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Tommy is relieved to return to Harlem after his terrifying night at Suydam’s mansion. Feeling safe again, he rethinks Suydam’s offer not only to play at his gathering, but to aid him in resurrecting the Sleeping King.
Tommy returns home to find police cruisers and barricades surrounding his apartment building. Detective Malone informs Tommy that his father is dead. Mr. Howard shot Tommy’s father while searching the apartment for the stolen page, thinking he posed a threat. Tommy is numb as Malone and Howard relay the details, but Howard attributes Tommy’s lack of an emotional response to a racialized biological deficiency: “[T]hese people really don’t have the same connections to each other as we do. That’s been scientifically proven” (61), Howard says. Ironically, this comment and the overkill of Tommy’s father, who was not holding a rifle but a guitar, show the complete lack of empathy that Howard and the other officers feel toward their fellow human beings due to their racist beliefs.
As Tommy imagines his father’s last moments, he realizes that the Sleeping King’s annihilation of mankind is preferable to the systematic killing and policing of his people by a racist society: “What is indifference compared to malice?” (66). This change in attitude, rather than the desire for money or a reward, prompts him to return to Suydam.
At the Victoria Society, Tommy tells Buckeye about the Sleeping King. Buckeye recalls hearing a similar story from two brothers from Fiji who worked with him on the construction of the Panama Canal. He jokingly asks Tommy if he plans on going to Fiji, but Tommy, as if in a trance, gets up from the table, leaves the club, and goes to the train station. Tommy does not tell Buckeye about his father’s death, and his friend does not understand his strange behavior. He sits on the platform and plays the conjure song his father taught him, an old blues song, “Don’t you mind people grinning in your face.” The song seems to have a positive effect on Tommy; he feels the presence of his mother and father, and he actually plays the song well for hours: “For the first time in Tommy’s life, he didn’t play for the money” (70). This change in priorities shows that Tommy is slowly leaving his old identity as a hustler behind. At the end of the chapter we get the first hint that Tommy is beginning to gain his own magic powers. He sits on the train and the air seems to hum around him, as if he is humming or the resonance from his guitar playing is lingering in the air.
Suydam has his party in his library, which is now a sumptuous banquet hall. Tommy notes that the guests represent many different races, languages, and nationalities and that they are most likely criminals. He keeps his distance, not wanting to associate with them.
Suydam begins his speech about the Sleeping King who will destroy their enemies, and the crowd stomps and cheers. Tommy sees the dark sea through the windows and realizes that Suydam has moved the library Outside. At this point, Tommy’s feelings are mixed. Even though he has pledged his allegiance to Suydam, Tommy lacks faith in the proposed new world. As long as there are humans on earth, he thinks, they will repeat the mistakes of the past. He throws down his guitar, smashing it to pieces. To Suydam’s horror, Tommy opens the library doors and walks through.
Chapters 7 through 9 detail Tommy’s first steps on the road to his transformation into Black Tom. In Chapters 4-6 Tommy vacillated between fear and dismissal of Suydam’s obsession with the Sleeping King, but the senseless tragedy of Otis Tester’s death at the hands of the racist police force has removed his last vestiges of Tommy’s faith in humanity. Why not destroy mankind, he thinks, if this is the kind of civilization they have created?
Tommy’s moral compass begins to shift. Though Tommy made his living as a hustler, he never wanted to hurt anyone. In fact, he removes the page from Ma Att’s book to keep her from using its destructive power. By the end of his interaction with the police after his father’s death, however, Tommy no longer cares about preserving or protecting humankind.
At this point in the narrative, Tommy’s character is full of contradictions. He joins Suydam even though he does not fully believe in his mission. The song Tommy plays, “Don’t you mind people grinning in your face,” is about false friends: people who smile at you and then talk behind your back. It seems to be a warning about knowing whom to trust. The crowd at Suydam’s party seems ready to buy into his scheme, even though Suydam levels the same racial insults at them that he leveled at Tommy. The promise of power and wealth after Suydam becomes the ruler lures them. Tommy had entertained these thoughts but seeing the crowd’s eagerness to follow the monomaniacal white savior disgusts him. Still, he aligns with Suydam in the end and must feel some measure of shame for following a man who looks down on him.
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By Victor Lavalle