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When the play premiered in 1934, it was controversial. How do you think it would come across to audiences today? What seems particularly relevant? Is there anything that seems like it presents an outdated idea?
In her notes about the play, Lillian Hellman suggested that some of Mary’s impetus for attacking the headmistresses could be her questions about her own sexuality. Do you see anything in the text that suggests that? What words are used to describe Mary? Are any of those words also used to describe Martha or Karen? Is there anyone in the text other than Martha who hints at hidden homosexuality?
Based on your interpretation of the text, is Mary evil? Is she a child who does not understand what she is doing? What evidence helps you draw your conclusion? If you were reviving the play today, how might you portray Mary’s character, in order to stay in line with current ideas about childhood and child psychology?
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By Lillian Hellman