50 pages 1 hour read

The Butcher Game

Fiction | Short Story Collection | YA | Published in 2024

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Chapters 8-14Chapter Summaries & Analyses

Chapter 8 Summary

Content Warning: This section of the guide includes discussion of death, graphic violence, child abuse, and mental illness.

Jeremy lurks at the ruins of the Tytus Mansion—a real structure in Tyringham, Massachusetts, which was built for Egyptologist Robb de Peyster in 1910 and burned down in the early 1950s, purportedly because of a mummy curse. Jeremy watches as three tourists take photos around the property. The site feels royal to Jeremy, which is why it’s perfect for his plan. He waits until sunset, when only one couple lingers. The man wants more selfies, but the woman is uneasy as darkness creeps in. As they leave, Jeremy shoots a crossbow arrow near the couple, which they assume is a bat. He then shoots the woman through the throat. The man panics, holds her as she dies, and then runs. Jeremy chases him, shoots him in the ankle, and bludgeons him to death with a rock.

Jeremy listens to the man take his final breaths and hears his death rattle. He first heard the death rattle from his third victim; he relishes the sound as the cusp of life and death. Afterward, he collects his crossbow bolts, uses his knife to carve something onto the female victim’s arm, and poses her, knowing that this will draw Wren out.

Chapter 9 Summary

Wren wakes up to a call from Corinne Matthews, a friend from college who works for the Salem Police Department. Corinne thinks that Jeremy dropped a victim in Salem, outside a bakery with a New Orleans theme. The victim is barely alive and has ligature marks consistent with Jeremy’s previous methods of murder. Corinne asks Wren to come to Massachusetts and help with the case, and Wren agrees. Wren tells Richard that Jeremy probably strangled and resuscitated the victim numerous times—something he often does.

Wren confesses to Richard that she briefly had a crush on Jeremy when he was pretending to be Cal in med school; one night, they even kissed. Richard tells Wren that she has nothing to be ashamed of: Jeremy is extremely manipulative, and Wren developed feelings for the person he was pretending to be. Richard accepts all parts of Wren, and Wren feels lighter having told Richard the truth.

Chapter 10 Summary

Jeremy wakes up in a stranger’s house. He took his boots off to sleep, but he quickly puts them back on, as he does not want to be caught without his shoes on. He thinks back to his mother, who emotionally manipulated and mistreated him when he was a child. He’s glad that his mother is gone and that she was unable to instill shame in him for his obsessive tendencies. He thinks that shame is a useless emotion and refuses to feel it. He wonders if Wren is close by, but he knows that he would feel her proximity: They’re tethered because of their killer-victim relationship.

Chapter 11 Summary

When Wren wakes, she and Richard pack for Massachusetts. Richard looks up the very low crime statistics in Salem and thinks that Jeremy will do real damage there, as the police will be unprepared for a serial killer. Wren reframes his thoughts: Perhaps Jeremy will stand out in Salem in a way that he didn’t in New Orleans, where violence is more frequent. Wren thinks that he’ll be reckless, and she wants to catch him so that she can move on.

Chapter 12 Summary

Jeremy finds an abandoned fairgrounds site that he imagines is haunted. He locates a spot to bury some objects, beneath a spray-painted pentagram that he imagines the police will interpret as a sign of Satanic activity and be confused.

He walks through Great Barrington, Massachusetts, holding a bouquet of flowers from Connecticut. The flowers are magnolias, which Wren had in her bridal bouquet. Jeremy thinks that this choice was symbolic for Wren, as the magnolias are hardy and resist death even as their season ends. He compares the flowers to Wren’s survivability. Wrens are also birds, which Jeremy links to Wren’s decision to change her name. The flowers could also be a nod to Louisiana or a symbol of her hope for good fortune in her marriage. Regardless, she chose them, and now Jeremy has chosen them, too.

Jeremy leaves a flower on each doorstep that he passes, hoping this will get back to Leroux or Wren, drawing Wren closer. A woman on a walk stops and compliments his flowers; Jeremy lies and says that they’re for a proposal. The woman is unafraid to walk at night, and Jeremy realizes how safe the community feels. He wants to change that, feeling exhilarated at the power.

Chapter 13 Summary

Wren sleeps soundly on the flight to Massachusetts. She and Richard get in their rental car and drive from Logan Airport to the hospital in Salem. Wren looks out of the car into the windows of buildings, and she and Richard imagine what the people inside are doing. Their game is interrupted by a call from Leroux, who tells Wren that two more bodies have been discovered in Tyringham, Massachusetts: a man and a woman shot by a crossbow. Wren realizes that this is Jeremy’s work. Still, she promised Corinne that she’d look at the Salem victim, though she now thinks it may be the work of a copycat. Leroux will be on the next flight to Massachusetts.

Chapter 14 Summary

Jeremy goes to a bar full of locals. He looks around until his gaze settles on a woman sitting with her friends. He listens in on her conversation to glean personal details about her, makes small talk with the bartender, and asks to send the woman a drink. The bartender is clearly suspicious of Jeremy’s intentions and tries to stall him by asking for his ID, but in the end, he sends an Aperol Spritz to the woman on Jeremy’s behalf. The woman approaches and thanks Jeremy for the drink. She introduces herself as Charlie. Jeremy chats with Charlie all evening, using a slightly antagonistic approach to pique her interest. Charlie’s friends leave the bar, taking Charlie’s phone with them. When the bar closes, Jeremy asks Charlie to explore the abandoned fairgrounds with him. She’s hesitant since it’s three o’clock in the morning, but Jeremy appeals to her risk-taking nature, and she agrees. She warns him that she has mace, but he says that she won’t need it.

Chapters 8-14 Analysis

The second set of chapters builds the rising dread of the narrative arc as Jeremy murders his way through Massachusetts. His obsession with Wren continues to fuel his violent actions. Power and Obsession play a key role in understanding their character dynamic. Fixated on drawing Wren back to him, Jeremy imagines a controlling connection between them: “[H]e feels branded onto her. There’s an unparalleled bond between a killer and a victim, whether they survive or die. It’s like how one twin will know that the other is suffering or sense when they are nearby” (110). Jeremy truly believes that he and Wren share a psychic bond—that Wren can feel what he feels. However, Wren has a different understanding of her connection to Jeremy. She, too, is obsessed—with bringing Jeremy to justice. Unlike Jeremy, who relishes his fascination with Wren, Wren wants to rid herself of his control: “She doesn’t want Jeremy to have that power over her anymore. She wants to release the hold he has on the part of her that fears him” (115). Wren wants to catch Jeremy and bring him to justice so that she can live without a looming sense of dread hanging over her head.

Wren’s ongoing dread is one of The Psychological Effects of Trauma, an important part of her character arc. Jeremy’s impact on Wren’s psyche is complex and multilayered because she encountered him in several guises. Not only does she fear Jeremy the predatory murderer, but she also feels shame about the fact that when he was disguised as “Cal,” she developed romantic feelings toward him. This inability to see through the persona left lasting feelings of humiliation, as her admission to Richard reveals: “She has never even spoken these feelings or questions aloud before. It feels as if she opened an ancient door only to let a fast-acting virus loose on her alone” (103). Wren describes her trauma with the language of disease, casting Cal as an infection that allowed Jeremy to manipulate her by acting as her friendly and kind classmate. Her kiss with Cal haunts Wren, illustrating the guilt that is often coupled with traumatic experiences. This guilt makes Wren want to dissociate, or mentally slip away into a different place, a maladaptive coping strategy; she says, “Sometimes dissociating into an uncomplicated thing is calming; it reminds you that everything isn’t as bad as it seems” (112). However, this approach does not lead to long-term emotional healing. Wren wants to sink into a space that feels safe within her own mind because confronting the past memories is challenging.

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