The Darling

In Leo Tolstoy’s essay “Tolstoy’s Criticism on ‘The Darling,’” he argues that Chekhov intended to criticize the stereotype or archetype of a demure, wealthy Russian woman that Olga is meant to represent, but ultimately elevates that archetype through his prose and psychological perceptiveness. Read Tolstoy’s essay, then argue for whether Chekhov’s story ultimately ridicules or validates Olga’s character traits.

Chekhov makes no reference to the debates in late 1800s Russia on “the woman question,” yet critics have read the story as a commentary on that debate. Discuss why this is the case.

The story follows a repetitive pattern, covering four relationships in only a few pages. What are Chekhov’s intentions with this choice, and why does he do this instead of focusing more closely on one or two of Olga’s relationships?