"The Caretaker" is a classic tragicomedy play by Harold Pinter. It was first performed in 1960 and became Pinter’s first commercially successful production. The play is a study of how power, allegiance and corrupted innocence affect a lonely tramp and two brothers who he meets. It’s a typical three-act play and is Pinter’s sixth work. Pinter’s renowned for the psychological depth and focus of his plays which translates well into the theatre. For his contributions to screenwriting, playwriting, and poetry, he received the 2005 Nobel Prize for Literature. He’s one of the most influential playwrights of modern times. There are three main characters—Aston, who lives in a house owned by his brother, Mick, and Davies, an older man who lives as a tramp. Aston once received electric shock treatment and the resulting brain damage leaves him isolated and looking for companionship. He’s very vulnerable to anyone looking to take advantage of his kind spirit. Mick, on the other hand, is short-tempered and ambitious. He doesn’t have time for Aston and puts up with him because there’s nowhere else for him to go. Mick has grand dreams, but he wants instant results, so he ends up never getting what he wants. Davies lies and exaggerates depending on who he’s in company with. He tells people what will make them like him so that he can manipulate their feelings. When the play opens, Aston invites Davies home. He’s saved Davies from a bar brawl and wants to look after him. When Davies gets to the flat, the first thing he does is complain about how messy and neglected it is. It’s so untidy that Aston struggles to find any clothes to give Davies. Davies just wants to get to Sidcup, London, to get identity papers to prove who he is, but he will stay the night and head off in the morning. The next day, Aston suggests Davies can stay in the flat while he goes out and runs his own errands. Davies isn’t used to this kind of trust and he intends to take full advantage of it—Sidcup can wait. He looks through Aston’s belongings for anything valuable, but he doesn’t steal anything because Mick walks in. Mick mistakes him for a home invader and a fight ensues. Davies explains himself and Aston confirms the story. However, unlike Aston, Mick recognises Davies as a potential troublemaker. He sees that Davies might be a manipulator and, for someone who’s homeless, does nothing but complain about the messy flat and the clothes which aren’t good enough for him. He notices that Davies isn’t leaving anytime soon—there’s no sign of him making this trip to Sidcup and he makes himself at home. Just as Davies can’t make it to Sidcup, Aston can’t finish the workshop he’s building in the garden, and Mick can’t catch the break he hopes will make him rich and comfortable. Each character, then, recognises this same talent for failure in the others, and uses this to find common ground. It’s the only thing Aston and Mick have in common—other than Davies. Because Aston wants him to stay, Mick finds a job for Davies. He wants Davies to be their caretaker and fix up the flat. At first, Davies doesn’t want the job because he’s worried someone will come looking for him—he’s living under an assumed name, or so he tells the brothers. He wants them to believe he has a mysterious and dangerous life. However, he agrees to look after the place. Mick wants references, but this means going to Sidcup to get Davies’s identity papers, which no one seems keen on doing. Mick explains they’ll need references at some point, but Davies can start working in the meantime. Everyone’s aware by now that Davies will never bother going to Sidcup and his place in the flat seems guaranteed. However, Davies starts making fun of Aston for not doing much work and being lazy. He talks around Aston’s brain damage but never says it outright. This angers Mick who tells Davies to stop getting above himself. Aston explains what happened to him and how he’ll get the doctor back for the ill treatment just as soon as he finishes the shed which he never bothers working on. Aston and Davies continue to fight with each other until Aston tells Davies to leave. He says they’re not getting along and he’s taking advantage of the one person who gave him a chance all those nights ago. Davies doesn’t care what Aston says because he thinks Mick will take his side, because he’s doing a good job looking after the flat. However, Mick sides with his brother and tells Davies to leave at once. Davies protests and begs Aston for forgiveness, but Aston won’t listen. Davies leaves and watches them from the garden, but they don’t let him back in. The brothers exchange a small smile which suggests they’ll become closer after this drama.

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Harold Pinter

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The Caretaker

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