55 pages 1 hour read

The Chain

Fiction | Novel | Adult | Published in 2019

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Part 1, Chapters 16-27Chapter Summaries & Analyses

Part 1, Chapter 16 Summary

Kylie’s uncle Pete, Marty’s brother and an ex-Marine, is hunting in the woods by himself. It’s not hunting season, but Pete doesn’t care about laws. He notices text messages from both Rachel and Marty, but is out of cell phone reception. He isn’t close with his brother but decides to end his hunting trip early to see what Rachel needs. The phone is almost dead, so Pete decides to call her once he’s home.

Part 1, Chapter 17 Summary

Kylie is still unable to figure out an escape plan. She wonders if her mother also has to kidnap someone, and why the kidnappers targeted her and her mother.

Part 1, Chapter 18 Summary

Rachel stalks one of her potential kidnapping targets—a young boy. However, she discovers that his mother’s boyfriend is a police officer, therefore ruling the child out. She moves on to stalking the next option online, when the distorted voice behind The Chain calls and says she should share her choices’ names for vetting. The voice also allows Pete to help Rachel.

Rachel tells Kylie’s friends that she’s sick. They’re suspicious because Kylie hasn’t been texting or using social media, like she normally would.

Part 1, Chapter 19 Summary

On his way home, Pete craves heroin, so he pulls over to a remote pond and doses himself. He suspects many veterans develop addictions to opioids, because of their pain-relieving effects. He thinks about his two ex-wives: One of them, Cara, was a brief “mistake,” but the other, Blair, was significant to him. Pete was in the Marines for seven years but had to retire early due to an incident; with money troubles on his mind, heroin helps him worry less. He values Rachel and Kylie, so when he calls Rachel, she alerts him that Kylie’s been kidnapped.

Part 1, Chapter 20 Summary

After receiving the news, Pete goes to his storage unit to retrieve guns, grenades, and equipment for breaking into houses. He considers quitting heroin but ultimately decides against it.

Part 1, Chapter 21 Summary

Rachel explains everything to Pete, who is surprised something so horrific could happen in Massachusetts. He knows the “right” thing to do would be to inform the FBI, but he cares more about keeping Kylie alive, so he’s willing to help without police involvement. Rachel’s top kidnapping target is now Toby Dunleavy, a 12-year-old boy. Pete discovers Rachel’s laptop has been infected with Spyware.

Part 1, Chapter 22 Summary

Kylie spots a wrench under the boiler; at night, she pulls her chain to get closer to the wrench.

Part 1, Chapter 23 Summary

In the morning, Rachel and Pete wait until the Dunleavy house is empty, then Pete breaks in and uploads software onto a computer that allows him to spy on the family and steal their passwords. They know from social media that Toby walks home alone from archery practice, so they plan to kidnap him during his 10-minute walk.

Part 1, Chapter 24 Summary

The male kidnapper brings Kylie breakfast, and she again asks him why she was kidnapped. He says it was to save their own boy. Kylie chats with him about Moby Dick until Heather yells for him to come upstairs. The man begs Kylie not to attempt to escape because his wife is suddenly different from how she used to be.

Part 1, Chapter 25 Summary

The female leader of The Chain thinks about how Olly, her brother and partner-in-crime, criticizes her tendency to interfere with The Chain. However, she ignores such criticism and messages Rachel about her kidnapping. Rachel says she’s working on it, but the leader doesn’t like her tone. Therefore, she tasks Heather with informing Rachel that she now owes an additional $25,000 and must kidnap someone by midnight (currently, it’s almost 4:00 pm).

Part 1, Chapter 26 Summary

Rachel receives Heather’s call about the extra ransom and expedited kidnapping deadline. Just then, Marty and his girlfriend, Tammy, arrive in a car to pick up Kylie for the weekend. Rachel apologizes and claims she sent Kylie to New York to see Hamilton with her grandmother (Rachel’s mother); Marty and Tammy leave. Pete puts the extra $25,000 in Bitcoin on his credit cards. Rachel prompts her mother to lie to Marty, but doesn’t explain her reasoning.

Rachel and Pete head to the park where Toby Dunleavy’s archery practice is held, preparing to kidnap him when practice is over. They arrive early, but Toby’s already gone because practice ended early. They see his eight-year-old sister, Amelia, and she says he went to a friend’s house. Rachel and Pete decide to take Amelia instead, even though she has a severe peanut allergy that they’re not prepared to deal with. They put Amelia in the backseat of the car and pretend to be friends of her parents. They agree to kill a police officer if they get pulled over.

Part 1, Chapter 27 Summary

Rachel and Pete drive to the Appenzellers’ house. Pete confines Amelia to the basement, while Rachel calls Amelia’s parents and explains the situation; she then vomits. She and Pete comfort Amelia using stuffed animals, snacks, and stories. Pete orders an EpiPen online for Amelia’s peanut allergy.

Later that evening, Rachel receives a phone call from Heather, who says her own son has been returned; Kylie will be returned to Rachel once the Dunleavys complete their tasks. However, once Rachel gets Kylie back, she has to keep Amelia hostage until the proper time, otherwise Kylie will be recaptured and killed.

Part 1, Chapters 16-27 Analysis

The Nature of Monstrosity and How Love and Parenthood Complicate Morality and Rationality are further complicated in this section. Rachel completes her transformation into the kind of “monster” who kidnapped Kylie, by successfully kidnapping Amelia. Whereas Rachel is playing the hero in Kylie’s story by freeing her, Rachel is very much the villain in Amelia’s story. The Chain gives its links the option to either let their loved one perish, or become part of a larger monster or villain themselves. Either way, the target (parent) is a victim of The Chain, but they have a choice regarding who they become in order to save their loved one’s life; choosing to continue The Chain, thus passing on the burden of choice to others, perpetuates The Persistent and Compounding Effects of Trauma. The kidnappers in The Chain are different from typical kidnappers in horror and thriller novels because they take no pleasure in kidnapping—with any ransom involved going to The Chain leaders, twins Ginger and Olly. Rachel is so disgusted with herself for kidnapping Amelia that she vomits, and the same is likely true for previous links in The Chain. Part of the monstrosity of The Chain is that it forces people to become something they hate.

To further complicate the idea of monstrosity, the narrator provides glimpses into one of The Chain’s creators—later revealed to be Marty’s girlfriend, Ginger. This information is interwoven with Rachel and Kylie’s plotline, so the reader doesn’t learn the villain’s backstory all at once. This builds the novel’s suspense, prompting the reader to wonder not only who started The Chain, but why. This also allows the reader to gradually solve the mystery along with the characters. At this point, like Rachel, the reader doesn’t know enough to identify The Chain’s creators, but they know some identifying factors about them. Whereas Rachel makes educated guesses based on limited communication with The Chain, her suspicions are often confirmed when the narrator reveals details about Olly and the still-unnamed woman’s (Ginger’s) lives.

Miscommunication is a common trope in the horror, thriller, and mystery genres; often, characters lie to each other or omit information, which prolongs the time it takes for them to learn the truth or reach safety. Usually, the characters have to come clean with each other in order to collectively solve a mystery or escape danger. Miscommunication runs rampant in The Chain, but in this case, the characters don’t have the option of telling the truth; doing so would sabotage their mission. Horror novels sometimes remove communication devices in order to inhibit communication and render their characters vulnerable. In The Chain, such devices are prevalent, but the villain still cuts off communication in a different way—by threatening lives should characters talk.

Rather than removing technology to isolate characters, The Chain is a monster inspired by modern technology and which depends on modern technology for operation. Most new links in The Chain use Facebook or other online platforms to research potential hostages and learn how to break into houses. A voice distortion machine and burner phones allow The Chain’s creators to maintain anonymity; they also hack victims’ devices to spy on them. Although many contemporary horror and thriller novels take place in a remote area removed from modern society, there are others that explore the potential ways in which modern technology can be used for horrific means.

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