The Death of the Last Black Man in the Whole Entire World
Fiction | Play | Adult | Published in 1990
51
Play • Fiction
1990
Adult
18+ years
Suzan-Lori Parks’s play The Death of the Last Black Man in the Whole Entire World: The Negro Book of the Dead is an abstract exploration featuring Biblical characters, historical figures, and racial stereotypes gathered around the burial site of Black Man with Watermelon, who repeatedly dies and is resurrected, symbolizing the enduring trauma and erasure faced by Black individuals throughout history. The play addresses themes of racism, historical erasure, and violence.
Mysterious
Dark
Contemplative
Challenging
Unnerving
32 ratings
Loved it
Mixed feelings
Not a fan
Suzan-Lori Parks' The Death of the Last Black Man in the Whole Entire World is lauded for its innovative narrative style and profound exploration of African American identity and history. Critics praise its bold symbolism and lyrical dialogue but note its abstract structure can be perplexing for some audiences. Overall, it's a thought-provoking and challenging work.
Readers who appreciate avant-garde theater, poetic language, and explorations of African American history and identity will find Suzan-Lori Parks' The Death of the Last Black Man in the Whole Entire World compelling. Comparable to August Wilson's plays and Toni Morrison's Beloved, it attracts those who value complex narratives and symbolic storytelling.
32 ratings
Loved it
Mixed feelings
Not a fan
51
Play • Fiction
1990
Adult
18+ years
We’re just getting started
Add this title to our list of requested Study Guides!