55 pages 1 hour read

The Bodyguard

Fiction | Novel | Adult | Published in 2022

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Chapters 1-9Chapter Summaries & Analyses

Chapter 1 Summary

Content Warning: This section features discussions of addiction and domestic violence.

Hannah Brooks, the novel’s protagonist and narrator, works as an Executive Protection Agent (EPA) or bodyguard and is one of the best employees at her company. At the beginning of The Bodyguard, Hannah’s mother—with whom she had a complicated relationship due to her mother’s dating of abusive men and subsequent alcoholism—has just died, and Hannah is struggling with this loss while being forced to take bereavement leave from her job. Robbed of the distraction that her job would provide, Hannah attempts to fulfill her mother’s dying wish for her daughter to take a vacation and books a cheap flight to Toledo, Ohio for herself and her boyfriend, Robby, who is also a bodyguard at her company.

When Hannah goes into work to tell Robby about her plans, she overhears him and their boss, Glenn, discussing the opening of a new branch of their company in London, and how Hannah and Robby will be expected to compete against one another for the role of the head of this new branch. However, Glenn also tells Hannah that he is removing her from an upcoming project in Madrid, which had been the only thing she had to look forward to after her mother’s funeral. Instead, Glenn plans to send Robby and Taylor, Hannah’s best friend, while Hannah stays home in Houston, Texas to take time off. Hannah is angry with Glenn for forcing her to take time off and process the death of her mother when all she wants to do is move on with her life and keep busy.

Chapter 2 Summary

Hannah begins to explain what she does for a living, which was concealed in the previous chapter. She details her duties as an EPA and emphasizes the importance of going unnoticed, which she can do well as a five-foot-five woman who is more often suspected to be someone’s nanny rather than their bodyguard. Robby drives Hannah home, and she tells him about the trip she booked to Toledo, but instead of agreeing to join her, Robby breaks up with her. Hannah is blindsided by this turn of events and protests, telling Robby that she loves him, but Robby does not think that she knows what love is. She thinks back to a year ago when the two of them first got together and remembers how Glenn told them he would blacklist them from the industry if either one left the company because of a breakup. As she is about to leave Robby, he tells her that she has “three deal-breaker flaws” (37) that he had been considering for months: she is always working, she is too serious, and she is a bad kisser.

Chapter 3 Summary

With nothing else to do, Hannah begins going through her mother’s things and finds a beaded safety pin that she made her mother when she was a child. While Hannah intended to give her mother the pin day after she made it, she somehow lost it and only found it 20 years later in her mother’s jewelry box. Seeing it now, she puts it on a chain and begins to wear it every day, thinking of it as a talisman for good luck.

Back at work, Hannah waits to receive her first assignment since the death of her mother and tries to talk with Taylor about her recent assignment in Madrid, but Taylor does not give her much information. Glenn announces Hannah’s new assignment, and she is furious that it will keep her confined to Houston. While everyone in the company will be involved in the security for this particular client, Hannah will be the primary bodyguard for the “really, really famous” and “two-time, back-to-back Sexiest Man Alive” movie star, Jack Stapleton (47; 50). Before Glenn can say any more about the assignment, Hannah quits.

Chapter 4 Summary

The only person who hears Hannah’s declaration over the chaos that erupts in the room is Glenn, who ignores and begins to break down Jack Stapleton’s past and outlines why the star is coming to Houston. After the opening weekend of Jack’s incredibly successful movie a few years ago, his younger brother, Drew, was killed in a car accident. Very little information can be found about the accident, but it is suspected that Jack was driving and that alcohol was involved. After surviving the accident in which his brother died, Jack went into hiding in North Dakota to stay out of the spotlight. He is only now returning to Houston, his hometown, because his mother was diagnosed with breast cancer, and he intends to stay with her through her treatment despite the rift in his family that the accident caused. Jack’s movie studio has hired Glenn’s agency because he has many persistent stalkers, one of which is in Houston. While the EPAs do not believe that the stalker, a middle-aged woman who has not been as active in recent years, is particularly threatening, they are also made aware of the fact that Jack has recently been receiving online death threats from a person named Wilbur. Based on their evaluation of his messages, however, the EPAs also judge him to be a fairly low-level threat.

Glenn suggests that Hannah get a makeover to blend in better with her Hollywood client, and Robby suggests that Glenn should pick an entirely different person because of Hannah’s ordinary appearance. Glenn insinuates that Hannah must take the job whether she wants to or not, and if she does not, he will give Robby the promotion in London. Hannah agrees to take the job but refuses to get a makeover. Looking through Jack’s file, Hannah reflects on how aware she is of his celebrity status, and how she does not want to destroy the fantasy of who he is on screen. She hopes he will be unlikable like most of her other clients.

Chapter 5 Summary

Hannah mentally prepares herself to avoid becoming “star-struck” upon meeting jack, but when he answers the door shirtless and assumes that she is his new housekeeper, she is speechless. Jack had previously told his studio that he did not want or need a security detail, so he calls his manager in front of Hannah to tell him that the arrangement will not work. Hannah briefs Jack on the security protocols and is annoyed by the fact that he is texting while she gives him instructions.

Chapter 6 Summary

Jack tells Hannah that he expected his bodyguard to look different Underestimating her because of her size, Jack challenges her to take him down, which Hannah begrudgingly does with ease. They talk about his planned visit to his parents’ ranch the following day, but Jack tells Hannah that his parents cannot be made aware of any threats to his personal security, as it would worry his sick mother. Jack tells her that he plans to keep the security team offsite while keeping Hannah nearby under the guise that she is his girlfriend. Hannah storms out of Jack’s house, and back at the office, she refuses to implement Jack’s plan, which Glenn had already known about. She thinks of all the strange things she has done in the past to protect clients, and admits that this plan, though likely unethical, is not completely out of the ordinary.

Glenn attempts to force her hand again by bringing up the London position and tells her that she can pick her next project if this one goes well. Hannah is just about to give in when Robby declares that the plan is ridiculous because no one will believe she is a movie star’s girlfriend. Hannah drags Robby out of the room to fight with him about how strange he is acting since the breakup, and at this moment, Jack arrives. With everyone in the office staring, Jack drops to his knees and formally asks Hannah to pretend to be his girlfriend, and Hannah is impressed by his acting skills. He begs her to go along with his plan by asking her to think of his sick mom, and she agrees.

Chapter 7 Summary

On the way to his family’s ranch, Hannah asks Jack some of the personal questions she was supposed to ask at their previous meeting. She learns that Jack’s older brother, Hank, hates him and has barely talked to him since their younger brother’s death. She also learns that he has recurring nightmares about drowning and is afraid of bridges, so much so that he makes her drive across the ones they pass as he gets out of the car and walks across. After giving these bits of information, Jack is evasive but wants to ask Hannah questions too. Hannah worries that his parents will not believe that she is his girlfriend, but Jack tells her that she is his usual type and that his parents do not know much about Kennedy Monroe, another celebrity whom the media suspects him of dating.

Chapter 8 Summary

Entering the ranch property, Hannah and Jack encounter his brother, Hank, and Hannah wonders if Hank believes the rumors that Jack was driving drunk the night their brother was killed. Jack gets out of the car to talk to Hank, and Hank tells him that he does not want Jack there, trying to convince him that his mother is not fit to see him today. Suddenly, a cow peeks its head through Hannah’s window, and she notices a whole herd surrounding her. She screams, and Jack comes running back to the car but is amused by her fear of the cows. He jokes with Hannah about the cows, lightening the mood significantly.

Chapter 9 Summary

At Jack’s house, Hannah takes up her post at his front door, where she unexpectedly sees Robby with Taylor. Toward the end of her shift, she decides to check on the security cameras that were previously set up at the house. On one of the monitors, she sees Robby and Taylor kissing on the job. Hannah panics and is enraged, but moments later Jack comes in and shows concern for her. Without realizing it, she starts crying, and he asks her again what happened, but Hannah cannot bring herself to tell him. Thinking about the unbalanced relationship between bodyguards and their clients, Hanna considers the fact that she already knows so much about Jack but can never tell him anything about herself because the nature of the relationship is not a real friendship, even though it is part of her job to build a sense of rapport with her clients.

Hannah is humiliated about crying in front of a client but feels even more hurt by the knowledge that within a single month, she has lost her mother, her boyfriend, and her best friend nearly all at once. She runs into Robby on the way to her car, and he tries to have a conversation with her, but she refuses. Robby keeps pushing to talk to her, but Jack shows up and tells Robby not to bother her, reiterates Hannah’s desire to go home. Jack also threatens to report Robby to Glenn, which Hannah later does herself, although she neglects to tell Glenn that Robby was kissing Taylor. Instead of making sure that Robby does not continue to interfere on a job to which he was not assigned, Glenn officially assigns him to video surveillance for Jack’s security detail. Jack drives Hannah home and coaxes her into telling him that Robby is her ex-boyfriend.

Chapters 1-9 Analysis

In addition to introducing Hannah as a deeply flawed character who is dealing with a barrage of unfortunate circumstances, the first nine chapters of the novel also demonstrate how she navigates issues relating to some of the novel’s primary themes, such as the misleading nature of appearances and performances. At the beginning of the novel, Hannah has lost her mother, her boyfriend, and her best friend all in a few chapters, leaving her arguably at her lowest point in the novel. Although not all of her traumas are divulged in this section, these three losses symbolize the loss of three major aspects of her life—family, romance, and friendship—leaving her with little but her job to keep her afloat. By not revealing the entirety of her past early in the novel, Katherine Center initially keeps the focus on Hannah’s biggest character flaws, for without the context that is later provided about the nature of Hannah’s relationship with her mother, her initial desire to skip the grieving process and return to work merely seems cold and insensitive, a thought which Glenn vocalizes as he forces her to take bereavement leave.

Additional character flaws are revealed during Robby’s breakup with Hannah, for his accusation that she does not know how to love establishes her issues with true intimacy fairly early in the story, and this idea will be echoed by Taylor and even Hannah herself in later chapters. Throughout the book, Hannah struggles to reveal the deeper parts of herself to other characters, often mentioning when she does that it is the first time she has done so. This pattern is also mirrored in Hannah’s narration, which obscures important details about her life, especially in this early group of chapters. This paucity of background details serves to depict a rather unsympathetic version of Hannah, but far from creating an unlovable or unrelatable character, Center’s decision to postpone exposition on Hannah’s backstory allows the action of the novel itself to convey the full extent of Hannah’s flaws, quirks, and foibles. For example, when Hannah immediately volunteers to take the job in London without even considering that it would require her to leave her boyfriend, Center shows how Hannah’s primary focus is work, rather than her love life, which has yet to be shown as loveless. Yet by highlighting Hannah’s many faults and the ways in which she navigates her personal issues by trying to avoid them outright, Center leaves clear room for Hannah to grow as a character throughout the novel. By doing this, Center makes it clear that Hannah is not a perfect person and foreshadows the things she will need to learn about herself throughout the course of the novel.

The Bodyguard has many themes and motifs related to how people appear to and perform for one another, and this section of the novel establishes Center’s primary focus on the nature of social masking and performance quite early in the story. Not much information is given about Hannah’s appearance beyond the facts of her short stature and “ordinary” looks, yet her physical appearance is frequently scrutinized and even criticized, especially by the male characters in the book. This dynamic becomes apparent when her boss recommends that she get a makeover to better blend in with the Hollywood icon who will be her next client. In contrast to Hannah, Jack, the “two-time, back-to-back Sexiest Man Alive” (50) frequently stuns Hannah into silence with his super-human attractiveness. The differences in the quality of their physical appearances also lead Jack and Hannah to jump to conclusions about each other’s personalities as well, for Jack assumes that Hannah can in no way be an effective bodyguard given her size and plain looks, and Hannah assumes that Jack will be even more of an aloof and self-important celebrity than her other clients. Despite these differences in looks and personality, both Jack and Hannah use their appearance to their advantage and often choose to mislead others in order to achieve their goals. For example, Hannah mentions that she is more often mistaken as a client’s nanny rather than their bodyguard, which lets her blend in while still being able to neutralize any assailants. Similarly, Jack uses his celebrity image as a mask to hide the true version of himself and charm anyone into believing what he wants them to believe.

In addition to the assumptions that the two protagonists make about each other, Jack’s security detail also makes a variety of unfounded assumptions based on appearance, particularly when it comes to evaluating the potential dangers presented by Jack’s various stalkers. While the bodyguards at the agency do not expect severe threats from the middle-aged Corgi-breeding woman who snuck into Jack’s house or the man named Wilbur sending him online death threats, these assumptions will later prove to be dangerous to Jack and Hannah’s safety. Thus, appearances, performances, and their often misleading tendencies are especially prominent in these early chapters and serve to lay the groundwork on which Center builds a variety of important themes throughout the novel.

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