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Renzo’s final trip to Milan is defined by the terrible plague sweeping through the city. As the people of Milan begin to collapse and die in the streets, they must reckon with the plague as an act of God. The people’s explanation for the causes and the spread of the plague symbolize their connection with the divine. At no point is anyone willing (at least in the narrator’s telling of events) to categorize the plague as a punishment from God. Rather, they blame the plague on human conspiracies and dark magic. The anointers spreading the plague with their unguents become more of a focus than some moral failing of the city at large, which might stir a wrathful God. The Milanese willingness to invent conspiracies during a time of suffering speaks to their relationship with God. They do not believe that they have committed any moral infringement, so they prefer to blame one another rather than their God.
When the plague hits Milan, the city is already on the precipice of collapse. Due to years of famine and war, the distant Spanish rulers and the governors they appoint are more interested in broad, international matters than whatever is happening on the streets of Milan. The plague is incidental to the machinations of the Spanish Empire, so responsibility for the response is delegated further and further. With each delegation, the person responsible has diminished authority and less capacity to provide help and relief to those who are suffering most. Even as the emergency mounts, the city is threatened by a complete collapse in state power. The government’s inability to respond to the plague symbolizes the corrupt nature of the state. The government of Milan is disinterested and fundamentally not Milanese, ensuring that the institutions which could respond are not able to respond. The plague elicits a failed response from the government, which must then rely on hastily erected parallel institutions such as the monatti or traditional spiritual counterparts such as the church. These parallel institutions only serve to undermine the state authority further, either by increasing corruption (the monatti) or by superseding the capacity of the state (the church). The plague may be killing the people of Milan at a terrifying rate, but it is having an equally lethal symbolic effect on the legitimacy of the Milanese government.
In terms of individuals, the plague symbolizes a fundamental leveling of the human condition. Throughout the novel, Renzo has been forced into flight. He is a poor man who lacks the capacity to take on the rich and powerful who persecute him. Even when he is involved in riots during his first visit to Milan, he is quickly chased out of the town as soon as he is labeled as a potential troublemaker. Renzo catches the plague and survives. He lives through what many cannot. Those who cannot survive include his mortal enemy, Don Rodrigo. Renzo has been persecuted by Don Rodrigo over the course of many chapters. He has lost his beloved, his home, his reputation, and his peace of mind. In spite of the differences in their respective resources, the plague brings them both down to the same level. They are fundamentally human and they both seek to survive. Renzo, with his paucity of resources, is able to endure what the corrupt, powerful, and wealthy Don Rodrigo could not.
The novel takes its title from the promise between Lucia and Renzo; they are the betrothed, i promessi sposi, the promised spouses. As such, their bond is defined by the promises that they make to one another. At the start of the novel, they have no ambition other than to speak their vows and become man and wife. Due to Don Rodrigo’s interference and Don Abbondio’s cowardice, however, they are denied the opportunity to make this promise official. They can promise their love to one another, but the words—when spoken before a priest—have an evident symbolic value. As well as the spiritual symbolism of a ritualized promise, the official marriage vows have a bureaucratic meaning that is denied to the young couple. If they can be officially married, they believe they will have some degree of protection from Don Rodrigo. He also believes this, as he interferes in their lives precisely to stop the sharing of the marriage vows. The marriage ceremony has a socialized meaning, as the characters strive very hard to either share their vows (Lucia and Renzo) or prevent the sharing of these vows (Don Rodrigo).
When Don Rodrigo becomes irritated by his inability to bring Lucia into his possession, he hires the Nameless One to do his dirty work. The Nameless One kidnaps Lucia, but the sight of her desperation and her piety inspires him to abandon his immorality and turn to God. Before Lucia is released, however, she spends a night in captivity. She is desperate and, in her desperation, she turns to the one figure in her life whom she completes trusts. She makes a vow with God, one which contradicts her promise to Renzo. If God helps her to achieve freedom, Lucia vows, then, she will remain a virgin for the rest of her life. This is a symbol of her devotion and her desperation. Lucia does not know that simply through her apparent piety, she has already inspired the change of heart that will result in her being released. She turns to God and makes her vow because she desperately desires to be free. The nature of the vow symbolizes what little she has to offer. Lucia, pursued by Don Rodrigo and kidnapped by the Nameless One, has very little to sacrifice. All she has is her enduring love for Renzo, so this is what she offers up to God. In exchange for her freedom, she is willing to offer God the one thing which would make her happy. Lucia’s vow is a symbolic sacrifice in which she is sacrificing her future for her freedom.
When Lucia reunites with Renzo, she refuses to break her vow. Her refusal is a symbolic demonstration of her faith, as she is willing to endure the suffering—made even worse by Renzo’s return and then further exacerbated by his refusal to honor her vow—to maintain her promise to God. On realizing the depths of Lucia’s devotion, Renzo returns to Fra Cristoforo. Through the priest, he is able to help Lucia navigate her vow in such a manner than she is willing to marry him once again. Fra Cristoforo exorcizes Lucia’s investment in her vow, using religious reasoning to justify why her promise to Renzo should predate and thus annul her vow with God. In this way, Lucia is able to both have her symbolic cake and eat it. She can be with the man she loves and, through Fra Cristoforo’s reasoning, not have to break any of the promises or vows which she has made. Lucia is able to marry Renzo while maintaining her spiritual sincerity. Her promise becomes a symbolic demonstration of piety, in which she shows her willingness to sacrifice and, through the priest, is rewarded for doing so.
Bread is a recurring symbol in Renzo’s story. He first encounters two loaves of bread on the ground when he enters Milan. He is aware of the famine, which is gripping Lombardy, but he is not yet aware of the riotous response to the famine that is taking place inside the city walls. Renzo picks up the bread because it is a solution to his immediate problem: hunger. He picks up two loaves but sees many more. At this point, the bread takes on a broader symbolism, coming to represent the availability of food as a means to deal with the problems caused by the famine. Both the lack of bread and the high prices of the bread are causing suffering in Milan, and the solution to both issues is to make bread as freely available as Renzo seems to find it when he enters the city. The unavailability of bread—the issue which acted as the catalyst for the riots—represents the breaking of the social contract between the population and their government, providing a symbolic justification (no bread) to the problem which is met with a symbolic response (seizing the bread).
After the incident with the riots, Renzo rarely passes bread without picking it up. He has suffered through the famine and the bread riots before and, on these occasions, he has learned not to overlook the availability of food at any time. From this point on, however, Renzo shares bread with other people. He does so freely, and many of his friends share his sense of hospitality. The community fostered by this sharing of the bread is a symbolic rebuilding of the community which is blighted by the corruption, the wars, the famine, and the plague. Renzo lacks the power to completely rebuild society but, through these small gestures, he can symbolically rebuild the foundations of a genuine community.
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