Babette can provide Michel’s alibi.

 

Paul asks for the check, only to learn that Serge has paid it already. This riles Paul. Claire takes his hand; she mentions that Paul could hurt Serge, that “he’s not going to hold a press conference with a damaged face” (153). Paul reveals that he stopped taking his medication months ago, shortly after seeing the CCTV footage on the television. Paul felt that he needed his full emotional range if he were to protect his son. Claire knows. She was happy to have her old Paul back. She recalls incidents when his anger has flashed to the surface, carefully not mentioning the time Paul sent Michel’s principal to the hospital. After she reiterates her love for this particular version of Paul, he asks her what she said to Babette while they were outside. Claire had promised that Paul would stop Serge’s press conference; Serge had only told Babette of his plans in the car on the way to the restaurant. Babette is a clever woman, Claire says, and she wants Serge to win the election. Babette cares as little about the homeless woman as Claire and Paul, Claire says. Paul pauses. He is worried about the plan. His violent past, his lack of medication, and Serge will encourage people to dig around and uncover the truth. He does not believe that Serge will allow him to disrupt the plans.

 

Claire leaves the table and—five minutes later—Paul notices that Babette’s phone has received two messages. He reads them. The first is a text from Beau which reads “mama” (155). Paul deletes it. The second message is a voice mail. Paul listens and hears Beau’s voice. Once the message finishes, he places the phone in his pocket. The sudden appearance of the floor manager frightens Paul. The man asks about Paul’s son, whom he saw Paul talking with outside. Then, the manager reveals that Serge forgot to pay the check. He gives it to Paul and mentions that he had seen Paul talking to Michel. He knew they must have been father and son because they had the same posture. The manager begins to talk about his own children. Paul looks at the bill, “the kind of sum that would make you burst out laughing” (156). Paul does exactly that.

 

Paul searches for Claire in the women’s bathroom. She is not there. He hears a police siren outside. Paul exits the restaurant, hearing a second siren. He does not increase his pace but continues on, laden with a heavy sense of inevitability. He walks until he has a clear view of the café. He sees an ambulance outside. Looking back toward the restaurant, Paul sees the crowd gathering to look across to the café. He decides to keep moving. As he walks, he throws Babette’s phone from the bridge. A splashing sound comes from below. Paul avoids crowds as he heads to an alley beside the café. He watches as a stretcher rushes out of the café toward the ambulance. Babette chases after it. The head of the person on the stretchers has compresses and gauze. The paramedics, the man on the stretcher, and Babette climb into the ambulance which leaves, sirens blaring. From among the crowd, Paul sees Claire led out by two police officers. They make eye contact. As she enters the patrol car, Paul recognizes that Claire is making a gesture. She is telling him to go home. He turns and begins to walk.

 

Paul wonders how much one is supposed to tip on a bill, causing a sudden outburst of laughter. The logical amount, he reasons, is 10-15%. The morning of the dinner, he had withdrawn €500 from an ATM, determined to pay the bill in cash before Serge could take out his credit card. That evening, when Paul had paid €450 for the meal, he had included a tip of close to 100% on the proviso that the manager never again mention that he saw Paul talking to his son outside. Weeks later, Serge loses the election. After a string of operations, the doctors could never truly remove the damage done by the broken stem of a wine glass to a man’s face. After an initial surge in the polls due to sympathy, Serge’s lead quickly faded. Serge never pressed charges, however, and Claire takes this as a sign that he wants to find a solution for all of the family.

 

There were other concerns for Babette and Serge. Beau disappears, the only clue being a message recovered from his mother’s voicemail: “Mama, whatever happens… I just want you to know that I love you…” (160). There is speculation about his whereabouts but this quickly fades. Paul laughs about the matter with Claire; he enjoys their seemingly happy family life. He remembers the night of the dinner, when he arrived home to find the house empty. Paul searched the house and found a letter from the hospital where Michel had been born. It was a test result, proving that Michel had whatever condition troubles Paul. Claire had never told him. Paul placed the letter back where he found it. Next, he deleted Claire’s message on the house answering machine. Michel arrived home half an hour later and Paul spotted dried blood on his son’s hand, as well as mud on his coat and shoes. As Michel tells Paul exactly what happened, he stops. Paul began laughing. Paul had done exactly the same, Michel says, “the first time I told you about the cash machine” (163). Michel hugs Paul, calling him “dear old dad” (163). 

Parts 4-5 Analysis

The final two parts of the novel—the “Dessert” and the “Digestif”—bring together the various narrative strands, climaxing in a violent, unexpected finale. By the end of the text, Serge has lost his election and had his face carved open by Claire. Michel has murdered Beau and gotten away with it. Paul has discovered a new contentment with his family life, the group brought together by their shared involvement in the most heinous of crimes. The irony of the ending is that the family that was in danger of splitting apart following an act of unspeakable violence solidifies by even more violence.

 

But the nature of the violence in the text takes on a next dimension. In the above chapters, Paul describes a particularly violent incident in which he beats the principal of Michel’s school so badly that he puts the man in hospital. The scene is the culmination of a number of previous incidents, in which Paul has imagined and threatened violence. He has pictured himself attacking the floor manager of the restaurant and his old boss; he has threatened violence against a store keeper whose window Michel broke. He has even attacked Serge, throwing a pan at his brother’s head when Babette suggested that Michel leave him for a short while. In each of these incidents, Paul has envisaged violence as a solution. His way of dealing with a complicated emotional situation is to resort to brute force. It is an ideology which he expresses throughout the novel; Paul adheres to a number of reactionary views, particularly concerning race, the death penalty, and vigilante justice. Violence, to Paul, is a means to an end rather than a breakdown in social norms. In these chapters, Paul’s violent tendencies take on an ideological dimension which he passes down to Michel.

 

But there remains a question about the true nature of Paul’s violent fantasies. Though he is content to leave most of his violent thoughts in his head, he describes an incident in which he hospitalizes his son’s school principal. Unlike the other incidents, Paul describes this as though it actually happens. Whether it did remains up to the reader, however. There is debate as to whether it really took place: The level of violence is cartoonish, Paul doesn’t seem to receive punishment from this, and he is an unreliable narrator. But the way in which Paul thinks about the subject is telling. In the situation, he views himself as being the hero. He defended his son and did what was right, resolving an issue through violent means. Thus, the later violent tactics employed by his family—Claire cutting Serge’s face and Michel murdering Beau—happen in the context of Paul’s apparent approval of violence. Paul does not condemn his wife or child. Indeed, he views their actions in a positive light. It makes him feel emotionally closer to Claire and Michel than ever before. To Paul, violence is a reasonable solution. He passes this belief on to his wife and son, who commit incredibly violent acts. That they don’t receive punishment for these acts of violence demonstrates that, from Paul’s perspective, he is right. In the world of Paul’s unreliable narration, violence is a moral and just solution to a whole host of problems. 

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