102 pages 3 hours read

The Body in the Woods: A Point Last Seen Mystery

Fiction | Novel | YA | Published in 2014

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Themes

Friendship

Alexis, Nick, and Ruby exemplify how friendship can exist beyond different ethnic or socioeconomic backgrounds. The three teenagers bond through shared experiences. The initial search for Bobby Balog forces them to work together, while their emotional ups and downs during the murder investigation allow them to understand each other’s strengths and weaknesses, arriving at an atmosphere of trust and support.

Once Alexis, Nick, and Ruby know they can trust each other, they are capable of much more than any of them would be alone. Ruby’s problem-solving skills would be nothing without Alexis’s ability to confirm her conjectures by talking to people face to face. Nick would not be able to prove himself a hero without having Alexis as backup. And Alexis would never get to see herself as prepared and dependable without the need to protect her new friends from the dangerous killer.

The close relationships Alexis, Nick, and Ruby form—as well as their eventual reconciliation with their parents—offers a strong contrast to the sociopathic loner Becker, whose lack of empathy and chosen isolation paint him as a truly monstrous person.

Identity and Belonging

Each main character feels like an outsider and struggles to fit in. Alexis wants to be seen as a typical teenager, but her difficult home life and her fear that her mother’s mental illness will eventually mean she’ll be put in foster care make appearing normal difficult. Nick finds being biracial in a mostly white city and school challenging. After experiencing racial bias and microaggressions, he dreams of enlisting in the army, imagining that there, his race won’t matter. Ruby, who has a mild form of autism spectrum disorder, wishes she could read her peers better. Instead, she learns to always be playing a role rather than actually being herself.

After their intense experience hunting and being hunted by a serial killer, however, the three become close enough friends to share with each other their feelings of being outsiders. Moreover, they decide that being different from each other makes their bond stronger: Their strengths complement each other’s and their weaknesses can find support through friendship.

Survival

The novel’s characters have to survive in a variety of ways. Some face physical danger: Lost hiker George has to find a way to keep warm while awaiting rescue; the killer’s victims try to fight off his murderous attacks; and at the climax, the three teenagers must fight an armed Becker and stay alive. Others face more figurative peril: Alexis must navigate life without her mother while never letting on that the adult responsible for her has run off, and Ruby has to live in a neurotypical world as a neuroatypical person. Finally, most of the characters must learn how to live despite systemic oppression and other societal obstacles: Nick has to find himself despite experiencing prejudice as a biracial young man, while the novel’s unhoused characters face a hostile world that sees them as lesser. Fighting to survive can itself sometimes imperil survival—that’s why Bran’s organization, the Trauma Intervention Program, exists.

One striking example of long-term endurance is what happens in the homeless shelter after Tiffany Yee’s photograph is placed on the memorial wall. As other young women mourn her death, the shelter’s program organizer interrupts and tells everyone to get on with breakfast. The world doesn’t stop for Tiffany—keeping normal routines going remains crucial for the unhoused women’s survival.

Communication versus Silence

The novel contrasts the importance of speaking up—to superiors and to friends—with the corrosive effects of keeping silent. Despite Detective Harriman’s frequent dismissals, Ruby never stops telling him her theories of the serial killer and his victims. Her insistence proves important—without her insight, the police would not have been able to catch Becker. Alexis has a very difficult life, but her struggles are made more intense because she refuses to share details about her mom with anyone for fear of social services getting involved. When she finally learns to trust Bran and her SAR friends, she finds the support she needs to carry on. More broadly, the novel attempts to give voice to members of several marginalized communities, most prominently unhoused teenagers.

Conversely, Becker’s killings are intended to silence his victims. He murders DeShaundra “to stop her shrieking” (126), and later documents his victims’ screams as bird-like vocalizations and their deaths as euthanasia—the merciful ending of life.

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