65 pages 2 hours read

The Control of Nature

Nonfiction | Book | Adult | Published in 1989

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Essay 3

Essay 3: “Los Angeles Against the Mountains”

Pages 183-197 Summary

Bob and Jackie Genofile live in the hills surrounding Los Angeles with their children. Los Angeles faces the Pacific Ocean on one side and the San Gabriel mountains on the other. McPhee notes that the San Gabriel mountains are disintegrating as the bedroom communities of Los Angeles push up against the mountains. One night, lightning struck the mountain. The Genofiles noticed a large, watery black mass—a debris flow in geological terms—rapidly approaching their home. The mass contained boulders and cars. Bob had built their house of steel and concrete to make it sturdy. However, the mass still smashed into their house and filled it up within six minutes, pressing the family into a bedroom. The family thought they would die, but the mud stopped just short of suffocating them. Usually, debris flows threaten property more than lives, and many people try to flee by car.

McPhee describes other well-known debris flows that have occurred in the greater Los Angeles area, including flows that have hit cemeteries, colleges, a plant nursery, and private residences. Residents build barriers known as deflection walls. They put up sandbags to protect against landslides. McPhee interviews Gary Lukehart—a resident in the area—and John McCafferty, who works as a bulldozer for hire. McCafferty digs a ditch with his bulldozer to collect debris, but it’s not enough. A debris flow covers his bulldozer and fills the house of one resident. The ditch does, however, spare the houses of Lukehart and others. McCafferty works for several days with few breaks.

Being located in a semi-desert area with little natural drinking water and plenty of earthquakes, Los Angeles has many environmental challenges, and not all of them can take high priority when the city decides what it must control. For example, the city of Los Angeles operates a thousand miles of underground, concrete-lined channels that replace naturally occurring river systems. McPhee also discusses the 100-plus “bowl-shaped” excavations, known as “debris dams” or “debris basins,” that line the San Gabriel mountains and are intended to catch falling debris before it hits residences. They cost hundreds of millions of dollars. The Los Angeles County Flood Control District—known as “Flood”—creates these basins. Another division takes over the management of the basins, but it is still referred to as Flood.

Higher up in the canyons, Flood places concrete barriers that will change streams into boulders, thereby disrupting erosion that could cause rocks to fall. Dams built decades before to conserve water end up serving as handy debris basins as well. The three major streams in and around Los Angeles are the San Gabriel River, the Los Angeles River, and the Big Tujunga. Three massive debris basins serve these rivers. The Army Corps of Engineers built a 92-foot-high dam—Santa Fe Dam—in the 1940s, even though the San Gabriel River that it stops is often dry. The Sepulveda Basin stops the Los Angeles River. McPhee notes the higher air quality and higher income of residents who enjoy “the fat life of the delectable mountains” of Los Angeles (195). He also notes that residents of other parts of Los Angeles County must pay for the debris basins—presumably through their taxes—on the logic that the debris could fall further into the central parts of the city.

McPhee defines “Los Angeles” in this book not by legal city or county borders, but as a geographic region whose northernmost parts back up onto a mountainside. Sometimes, the debris basins fail, as in the case with the Genofiles’ house, but they have caught 20 million tons of rock over time. McPhee describes a process called “water harvesting,” which entails draining water out of the debris basins through a tower with perforated holes. Some dams, like Devils Gate near Pasadena, are built with the sole goal of controlling water. Instead, the dam’s reservoir fills up with rock and sand falling down the mountain. A private operator sets up a rock mining quarry there. 

Pages 197-215 Summary

McPhee returns to the horror of the Genofiles, who were trapped in their home due to the debris flow. Rescuers bypassed their house as they assumed the family members had perished. A neighbor finally approached, and the family solicited help. Two debris basins surround the Genofiles and their neighbors: Upper Shields basin on top and Shields basin below them. A Flood vehicle went to check on Shields Debris Basin, but the debris broke through the basin and chased the truck. The Flood workers escaped, but the debris hits the Genofiles’ neighborhood. McPhee describes the massive amounts of debris that covered the area, including debris covering palm trees and crushing cars. The Genofiles examined the damage after escaping from their house. The Genofiles remark that they did not feel they were in any kind of danger prior to the debris storm; they were confident in the security of the debris basins. After the storm, the Genofiles suffered from anxiety and would often wake up in the middle of the night. The family rebuilt their house. They also sued Los Angeles County on the grounds of poor maintenance of the Upper Shields Debris Basin. The county paid the Genofiles more than $300,000.

Debris flows take place at different times and at different spots on the mountain; they lack consistency in terms of timing and size. Nonetheless, people continue to build homes in the area. McPhee spends some time with Wade Wells, who works for the United States Forest Service and researches erosion in the San Gabriel Mountains. The mountains occupy a unique spot right next to the bustling, urban Los Angeles County. From the mountains, sea fog and pollution-induced smog obscure the city of Los Angeles. McPhee accompanies Wade and another scientist up the mountain, where they take soil samples. McPhee points out the plant life on the steep slopes of the mountains—often referred to as “oversteepened”—including thick, prickly bush known as chaparral, which accumulates during droughts.

McPhee notes that the chaparral depends on fire. Some chaparral will only grow in the aftermath of a fire. The chaparral also relies on fire to burn through dead brush and return the plants’ nutrients to the soil. McPhee also describes the southwesterly breeze that flows through this area, which is famously known as the Santa Ana wind. The Santa Anas also raise the threat of severe fire, particularly as they crash into local mountain winds, thus scattering fires all over the county. McPhee notes the Southern California chaparral lays claims to the highest intensity and greatest frequency of forest fires in the country. Chaparral fires burn every 30 years, but before human settlement, the fires were smaller. Now that humans suppress fires through chemicals and other means, there is a large amount of brush left on the mountains. Therefore, when the brush catches on fire, the burns are hotter and faster than in the days prior to human settlement, because there is more vegetation to burn.

Under the chaparral, loose soil and rocks collect, leading to erosion—especially in the aftermath of a fire. McPhee refers to the tumbling of this mountain dirt as “dry ravel.” McPhee says that “so much dry ravel and other debris becomes piled up and ready to go that to live under one of those canyons is (as many have said) to look up to the barrel of a gun” (212). Using Wade’s soil experiments, McPhee demonstrates how unburnt chaparral—and the soil underneath—is somewhat resistant to soaking up rainwater, contributing to debris flows. As rain flows down the mountainside, rills—or miniature streambeds on the mountain—appear, collectively forming a rill network. The rill network increases the speed of erosion as the water that it mobilizes hits the debris collected at the bottom of the canyon. Although Los Angeles does not receive total annual rainfall—often only five inches—it has among the highest concentrations of rainfall in the country. McPhee explains this seeming contradiction by noting that certain storms will roll in from the Pacific Ocean and dump large amounts of water from the oceans into the mountains in a short period of time. 

Pages 215-232 Summary

A few miles into the mountain lies a watershed. The Middle Fork of Mill Creek—a tributary of the Big Tujunga, which is one of the three major rivers of Los Angeles County—drains this watershed. Sometimes, city dwellers go to the mountains to fire guns as a hobby. One day in 1977, a hobby gunman stuffed his rifle with Kleenex. When he fired the rifle, black powder in the rifle ignited with the Kleenex, which shot out of the rifle and burned down thousands of acres—including the Middle Fork watershed. The chaparral in the area was more prone to intense fire, since it had not burned in nearly a century. Further down from the fire was the community of Hidden Springs, which sat underneath 300,000-plus cubic yards of loose debris. Two engineers with Los Angeles County’s fire department informed the Hidden Springs residents about the imminent danger facing them, but the residents didn’t believe the engineers.

In the winter, there was an excessive amount of rainfall in Hidden Springs. In February of 1978, a fire occurred, and people assisted in putting out the fire, though the heavy rainfall also helped. However, the rainfall set off a massive debris flow, killing 13 people and sweeping survivors—including Amos Lewis—off their feet. Houses tore in half. Bridges broke. Lewis survived by hanging onto a tree branch above the flow. Lewis helped excavate the remains of victims of the flow. Lewis shows McPhee and Wade Wells a few cinder block foundations, which is what remains of the houses after the debris flow. Much of the mud and rock from the debris flow wound up in the Big Tujunga River, leading the county to spend millions to remove the debris from the river.

McPhee describes the stream valleys of the San Gabriel mountains, including the school bus-sized boulders in the valleys. These boulders occasionally tumble into residential neighborhoods. Mike Rubel builds his home—a castle—out of debris boulders. McPhee admires Rubel’s house. On a whim, McPhee visits a university, Caltech, and is introduced to the geologist Leon Silver. McPhee and Silver chat about the rocks in the mountains surrounding the university, which have shattered due to earthquakes. The earthquake aftershocks and the shattering rocks contribute to the greater likelihood of debris flows. McPhee describes the unstable rock moving down the mountain. This movement of dirt down the mountain produces steep slopes—right next to the homes of Los Angeles County.

Specifically, McPhee refers to the continuous tectonic front, which is where two major plates under the Earth’s surface—the North American and Pacific—move next to each other. These two plates form a kink in the San Andreas fault, the tectonic boundary between the two plates. McPhee uses a simple line with a kink in it to represent a bend in the San Andreas Fault, which he likens to a chair. McPhee writes, “Los Angeles is like a wad of gum stuck to that chair” (226). The kink in the fault is known as the Transverse Ranges. As the two plates move about the San Andreas, the terrain at the kink gets squeezed, thus compressing the San Gabriel mountains by a tenth of an inch each year. However, Silver notes that the mountains are rising at a more rapid pace than they are sinking. The aforementioned debris basins allow scientists to study the erosion of the San Gabriels.

Silver says that most people who live near the mountains are not aware of the risks. He also admits that he once lived next to the mountainside. When McPhee asks Silver why he lived there, Silver replies that he took a risk, because it’s cooler up in the mountains and there are ideal views of the city. McPhee interviews Silver’s colleague Barclay Kamb, who has studied the Sierra Madre Fault zone of the San Gabriels. Kamb states that humans build crib structures above the debris basins to restrict sediment flow from canyons in the mountains. This is faulty logic, however, because the sediment ends up being stored in these cribs, which are not as strong natural barriers and will likely end up scattering the debris during natural disasters. McPhee meets other scientists and engineers who also criticize the crib structures. 

Pages 232-248 Summary

McPhee provides a snapshot of a block in the city of Glendora that contains many citrus trees. McPhee notes that this citrus tree block has since been bulldozed for a new housing development. McPhee introduces Charles Colver, who manages an experimental forest in the mountains. Colver recollects a time when a bulk load—a debris flow with mud and trees—came down the mountain. The bulk load toppled a citrus grove. Even with the debris, the fruit growers planted new trees. The trees adapted to the debris, unlike houses.

McPhee dives into the history of this area, including the Asuksangna—a Native American tribe that resided there prior to white colonization. The village of the Asuksangna is known today as Azusa. The Asuksangna burned grasslands seasonally for agricultural reasons, thereby inadvertently setting chaparral on fire and loosening debris flows. However, they also adjusted to the debris flow. The ranchers who followed the Native Americans wound up fighting each other over the water in the area, even though that water carried loads from the mountain that could kill them. Drought killed many of the cattle in the 1860s. McPhee writes, “The message was clear: this environment was no less than hostile than it was appealing” (235).

The arrival of railroads in California led to a population boom. Farmers moved to the state and planted citrus groves. The ditches in the mountainside watered the trees, but the ditches also became choked with debris. A debris flow wrecked a railroad line. Electric streetcars developed, and communities began to form in the area. Wildfires led to debris flows in 1914, which led to the creation of the Los Angeles County Flood Control District (also known as “Flood”). However, people love the freedom that comes with living out in nature and away from the city. McPhee interviews a few present-day residents in a place called Pasadena Glen. They describe the terrifying sound of falling boulders and the smell of crushed chaparral, as well as the peaceful stillness of the area. A lot of rain in a short period of time causes a destructive debris flow. After the 1969 event, the Forest Service converted a stream to a concrete bed, which was intended to protect the properties below.

McPhee returns to the 1930s history of the area. Chaparral burned in the canyons above numerous towns in 1933. Massive rainfall followed, launching several debris flows at once known as the New Year’s Day Flood. Hundreds of homes collapsed. Dozens of people died. Fortunately, a gravel pit filled up with debris—and later became a debris basin—saving the village of Tujunga from decimation. McPhee asserts that floods of rock are more dangerous than floods of water in these areas. During World War II, wartime industries led to a population boom in Los Angeles. The county created housing for these newcomers by cutting down citrus trees for development. Urbanization clashed with agriculture as residents complained about smelly fertilizer, smog harmed the quality of fruit, and growers sold their land to developers. The earliest debris basins in Los Angeles overflowed, but eventually, the basins became more efficient at catching debris.

Debris basins don’t sit underneath every canyon, however. In the span of three years in the 1970s, three separate debris flows hit the home of the McNamara family in Glendale. They couldn’t sell their home as buyers would be wary of purchasing it. Also, debris basins could not handle all dangers the same. A basin might be fine at holding back debris flow one year and bad the next. People who live in these areas grow calm in the face of such danger. They believe that they have built sufficient defense mechanisms to defend them. As one resident tells McPhee: “People live here, come hell or high water. Both come, and we’ll still stay” (245). 

Pages 248-272 Summary

McPhee talks to a geologist who tells him that many people have little idea of the threat that comes with living in these mountainous areas, as they purchased their home after the last debris flow. Not only does the county of Los Angeles subsidize the risk of living in these areas through the erection barriers, but so, too, does the federal government, which provides insurance in the case of houses lost to flows. However, most of the homeowners in these areas don’t have insurance against debris flows, as they calculate their odds of their home getting hit by a debris flow to be low. After a fire, the county of Los Angeles prepared homeowners for the debris flows they might face once rain hit the area, but the people of Glendora maintained that their town didn’t do enough to prevent debris flows, and they sued their town. The town of Glendora lost the lawsuit. Realtors selling—often expensive—homes in the area also don’t know much about debris flows and don’t present buyers with that information, or they’ll tell buyers that there was a flood a while ago, but the area is secure now. One realtor tells McPhee that “we would not have invested in these places if there was a problem” (253).

Carl Gunn arrived in Los Angeles in 1916 and worked afterward at a ranch. He’s now retired and says that most of the old-timer farmers have left the area. The newcomers are unaware of the dangers of the debris flows. McPhee takes a walk in the mountains with Chakib Sambar, who works as a vice-principal and immigrated to Los Angeles from Lebanon. Sambar owns a home in the area and chats about the risks of living there. McPhee also chats with Miner Harkness, who was born in the area and still lives there. Harkness comments on erosion in the Big Santa Anita Canyon caused by roads that humans paved for trucks to bring material to build crib structures or “check dams.” Harkness laments the destruction of the natural beauty due to erosion. Although engineers claim to be working to stop erosion in the area, Harkness critiques the Flood Control and the Army Corps of Engineers for their harmful—and costly—actions, namely, building roads and check dams that may have actually caused more debris flows. Harkness’s wife and baby were caught in a debris flow, though they escaped without injuries. McPhee asks Harkness whether he thought about leaving the area. Harkness says no.

McPhee provides statistics on the millions of cubic yards of debris caught in debris basins and reservoirs each year. The county expends $60 million each year to clean these basins and reservoirs. McPhee discusses how debris flows out of Little Anita Canyon and forms what are called alluvial fans in the San Gabriel mountains. Los Angeles takes responsibility for managing these alluvial fans and dumping the debris that collects in the basins. The city hires private truckers to haul this mud elsewhere. Mountain sand used to wash away to the ocean; now, with debris basins, the sand is instead hauled away. This loss of sand affects the quality of beaches in Los Angeles. Los Angeles must use trucks to manually move sand from the mountains to the beaches.

McPhee mentions that in the mountains Flood Control installed cloud-seeding generators, which shot silver iodide at clouds in order to enhance storms and bring more rainwater to Los Angeles. They wanted to increase rain, but they didn’t want to increase debris flows. The generators were shut down, however, after a severe storm. The big problem is that Los Angeles is running out places to deposit the debris. The passage of the California Environmental Quality Act has made it more difficult to find areas to dispose of debris due to potential harm to animals. The debris deposits also pose challenges to humans, as we see when McPhee cites the collapse of 40 houses that were built on disposed debris. Engineers dumped some of that debris back onto the mountain in a place called Burro Canyon at a cost of $20 million. McPhee and Wade Wells visit Burro Canyon, which has its own debris basins. 

Essay 3 Analysis

McPhee’s sense of dramatic irony comes into play in this essay. Specifically, McPhee calls out the irony of engineers taking the debris from the mountain only to eventually put it back on the mountain in Burro Canyon. McPhee deems this irony an “elegant absurdity.” The irony intensifies when McPhee notes that the man-made Burro Canyon requires its own debris basin to protect the debris from harm, thus perpetuating the cycle of man intervening against nature to protect its own inventions.

McPhee’s meticulous attention to detail also serves a purpose in this chapter, as he highlights what is at stake when these expensive homes are destroyed by debris flows. For example, McPhee lists the features—for example, number of bedrooms and amenities—and prices of homes in these mountainside areas: “Four bedrooms, three baths, pool, third of an acre, $239,000, on Hillhaven Avenue, Sunland, just inside the Los Angeles city line” (254). Details, like those about the types of plants on the San Gabriel mountains, add specificity and authenticity to McPhee’s reporting: “There were wild morning glories, Canterbury bells, tree tobacco, miner’s lettuce” (208). Other details include newspaper headlines that show McPhee isn’t exaggerating when it comes to the severity of fires in Los Angeles: “14 MAJOR FIRES RAGE OUT OF CONTROL / 256 HOMES DESTROYED AS FLAMES BURN 180,000 ACRES” (211).

Finally, we understand through details that these debris flows are no ordinary mudslides, and that their force rivals that of other natural disasters like hurricanes. McPhee notes that a debris flow moves at a rate of nearly 500 feet per minute, far faster than what I human could outrun. Specific numbers can help illuminate the stakes of the situation, such as when McPhee shows how the debris flows impact a large swathe of Los Angeles: “eight million people live below the mountains on the urban coastal plain, within an area large enough to accommodate Philadelphia, Detroit, Chicago, St. Louis, Boston, and New York” (193).

This essay contains a number of literary devices. One of the most apparent devices is McPhee’s sense of sarcasm, which conveys skepticism about the people around him. For example, McPhee observes a young man walking in the steep hills without any sort of walking stick to aid him or ward off snakes: “He did not carry a golf club and was apparently relying on his youthful agility to frustrate the baking serpents” (256). McPhee deploys his dry humor in many other passages in the book, such as when he summarizes the massive cost of the debris flows as if stating a business transaction: “Nature’s invoice was forty million dollars” (191). The humor carries across McPhee’s unique personal voice and tone, as when he describes the $50 bills—distinguished by the face of President Ulysses S. Grant—that a man carries in his wallet for his daughter’s birthday present: “The wallet still contained what every daughter wants for her birthday: an album of portraits of U.S. Grant, no matter if Grant is wet or dry” (200).

Through humor, McPhee makes a number of wry observations about his surroundings, including Los Angeles’s reputation for superficial materialism: “In Sepulveda Basin are three golf courses, which lend ample support to the widespread notion that everything in Los Angeles is disposable” (195). He also employs humor to highlight the irony of the situation. For example, McCafferty works tirelessly to save the houses of LA residents from debris flow, but in return for his hard work, he receives a ticket: “He had left his lowbed parked around the corner. When at last he returned to it and prepared to go home, he discovered that a cop had given him a ticket” (191). Lastly, the unique position of the mountains next to the city leads to humorous anecdotes, including one about an exhausted solitary hiker in the winter who stumbles off the mountain and into a pay-phone booth in a parking lot, where he calls 911. McPhee leans into the dark humor in these situations, showing that there is lightness to be found in hard times.

As in previous chapters, McPhee puts forth simile and metaphors to project an image and help convey how these man-made devices work. McPhee describes how “rain sheds off a mountainside like water off a tin roof” (213) or how debris basins function “like giant colanders” (242). He also uses simile to hit home just how terrifying Mother Nature can be, as when he writes about a massive debris flow heading down a mountain: “One mountaintop was heading south like a cap tipping down on a forehead” (226).

McPhee continues using militaristic language to emphasize the brutality of a situation: “Like artillery shells randomly exploding, the aftershocks were sending up dust in puffs all over the landscape” (226). McPhee’s voice is also often blunt, and he uses precise wording to impress the horrors of the outside upon the reader. We see this blunt language when he describes the sudden loss of life in a debris flow: “Gabe said, ‘Good deal.’ And then Gabe and George were dead” (218).

Much like in the essays on Iceland and Atchafalaya, McPhee imbues the work with local flavor that helps the reader understand the residents of Los Angeles who choose to live near the mountains. McPhee’s description of Amos Lewis shows us how free many nature-loving Los Angeles residents feel in the wild—so free that they shed their clothing: “On this day in late spring, his muscular build and deeply tanned skin were amply displayed by a general absence of clothing. He wore bluejean shorts, white socks, mountain boots, and nothing else” (220). No individual represents the eccentricity of Los Angeles residents better than Mike Rubel, who refers to his home—a castle built out of boulders from debris—as the “Kingdom of Rubelia.” McPhee provides additional details about Rubel’s castle, including strange anecdotes, like how Prince Philip of Great Britain visited Rubel’s humble castle, even though Prince Philip has access to royal palaces in England. Such details establish quirks for these individuals and present them as interesting characters whose stories are worth following.

McPhee also continues his habit of offering regional pronunciation tips to readers, as when he provides the enunciation for the Big Tujunga River: “Big Tujunga (Bigta Hung-ga)” (194). McPhee also utilizes quotes from sources to add local flavor and emphasize key themes, like how commercial interests can conflict with environmental concerns. One engineer bluntly speaks of Flood’s commercial interests in the area: “As one engineer has described it, ‘he pays Flood, and Flood makes out like a champ’” (197). We also see that new home buyers often don’t recognize the risks of living in their area, which area resident Carl Gunn demonstrates through a crude simile: “The people who buy the houses don’t know that sooner or later stuff is going to come down through here like shit through a tin horn” (255).

McPhee continues to describe the environment using scene-setting, which distinguishes literary reportage from other forms of nonfiction. For example, McPhee summarizes the nighttime habits of residents dwelling near the mountains: “People can lie peacefully in their beds and listen to the thud of boulders heading into traps” (242). Borrowing other techniques from fiction, McPhee often paces his book like a thriller in which the reader doesn’t know whether the humans will survive or not. The threat here is isn’t another human or the supernatural—it’s the environment. For example, McPhee spaces out the Genofiles’ entrapment over multiple sections, using section breaks to cut off the readers at a cliffhanger and leave them in suspense as to their potential deaths: “The debris flow […] continued to rise. Escape was still possible for the parents but not the children” (186).

Many years have passed since the book’s publication, leaving the reader to compare McPhee’s descriptions to the present day. We see that difference in time in the first essay between the pre-Katrina Louisiana that McPhee writes about and the post-Katrina Louisiana that we now know. We also see that difference in this essay regarding the mountains of Los Angeles. In this essay, McPhee notes that fires “are for the most part caused by people” (209), but today, we see climate change contributing to a greater number of fires in California due to a longer and hotter fire season. 

McPhee doesn’t always employ first-person point of view, but when he does, it’s usually to illustrate for the reader what it’s like to be in these areas where nature exerts such a strong grip. Examples include when he describes crashing through glassy rock in Iceland or needle grass poking him as he sits on the mountainside. McPhee writes that the scientists taking samples were standing on the mountain, “but I preferred—just there—to sit. Needle grass went through my trousers. They were going by the quiver into my butt, but I still preferred to sit” (207). McPhee also uses first-person point of view to demonstrate how his interviewees react to his presence as an outsider—either as a non-resident of the area or a non-scientist—such as when the Cajun man in the first few pages of the book reacts positively to McPhee’s bandana. Another example of the first person occurs in the interplay between McPhee and Mike Rubel: “Sitting beside him on his balcony and dreamily looking at the mountain peaks, I said, ‘The castle is obviously the result of something.’ Rubel said, ‘Yes. A genetic defect’” (223). We also get a glimpse into McPhee’s unorthodox research process of scouting experts through his first-person retelling, such as when he shows up randomly at Caltech and asks to speak to any geologist.

As in the previous essays, the idea of competing interests between various entities comes quite a bit. For example, Los Angeles County wants to relocate debris deposits that it has removed from the mountainside, but residents do not want these deposits in their backyard. The county appeases residents by calling these deposits “sediment placement sites.” The battle is not just between administration and residents. Environmental groups also pick a bone with the Los Angeles municipal government’s installing debris basins and placing debris deposits in unnatural areas. McPhee interviews a source who refers scornfully to the Sierra Club, an environmental advocacy group: “The Sierra Club says, ‘If you put it here, you’ll kill a lizard.’ The Forest Service and Fish and Game also complain” (270).

Additionally, according to Wade Wells, the engineers want to have consistent work, so they create Burro Canyon so that the engineers will devise plans to safely carry debris back into the mountains. That debris being returned to the mountains may pose its own problems, so the engineers’ wishes are at odds with those of the residents living here. The result of these various entities’ competing needs is that progress is often stalled when it comes to addressing the debris flows.

However, McPhee makes clear that messing with Mother Nature—as the engineers do—leads to unfortunate consequences for the capitalist economy. For example, rain normally carries sediment from the mountains to the oceans, creating nice beaches. The debris basins and other mechanisms block that flow of sediment, thus harming the beaches and the tourist economy. Moreover, the local residents don’t even appreciate the defense systems that they possess. They value the beauty of nature, but man-made defenses to control nature are often anything but beautiful. “Many people regard the debris basins less as defenses than as assaults on nature. They are aesthetic disasters” (246).

Like the proverbial frog in the boiling pot of water, humans don’t often realize the danger that nature poses to them until it’s too late—in this case, after they’ve built homes underneath mountainous death traps. This tension is illuminated in the section of the Los Angeles essay wherein residents complain about the uselessness of the basins until they fill up one night, after which the residents berate Los Angeles County officials for not creating larger basins. A Flood engineer, Dan Davis, tells McPhee: “If you point out a potential geologic hazard, they say, ‘I’m ready to live with that.’ People don’t really believe what it’s like until they go through it” (247).

Even once they experience the horrors of a debris flow, people are determined to remain. McPhee emphasizes the short-term memories of humans who stubbornly put the past behind them and remain in these dangerous areas: “People forget so soon. In a couple of years, they build again” (247).

McPhee also recognizes that the geological concepts that he’s covering are somewhat difficult for a layperson to understand, so he uses occasional visual aids—like a crude line drawing depicting the San Andreas Fault—to break down scientific concepts. Moreover, he draws comparisons to other well-known mountains to provide a frame of reference as to the scope of the San Gabriel mountains: “From base platform to summit, the San Gabriels are three thousand feet higher than the Rockies” (205). Moreover, McPhee writes vivid descriptions of debris flows to paint an image in the reader’s mind, especially regarding the devastating aftermath:

[…] the neighborhoods of northern Los Angeles assume a macabre resemblance to New England villages under deep snow: the cleared paths, the vehicular rights-of-way, the parking meters buried within the high banks, the half-covered drift-girt homes (199).

The way McPhee describes the situation, it’s almost like nature is mocking our human creations to shelter and protect ourselves from the elements. Take, for example, this description of a neighborhood after the Hidden Springs debris flow: “Houses that stayed put were gouged out like peppers and stuffed with rocks” (220).

As in his discussion of New Orleans, McPhee illustrates how wealth makes a difference in an individual’s ability to bounce back from natural disasters. As many of the homeowners who choose to live near the mountains of Los Angeles are upper-middle class, they have the means to rebuild. Wealth cannot inoculate people from natural disasters, but it certainly provides a safety net, such as when the Genofiles are able to rebuild their house and make it more secure in case of future debris storms by placing the bedrooms on the second story. McPhee also notes the designer clothing worn by the Genofiles and the nice Italian marble in the home to show their upper-middle-class lifestyle.

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