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Content Warning: This section of the guide includes discussion of death, graphic violence, and mental illness.
The police receive a tip about a body at the old fairgrounds. On the way there, Leroux and another officer discuss the strange flowers scattered around town and on people’s porches, pondering if they are connected to the case. When Wren learns that they are southern magnolias, she tells Leroux that those were her wedding flowers, clearly unnerved by the connection. Wren thinks that Jeremy would bring his victims to the fairgrounds—a haunted and paralyzingly scary place. On the site, Wren smells something horrible and follows the odor to a pile of rotting flower petals in the corner of one of the abandoned buildings. Beneath the pile is Charlie’s body. Wren thinks that the fact that Jeremy is hiding the body is strange, especially since they wouldn’t have found it without the tip call.
Charlie has clearly been tortured and shot with a paintball gun, which Wren recognizes as Jeremy’s work. One of Charlie’s eyes is swollen, not as a result of decomposition. In her eye is a small piece of paper. When Wren carefully unfurls it with her tweezers, there’s only one word she can make out: “Richard.” Wren panics as Leroux attempts to decipher the other words on the note. She calls Richard several times, but it goes to voicemail. She texts him and gets back a text that says, “Wren, he found me” (283).
Jeremy and Philip watch Wren and Richard’s rental cottage from the tree line. The house has many windows, which makes Jeremy think that Richard booked the house since he doesn’t think Wren would willingly choose a place so open and vulnerable. Jeremy asks if Philip is sure that Richard is there, and Philip says yes. They then begin Jeremy’s plan.
Philip knocks on the front door under the guise of trying to sell Richard solar panels. At the same time, Jeremy breaks into the cottage through the back. When Richard gets the rental cottage owner’s card for Philip, Jeremy sneaks up and uses Charlie’s mace to spray Richard in the face. Richard fights back, managing to cut Jeremy’s face while calling him pathetic, but Philip uses a syringe to inject Richard with a paralytic. As Richard struggles to move, Jeremy taunts Richard by asking if Wren still runs marathons. Before he falls unconscious, Richard tells him that Wren does still run and that Jeremy doesn’t matter. Richard’s phone rings with Wren’s calls. Jeremy takes the phone and texts her back.
Wren receives more texts from Richard’s phone, stating that he is in the woods with a broken leg, at a place that Jeremy calls “Morgan’s grave” (296). Wren panics all the way to the police station and tells the officers that Richard never texts using punctuation, so she’s suspicious that these texts are not truly from Richard but instead from someone impersonating him and using his phone. The police tell Wren to keep calm while they come up with a plan to find Richard and apprehend Jeremy. Wren’s panic makes her want to jump into action—to put herself in harm’s way to save Richard—but Leroux refuses to let her. He tries to comfort her, but Wren is in agony.
The police decide to send out three groups: one to the woods, one to Wren’s rental house, and one to a location called in via anonymous tip. They feel confident in their ability to apprehend Jeremy, claiming that someone close to Jeremy has turned on him. Wren goes with a female officer to her rental house. There, they watch on a monitor with body cam footage as a detective named Warren bangs on a door.
Jeremy hears knocking as the police announce their presence. Jeremy has no idea how they found him. In his plan, they were supposed to go to the woods and find Morgan’s body with Philip’s school ID. He wonders if the police are there for Philip, but then he realizes that his gun is gone, taken out of his bag. That’s when Jeremy puts it together: Philip has played him.
Jeremy wonders if Wren has already seen Richard’s body in the woods. He imagines her pain and grief, which gives him a moment of joy as the police find him. The police order him to crawl out of his hiding hole and arrest him. As Jeremy is put into the police car, Philip approaches him and taunts him that he came to the wrong area. The Berkshires are his domain, as many of the police officers attend his church, his father was a judge, and the police department is corrupt. Philip quietly adds that he moved Morgan’s body long ago. Jeremy realizes that Philip grew to have his own depraved urges after they killed Morgan and that his regret of the incident has been feigned. Jeremy says that Philip will regret his betrayal, but Philip doesn’t care.
Officers find nothing at Wren’s rental house. She watches on the monitor as officers arrest Jeremy at Philip’s house. Philip tells them that Jeremy demanded to stay there, threatening to harm his family, so Philip let him in while making anonymous tip calls to the police. Wren then sees the police discover Richard’s body in the woods, right where Jeremy said it would be. Wren screams and sobs into her hands at the loss of her husband.
Weeks later, Wren receives Richard’s autopsy report. She takes the folder from the medical examiner and returns home, where a friend waits with pizza, cocktails, and The Craft. For weeks, friends and family have been making sure that Wren is never alone. When she gets home, Wren goes to the closet, smells Richard on his clothes, and begins to cry. Then, the shoe organizer he promised to fix before he died breaks and cuts Wren. As she laughs hysterically, her friend also begins to laugh.
They go downstairs for their dinner, and Leroux arrives. He asks if Wren has looked at the autopsy report yet, but Wren is not ready. Leroux believes that it’s imperative that she do so because he has something to share: Jeremy didn’t kill Richard alone but had Philip’s help. Wren is shocked. Leroux tells her that the only way to find the truth is to talk to Jeremy. In jail, Jeremy has put only two names on his approved visitor’s list: his lawyer and Wren. Wren agrees to see him.
The climax of the narrative highlights the stoicism of the main characters. Richard has remarked that Wren hardly cried over being tortured by Jeremy. However, when Richard is in danger, “[a] sob is constantly lodged in her throat. She tries to swallow it down, but it won’t budge. It remains there, teasing her with its ability to take her breath away. Sometimes words try to escape, but they trip and come out broken” (298). Wren can’t cry for what she’s been through, but the idea of Richard suffering is too much for her to endure, leading her emotional wall to break down. However, when Richard is in Jeremy’s clutches, he channels Wren’s resilience and refuses to be cowed. Although Jeremy does kill Richard, he does not get the satisfaction of seeing Richard’s fear; instead, Richard uses his last moments of life to insist that Jeremy’s impact on Wren is insignificant: “‘Wren still runs,’ [Richard] says with a wheeze. ‘You don’t matter.’ The last words rasp out, but they register. They hang in the air, taunting Jeremy” (293). Richard wants Jeremy to know that Wren is still strong and capable of doing the things that she loves, regardless of the torment Jeremy put her through.
Richard’s self-possession stymies Jeremy’s desire for power over his victims; to get pleasure from Richard’s death, he has to imagine Wren seeing her husband’s body instead: “He imagines Wren’s face, distorted into a look of horror. It would be like the look she gave him back in the bayou. Pure pain. The purest pain he can imagine. The vision satiates him for a moment. It’s an oasis in a crumbling desert” (311). Even as Jeremy faces life in prison or the death penalty—he’ll be tried in Louisiana where capital punishment is legal—he loves picturing Wren in intense emotional pain so much that it becomes an “oasis” during his incarceration.
Because this novel is part of a series, Urquhart uses its plot to set up the next book. Rather than having Jeremy slip away once more, Urquhart pivots to bringing to the fore a more powerful antagonist for future installments. This requires downgrading Jeremy. Although Jeremy has been positioned as a cunning mastermind, the novel now reveals the red flags that he ignored surrounding Philip’s behavior. In retrospect, Philip’s reaction to Richard’s murder was too calm and practiced: “[T]he calmness, the fascination in Philip’s eyes as he watched Richard struggle to breathe […] [I]t felt as if he was nurturing something already there” (317). Philip has only been pretending to be afraid of Jeremy, a façade that hides Philip’s real motivation: preserving his domain where he preys on people. Unlike Jeremy, a terrifying man who is nevertheless a social outcast, Philip is not only a similarly obsessed killer but also protected by the social, legal, and religious structures of Great Barrington, making him a more formidable opponent for Wren in the future.
Richard’s loss and Wren’s increasingly complicated relationship with The Line Between Justice and Revenge also propel the novel’s plot into the sequel. Wren wants her husband’s murder to be avenged; when she learns that Jeremy’s incarceration doesn’t complete her mission, she immediately agrees to pursue Leroux’s theory that Philip is also responsible. The novel readjusts its alliances, as Wren must talk to Jeremy about Philip, and Jeremy is potentially motivated enough by Philip’s betrayal to cooperate with her. At the same time, taking action to pursue justice eases the symptoms of Wren’s trauma response and allows her to repress her instinctual disgust: “The thought of seeing Jeremy face-to-face again repulses her, but she has never run from that feeling before. She isn’t going to run from it now” (331). Wren’s dedication to Richard and Jeremy, and Philip’s other victims, outweighs her fear. She will not let Jeremy or Philip get away with their crimes; the next installment of the series will follow her continuing dedication to seeing justice done.
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