38 pages 1 hour read

The Artist's Way: A Spiritual Path to Higher Creativity

Nonfiction | Book | Adult | Published in 1992

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Themes

The Need for Surrender

Creativity can be unlocked, discovered, unleashed, and explored, but it cannot be forced. Cameron argues artists must surrender to the creative process to truly engage in the process by entering flow, connecting with the highest self, and letting go of expectations. Often, creatives measure success with the final product rather than the act of making it, but Cameron suggests this emphasis on product over process leads to those avoidant feelings:

“At the heart of the anorexia of artistic avoidance is the denial of process. We like to focus on having learned a skill or on having made an artwork. This attention to final form ignores the fact that creativity lies not in the done but in doing.” (139)

This focus on the end result can lead creatives to attempt to force creativity rather than surrendering to the process. This can be an unhealthy cycle because a sense of constraint and the logical mind is driving the creative work instead of allowing the artist to tap into a sense of play and wonder. This emphasis on the product is a consequence of living in a society that emphasizes the final product, particularly in American consumer culture. This focus on the end result can cause creatives to feel their work is selfish or fruitless if they don’t have anything to share, deliver, or sell. This guilt reinforces the need to feel productive, forcing some creatives into a toxic feedback loop that inhibits their creativity and creates significant blocks. Cameron thinks the solution is that if a person enjoys doing an artistic activity, they should simply let themselves do it “for God’s sake (and [she] mean[s] that literally)” (182). Art is about the enjoyment of the process and letting go of fears or expectations that can derail the process. Surrendering to the desire to create art allows the artist to align with themselves. Cameron’s parenthetical also hints at the idea that surrendering in this way honors God, or the higher power of the universe, who is the ultimate creator. Even though it can be frightening, Cameron reminds artists that “[a]s creative channels, we need to trust the darkness” (195). Forging new paths and wandering without a perfect roadmap can be scary, but it also allows for the discovery that makes creativity so rewarding.

If all the hints and calls to action weren’t enough, Cameron explicitly highlights this theme for readers by stating, “All too often, we try to push, pull, outline, and control our ideas instead of letting them grow organically. The creative process is a process of surrender, not control” (195). When artists hold a project or idea too tightly, it can suffocate. Creativity needs room to breathe and play. It’s not about giving up control to someone else but about giving up control to make space for the inner child and subconscious to take over organically and illuminate the deeper truths that make art worth creating.

Creativity as Spiritual Practice

As the subtitle of the book suggests, the content focuses a great deal on spirituality, and it does so without being exclusive to any particular idea, religion, or belief system that may limit the book’s audience. Rather, Cameron takes the time to explore the possibility of God as a higher power and creator early on and what that means for humanity’s attitude toward life. Rather than assuming a Judeo-Christian model of God, Cameron offers a simpler, broader definition of God as the source. This source connects people to each other and the universe, and it is responsible for all creation. The source is abundant, supportive, and loving. Cameron carefully avoids stepping into magical thinking by acknowledging the faith aspect of this approach and offering anecdotes on how being open to possibilities allows a person to see possibilities they may not have noticed, an experience called synchronicity. She recounts how deftly pieces moved together when she was open to them and states that she has “marveled at the sleight of hand with which the universe delivers its treats” (65). By being spiritually open to a connection with God and sharing intentions with the universe, artists can appreciate the abundant gifts around them that allow this feeling of synchronicity.

She identifies creativity as “a spiritual practice” (182). The idea of creativity as spiritual is explored throughout the book, and the emphasis here is on the idea of practice and that it’s a process always in motion, never complete, a ritual. The creative process isn’t a special process that only those with a divine connection or talent can experience and enjoy. Cameron asserts that “[e]ach of us has an inner dream that we can unfold if we will just have the courage to admit what it is. And the faith to trust our own admission” (193). Faith is a huge part of the creative process, and it’s not accidental that Cameron uses a spiritual word here. To write a novel, make a painting, or direct a film is to trust in the process, to have faith and yield to a higher vision.

There are pseudo-spiritual forces at work that may negatively impact the artist, such as reliance on external praise that may feel nourishing to the spirit but always leaves it hungry. Another big offender for creatives is fame, which Cameron calls “a spiritual drug” (171). Being aware of these spiritual forces that don’t serve to fulfill or enrich in lasting and meaningful ways is critical to maintaining a strong sense of a healthy, creative self. Often that means building a healthy, trusted circle of people and being gentle with the self, as “[t]he grace to be a beginner is always the best prayer for an artist” (140). In other words, artists who let their inner children play without casting judgment have better outcomes. Honoring God as the source, building a connection with the self and others, and trusting in the process are key elements to being successful as a creative since creativity and spirituality are inextricably linked.

An Artist Already Has Everything They Need

There are many lies artists tell themselves because of their upbringings, cultures, and beliefs. From believing art is a selfish endeavor to thinking talent can’t be developed, these limiting beliefs can stop a creative journey before it has even started. One of the most prevalent limiting beliefs held by shadow artists is the notion of lacking something, whether that’s time, money, talent, or vision. This lack is seen as the insurmountable issue preventing the shadow artist from stepping into their rightful identity as artists not hidden or repressed but creative and open to the world. While arguments can certainly be made for how certain lifestyles provide significant advantages for some people (such as having lots of free time due to having wealth), Cameron seeks to squash the idea that people with the luxury of time, money, and other resources are the only ones who can be fully creative. Instead, she argues that all artists are supported by the universe once they embrace their vision. The universe is on the artist’s side because “God is the Great Artist” (119). Accepting God as the “source is a simple but completely effective plan for living. It removes negative dependency—and anxiety—from our lives by assuring us that God will provide. Our job is to listen for how” (94). Rather than requiring the artist to figure everything out on their own, they can instead admit their dream, pursue their passion with a sense of play and wonder consistently, and the universe will provide. Cameron expands on this thinking:

“Dependence on the creator within is really freedom from all other dependencies. Paradoxically, it is also the only route to real intimacy with other human beings. Freed from our terrible fears of abandonment, we are able to live with more spontaneity. Freed from our constant demands for more and more reassurance, our fellows are able to love us back without feeling so burdened.” (95)

While it may seem counterintuitive to be dependent on an outside force to escape dependency, it’s a paradox Cameron openly acknowledges and one that makes sense within the presented framework. By lifting the burden off oneself and tapping into the source, the creative can be open to receiving and observing rather than trying to create and conjure from nothing. They can experience the world from a place of curiosity rather than a place of desperation. Cameron extends this idea to other psychological implications, like the notion of attachment styles and how having a healthy one fosters better relationships. When people come from a positive place of security and openness, positive outcomes are more likely. Cameron applies this psychological thinking to the artistic process. By trusting that everything needed is present, the artist frees themselves to focus on what’s important rather than what frightens them. Fear kills creativity, and by placing trust in God as a source, creatives can step out of that fear and into themselves.

It doesn’t have to be a dramatic step either. In fact, Cameron cautions against big creative leaps that can be self-destructive or unsustainable. Instead, she recommends that the artist “[t]ake a small step in the direction of a dream and watch the synchronous doors flying open” (66). The artist will encounter resistance as they walk the creative path, which isn’t linear or easy. As they move forward, they will begin to see their true selves, which can feel like a “disturbing character, healthy and occasionally anarchistic, who knows how to play, how to say no to others and ‘yes’ to itself” (99). Even though these traits are mostly positive, the emergence of this character can be unsettling because it’s new and powerful. Forging ahead with this identity and being open to the universe’s guidance along the way allows artists to make progress. The feeling of abundance yields abundance, and rather than needing to be rich, Cameron reminds readers that to be artists, they only “need to be richly supported” (181). This support comes in all forms as long as the artist continues on their journey and is open to receiving it.

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