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Apollo is a former god whose varied specialties include the sun, music, prophecy, plague, and poetry. After angering Zeus, he was demoted to mortality and sent to earth in the body of 16-year-old Lester Papadopoulos. As a human, his defining characteristics are his acne and his “love handles.” While both are normal for a mortal, they annoy Apollo because they contradict the effortless physical perfection that he enjoyed as a god, and they also serve as a reminder of his loss of status.
At the beginning of the Trials of Apollo series, Apollo is portrayed as a flat character, imperious and resentful. As a god, he simply wants to be worshiped and lacks empathy for others’ suffering, seeing everything and everyone in terms of his own benefit. He swears an oath on the river Styx that he will never play music or use his bow because he cannot do it as perfectly as he did when he was a god. Across the first two books, his character becomes more complex as he learns human lessons and develops bonds with others. Although he is in Meg’s service, he learns how she has suffered and develops protective feelings for her, irrespective of whether it helps him in the end. In The Burning Maze, his memories of how he failed Herophile and Helios build on the sense of responsibility that he developed in the first two books.
Apollo’s character arc resembles the archetypal Hero’s Journey in a Greek tragedy, in which the hero’s delusions and errors become the sources of his downfall. The “tragedy” does not come from external sources; instead, it occurs because he causes his own suffering. Apollo’s failure to fulfill his stewardship role is what originally led to his loss of godhood. Now, as he undertakes a quest to recover his divine status, Apollo must learn to see himself as being part of something bigger, and he must also accept the responsibilities that come with that shift in worldview.
Meg is the 12-year-old daughter of Demeter (the goddess of agriculture and grain) and Phillip McCaffrey, a botanist and descendent of the ancient Greek king Plemnaeus, whom Demeter favored. Apollo describes Meg as “small for her age,” with a fondness for “stoplight-colored clothes” (3). She wears rhinestone-studded cat-eye classes that she often fails to clean, causing Apollo to wonder how she can see through them. Her magical object consists of two rings that can turn into scimitars.
Meg experienced trauma in her childhood. She has never met her mother, and when she was five years old, she had to flee with her father when their idyllic home burned down, leaving behind the many plants they had nurtured together. When she was six, Nero, the Roman emperor-turned-god, killed her father in anger and blamed Meg for his death, claiming that she had provoked “the beast.” Nero then adopted her, keeping her under his tight control by threatening her not to force “the beast” to make an appearance. As a consequence of her upbringing, Meg has difficulty sharing her memories and experiences. Rather than telling Apollo her memories of Aeithales, she grants him direct access to her mind. Like Apollo, Meg is a complex character, and she slowly grows to care for him.
Meg has power over plants and seeds and can enable them to grow rapidly. By using her power to make plants grow, Meg repeatedly saves the day. Her escape from the maze with Grover and Apollo at the start of the novel is only possible because she creates massive growth of plants that form a barrier between them and the killer strixes. She also inflicts the pandai with hay fever to stop them from killing her. Most significantly, she plants the seeds that grow into the formidable ancient ash trees, the Meliai, whose intervention enables the heroes to escape the maze at the end of the novel.
Jason is the son of the Roman god Jupiter and a mortal television star named Beryl Grace. He has sky blue eyes and blond hair. When he was two years old, Beryl abandoned him to Hera as a gesture of peace and later died in a car accident. By the age of 16, Jason had risen in the ranks at Camp Jupiter, but Hera wiped his memory and sent him to Camp Half-Blood. Across his experiences in the Heroes of Olympus series, Jason develops a dual sense of identity, connecting to both the Greek and Roman camps. His girlfriend during the series is the Greek demigod, Piper McLean.
Although he is a central protagonist and complex character in the Heroes of Olympus series, Jason is a secondary character in The Burning Maze. Even so, he plays a crucial role. Through Jason’s example, Apollo deepens his respect for and appreciation of being human. Jason fulfills the archetype of the hero when he sacrifices his life to save his former girlfriend, Piper. Apollo seeks him out because he believes that Jason holds key information about how to stop Caligula. Jason initially hides this information because he does not want Piper to know about the Oracle’s warning. Herophile told him that if he and Piper were to face Caligula, one of them would die. He wants Piper to be safe, so he accepts the prophecy and embraces death himself. His willingness to put Piper first stands as a sobering lesson for Apollo: one that he promises to remember and live up to.
Like Jason, Piper is a central protagonist and complex character in the Heroes of Olympus, and she becomes a secondary character in The Burning Maze. In the former series, she is the daughter of Greek goddess Aphrodite and Cherokee movie star Tristan McLean. Piper is initially ambivalent about and resistant to being the daughter of the goddess of love, but she grows to respect and appreciate her powers of charmspeak (the ability to use her voice to persuade and enchant others). Her magical object is Katoptris, a dagger that once belonged to Helen of Troy.
Her role in The Burning Maze is to serve as a foil for Jason. The two are no longer in a romantic relationship but remain friends. They previously traveled into the maze together but became separated. Jason then heard the prophecy alone and kept its details from Piper. Now, Piper does not want Jason to sacrifice himself for her, but she also acknowledges that she would sacrifice herself for him. Ultimately, she does not get the chance, and at the end of the novel, she grieves his loss and asking Apollo to escort his body back to Camp Jupiter for a hero’s funeral.
Apollo describes the satyr Grover as wearing “baggy jeans and green tie-dyed T-shirt,” with “his goat hooves wobbling in his specially modified New Balance 520s” (2). Grover’s sneakers and the red-knit cap he wears are meant to discuss his satyr identity from humans, but Apollo notes that the “bumps of his horns were clearly visible” and “[h]is shoes popped off his hooves several times a day” (2).
Grover appears in all three Percy Jackson series. In the first, he is a main character, the satyr guide of Percy who watches over him in the mortal world and brings him to Camp Half-Blood. In The Burning Maze, Grover has already fulfilled his quest to find Pan and has witnessed the great god fade away; he has also become Pan’s successor as lord of the wild. Grover also serves on the Council of Cloven Elders. In The Burning Maze, his character remains fairly static. He is a secondary character who guides Apollo through his quest, leading him and Meg safely through the maze, bringing them to Meg’s childhood home, and using his panpipes to heal and support them when necessary. He functions as a mentor and a guide for both.
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By Rick Riordan