44 pages • 1 hour read
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Nan receives letters from Finbarr. They are both falling ill, although for different reasons. Nan receives word that her uncle Jack came home with influenza and infected his wife and child. His wife recovered, but Jack and his son did not. Influenza comes to England too, infecting their friends and neighbors. Nan has become pregnant. When her mother is out, she takes the money saved and journeys to Ireland to see Finbarr. When she arrives, however, Mrs. Mahoney is not happy to see her and asks her to leave. Nan persists, but Finbarr has influenza. Mr. Mahoney arrives, and eventually Nan is allowed in to see him, but they are forbidden to touch.
In the hotel in Harrogate, Chilton questions Nan with Agatha’s photo. Nan claims not to have seen her. She meets Lizzie’s husband, Donny, and sits with them at dinner. The Marstons greet them before sitting down at their own table. The Races are sitting at another table and suddenly erupt into an argument, attracting the attention of the other diners. The hotel owner interrupts and offers them a bottle of champagne to ease the tension. At that moment, Mr. Marston falls to the floor in distress. Mrs. Race claims to be a nurse and examines him. A doctor is called and pronounces him dead. Mrs. Marston is devastated, and the dining room empties. Nan returns to her room, passing the Races in reconciliation on the way, and tries to sleep. She is woken by the sound of a scream.
In the hall, Nan meets Miss Armstrong, who announces that the scream came from the Marstons’ room. Mrs. Marston has also died, allegedly from a broken heart. Downstairs, Chilton speaks to the doctor about the Marstons’ deaths. Nan goes for a walk, coming across Finbarr. He implies that he is staying with someone else. Chilton drives by and sees Nan and Finbarr together, certain that Finbarr is not Nan’s husband. He continues driving and takes several wrong turns, ending up in front of a boarded-up house with smoke coming from the chimney. From inside comes the clattering of typewriter keys. He knocks on the door and comes face-to-face with Agatha.
On the day of her disappearance, Agatha drives away from her house considering her options. She stops rapidly to avoid hitting a pedestrian and recognizes him as the man who spoke with Teddy—who we now know to be Finbarr. The man admits he wants to speak to her about Nan. They abandon Agatha’s car and leave in the man’s, which he found abandoned not far away.
This section takes us back to Nan being brought to the convent. We finally understand the events that led up to that moment. In the nearer past, Nan meets Chilton for the first time just before she gets the revenge she planned on Mr. and Mrs. Marston. Any reader familiar with murder mysteries will make the connection between the Races’ outbursts and Mr. Marston’s sudden demise; the setup could have come from any Agatha Christie novel. Even with this knowledge, however, the connection between them is still unclear. The author intersperses hints of the truth through the narrative. Mr. Marston is seen to recognize Lizzie and immediately withdraws. Mrs. Marston’s anguish at her husband’s death is described as “altogether unholy” (137), a tongue-in-cheek double meaning describing the lady’s character.
The character of Cornelia Armstrong (who shares a name with the Armstrong family of Murder on the Orient Express) serves as a red herring. She is the only one of the girls not connected with the murders, although her actions in this section, overly loud and affectionate, seem suspicious. This suspicion causes the reader to examine her place in the broader story, making it easy to overlook the other clues that have been laid in the narrative. The story then moves to Chilton—his experiences again told through Nan’s eyes. She would have gained this knowledge through their discussions much later on. Chilton arrives at the house where Agatha and Finbarr are staying and is drawn in by one of the book’s most prevalent motifs: the sound of Agatha’s typewriter.
In Part 2, the narrative moves back slightly into the true account of Agatha’s disappearance (truth here being a fluid construct) and explores her meeting with Finbarr. When the reader considers the source of the narrative, this becomes an interesting study in what Nan knows about these two looming figures in her life; over time, she has come to know their psychology intimately, as is apparent in her description of the way they interact in this scene.
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