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Nina discusses William Reynolds with her coworkers, Liz and Polly. Liz jokes that Nina might inherit a fortune from her new family. Polly, an aspiring actress who also works at Knight’s, looks up Nina’s father and finds his latest wife, Eliza. However, Nina dismisses her father as “a serial cheater and abandoner of children” (76).
Nina’s brother, Archie Reynolds, comes to the store, and Nina notices that they share a physical resemblance. When they go out for coffee, they order the same drink. Archie asks about her mother and describes William as an entertainment lawyer with a larger-than-life personality and a drinking habit. Archie’s mother, Eliza, now lives in Malibu on the west side of Los Angeles. Malibu seems like a different part of the world to Nina, who lives on the east side of the 405 highway. Nina, who is shy, wonders if she’s ready to be part of a family; she feels like “a different social being” (85) now that she has found out about the Reynolds family. At home, as she reconsiders her visualization board and journaling methods, Nina realizes that she would like to date Tom, the captain of the rival trivia team, even though she doesn’t feel the need a boyfriend. She goes to sleep thinking, “Tomorrow would be better. At the very least, tomorrow would be different” (87).
On Saturday, May 11, Nina feels irritable during the Author’s Night event and drinks too much cheap wine. She is also shocked when the author addresses his audience as “humanimals” and encourages them to release their inner selves with animal noises. After the event, she takes her camera outside to take pictures, a pastime that she learned from her mother. When she goes to the movie theater, she and runs into Tom. The narrative reveals that both characters share a mutual attraction. Tom’s friend, Lisa, gives Nina her movie ticket, but instead of accepting the opportunity to get to know Tom better, Nina panics and leaves the theater, embarrassed by her feelings of awkwardness. She concludes that it is better to remain in hiding.
On Monday, May 13, Nina prepares for the elementary book club; she enjoys the intelligent, focused young girls who have not yet hit puberty or become self-conscious because they are still confident enough to be themselves. She thinks, “This age was the last hurrah of individualism” (108). The book club discusses how the adult characters in children’s literature always seem to be absent while the kids have extraordinary adventures. Tom stops by to give Nina her movie ticket, which he has turned into a rain check. The girls want to know if he is Nina’s boyfriend. When one of the mothers, Lili, comes to pick up her daughter, Annabel, she expresses her consternation over the stress of making party favors for her sister’s wedding. Nina, who loves arts and crafts, offers to help.
Nina meets Lili’s younger daughter, Clare, who is outspoken and imaginative. They discuss Lili’s boyfriend, Edward, and they also talk about Richard, the fiancé of Lili’s sister. When Lili talks about her deceased husband, Nina thinks about her father. Lili also invites Nina to the wedding.
On Tuesday, May 14, Nina is scheduling a Bill Murray movie marathon when William’s lawyer calls to warn her that her niece, Lydia, is suspicious of Nina and has demanded a meeting. Nina imagines stormtroopers coming out of the building when she arrives at the lawyer’s office. She also connects the event to Room 101 in George Orwell’s 1984, and reflects that “[w]alking into a room full of strangers was about as comfortable for her as putting on a hat full of wasps and tugging it down firmly” (132). The meeting is emotionally charged and challenging. When Archie apologizes for the meeting, Lydia calls him a “quisling” (134), or a generic term for “traitor. Alice, William’s divorced first wife, also behaves aggressively toward Eliza, William’s widow. Despite Nina’s social anxiety, she stands up to Lydia’s insults and reiterates that she doesn’t want anything her father left her. She then leaves the room.
Nina prepares for the trivial Quiz Bowl semi-finals at a bar called Arcade, which has video games embedded in the tables. Their table holds a 1980s-era arcade video game called Galaga. Nina’s friends tease her, claiming that “she lives her real life in a fictional universe” (141). When Tom arrives, Nina chats with him at the bar, embarrassed by the worry that she isn’t being witty enough. Nina bets Tom $20 that her team will win, and Tom suggests dinner. Nina’s team does well, and Nina takes the podium for the category of books, but when she argues with Howard, the quiz master, her team gets kicked out of the tournament. Tom leaves his team to offer her a ride home.
Nina guesses that Tom is a carpenter, but he doesn’t say how much he makes. She observes her neighborhood as he drives her home. She also interrogates Tom on books he’s read, focusing specifically on the works of Jane Austen, Kurt Vonnegut, Truman Capote, and J. K. Rowling. They kiss, but Tom declines her invitation to come inside because he can tell that Nina is tipsy. He later calls his brother, Richard, to say that he has met an interesting woman. Richard warns him to be careful since Tom’s girlfriend turned out to be extremely possessive.
The theme of Embracing Change and Broadening Social Connections serves as the primary focus for these chapters, and although Nina experiences several setbacks due to internal anxiety and self-consciousness, she nonetheless celebrates a number of small victories in this category as she forges new connections and deepens her existing social network. While she enjoys the company of her friends, coworkers, and fellow trivia players, her declaration that she would rather be alone stems from her fear of feeling awkward or making a poor impression amongst new people. For this reason, she is very self-conscious around Tom despite her attraction to him, and this hampers the progress of their potential relationship. By contrast, she is far less worried about what her newfound family might think of her, and the strength of her character is demonstrated when she stolidly defends herself against Lydia’s belligerence in the emotionally chaotic meeting with the lawyer. She also presents an authentic version of herself in her first conversations with Peter and Archie, and she enjoys the feeling of comfort that she gains from spending time with her brother and nephew. Thus, although she retains her tendency to seek an escape whenever social situations become uncomfortable, she nonetheless demonstrates considerable resilience despite her unvoiced internal conflicts.
In an effort to inject humorous moments into the more serious aspects of the narrative, Waxman uses these chapters to intensify Nina’s habit of using Fiction as a Refuge and a Guide. This tendency serves Nina particularly well whenever she is confronted with social situations that she would rather avoid, as when she imagines Star Wars stormtroopers coming out of the lawyer’s building. In many ways, Nina’s interest in stories is linked to her habit of people-watching, for both tendencies illustrate her semi-detached approach to the world around her. Just as she prefers to view her own interactions through the lens of fiction, she also prefers to observe human interactions from the relatively safe vantage point of a car window or a camera lens. This element of distance allows her to draw incisive conclusions about people’s behavior without risking the anxiety that arises from botched social encounters. This mindset also accounts for her interest in books, movies, and television; she is interested in other people’s lives but often prefers to observe without interacting directly.
The inherent quirks of Nina’s personality are highlighted by the disparate interactions she has with other characters, as is her tendency to observe human behavior and apply it to her own life. For example, Lili’s situation foreshadows the imminent conflicts and choices that Nina herself must face, and observing Lili’s interactions with her family gives Nina the opportunity to develop valuable insights into these relationships, serving as a point of comparison for her own much more isolated family experiences. Nina herself was primarily raised by a nanny, and although her mother, Candice, believed that this approach would allow her daughter to develop inner resilience, her failure to acknowledge or ameliorate Nina’s feelings of being neglected led Nina to turn to fiction for solace. Thus, this aspect of the novel highlights a different angle of using Fiction as a Refuge and a Guide, reflecting Nina’s tendency to self-soothe by disappearing into solitude and fictional worlds. It is therefore fitting that she views the lives of others in the same instructional light that she views fiction. In her mind, the upcoming wedding illustrates the fact that new relationships are always forming, but by contrast, Lili’s loss of her husband warns Nina that love is often accompanied by loss. This detail emphasizes the fact that Nina currently believes that her lack of connection with William is a positive thing because she feels no need to grieve his loss. Likewise, she remains wary of romantic relationships due to her fear that they might end badly and cause her emotional pain.
Amongst the more serious themes at work, these chapters also feature the author’s humorous commentary on American culture, including a broad joke with the New York Times-bestselling author whose self-help book about unleashing the inner animal leads to havoc at Author Night. Waxman also levels wry observations on the gentrification of neighborhoods like Larchmont, poking fun at the businesses like juice bars and artisanal shops, which cater to trends that are commonly associated with more sophisticated tastes. The ultimate effect of such details is the creation of a realistic world that is designed to invoke common human experiences and appeal to a wide range of readers who may be struggling with similar issues in their own lives.
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