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In the article “Black History is Not American History: Toward a Framework of Black Historical Consciousness,” historian LaGarrett J. King argues for something called “Black Historical Consciousness.” Read this article, taking note of key ideas about the significance of Black history in America and the principles King believes should constitute the framework of Black history. Then, consider the following question:
To what extent does The 1619 Project either embody or reject the principles of Black Historical Consciousness that King argues for?
Teaching Suggestion: You might encourage students to focus on both the content and structure of The 1619 Project as they consider its relationship to King’s ideas and which individual pieces respond most and least closely to King’s principles. You can extend this discussion by asking students to comment on whether King’s ideas are a suitable standard to measure The 1619 Project against. If your students are ready for an additional challenge, you might ask them to use the form and content of the anthology to deduce a set of standards that they believe its authors and editors might propose, if they were to write an essay such as King’s.
Differentiation Suggestion: For students with attentional, organizational, or reading fluency issues, assembling evidence may present an unreasonable burden. You might allow these students to work with a partner or small group for the prewriting, evidence-gathering phase of the assignment, even if they will later be responding individually. You might also encourage them to create a chart listing King’s ideas across the top and individual works in The 1619 Project down the side; they can use this chart to keep track of how each piece measures up to King’s principles and to form an argument about the preponderance of the evidence. For students who struggle with written expression, such a chart—perhaps with additional annotations—might serve as an alternative form of assessment.
Use this activity to engage all types of learners, while requiring that they refer to and incorporate details from the text over the course of the activity.
“Argument Map”
In this activity, students will demonstrate their understanding of the argumentative structure of The 1619 Project by creating a visual summary of the text’s key arguments.
The 1619 Project makes claims about the historical roots of oppression, its continuing impacts, and potential solutions. These claims are dispersed throughout many different essays, poems, and stories; in this activity, you will show that you can synthesize the various elements of these claims and present them in a unified visual format.
Create an argument “map” that uses text, images, and symbols to convey to your viewers how the key ideas in this text are related. Your audience should be able use your map to answer the following questions:
After you finish, examine three of your peers’ maps. Rank these 1-3, with “1” being the most accurate and clear. Then answer the following questions:
1. What is your reasoning for these rankings?
2. If you include your own work in a 1-4 ranking, where would your map rank, and why?
Teaching Suggestion: This activity can be completed by individuals, partners, or small groups. You can also use it as a class-discussion activity, asking students to create a cooperative map of the book’s argument using a shared space such as a classroom whiteboard or an online tool like Popplet, Miro, or Scribble Together. (In this case, of course, you would want to eliminate the final ranking and reflecting section of the activity.)
Differentiation Suggestion: This activity requires a review of a substantial amount of text, which students with attentional, organizational, or reading fluency issues may struggle with. If your students will be completing this activity individually, you may wish to allow time for students to gather evidence as a class or in small groups. The visual format of the activity may be inaccessible to students with limited vision; an alternative would be to ask these students to respond in essay form.
Use these essay questions as writing and critical thinking exercises for all levels of writers, and to build their literary analysis skills by requiring textual references throughout the essay.
Differentiation Suggestion: For English learners or struggling writers, strategies that work well include graphic organizers, sentence frames or starters, group work, or oral responses.
Scaffolded Essay Questions
Student Prompt: Write a short (1-3 paragraph) response using one of the bulleted outlines below. Cite details from the text over the course of your response that serve as examples and support.
1. The 1619 Project was a New York Times #1 bestseller.
2. The 1619 Project mixes fiction, nonfiction, and poetry.
3. Differing genres can affect an audience’s reception of similar key ideas. Choose a poem or a piece of fiction from the anthology that focuses on a similar idea to one of the book’s essays and use these as the basis for your response.
Full Essay Assignments
Student Prompt: Write a structured and well-developed essay. Include a thesis statement, at least three main points supported by textual details, and a conclusion.
1. The 1619 Project offers a new version of Black history. Choose one aspect of history covered in the book, and write a historiography contextualizing the book’s discussion of this aspect of history within the larger tradition of American history. Support your discussion with evidence from throughout the text, making sure to cite any quoted material and any material gathered from outside sources.
2. A prominent idea in this text is that erasure is a tool used to reinforce power structures. How does the example of the White Lion introduce this idea? What further examples are given to support this idea? Is the book’s argument regarding erasure persuasive? Why or why not? Write an essay analyzing the effectiveness of the book’s arguments related to erasure. Support your analysis with evidence from throughout the text, making sure to cite any quoted material.
3. Hannah-Jones’s essays begin and end the text. How would you characterize her style? What mixture of ethos, pathos, and logos does she use? How would you describe her diction, syntax, and language? Write an essay analyzing Hannah-Jones’s style. Comment on the tone that her opening essay sets for the anthology and on how the style of her final essay impacts the audience’s sense of closure. Support your analysis with evidence from throughout the text, making sure to cite any quoted material.
Multiple Choice and Long Answer Questions create ideal opportunities for whole-text review, exams, or summative assessments.
Multiple Choice
1. Which most accurately reflects the text’s primary position regarding Black history?
A) In a post-racial America, Black history is no different from American history.
B) American history can only be accurately understood through the lens of Black history.
C) Black history should be taught separately and in more depth than it currently is.
D) Educational institutions have a vested interest in erasing the truths of Black history.
2. Which is the dominant form of argument in the text’s essays?
A) Emotional argument supported by the writers’ life experiences
B) Ethical argument supported by the writers’ professional credentials
C) Logical argument supported by research and primary sources
D) Topical argument supported by current events
3. Which does the text primarily seek to challenge?
A) The American system of government
B) The American national narrative
C) The American educational system
D) The American economic system
4. What is the text’s central argument regarding the arrival of the White Lion?
A) It represents the true foundation of America.
B) It symbolizes the depth of American racism.
C) It prefigures the determination of Black Americans.
D) It ends the brief period of true freedom in America.
5. What relationship does the text propose between enslavement and aspects of contemporary culture like law, business, and politics?
A) Contemporary cultural institutions are polarized because of the nation’s division over enslavement.
B) Contemporary cultural institutions exist because of the wealth generated by enslaved people.
C) Contemporary cultural institutions deliberately create economic inequality between races.
D) Contemporary cultural institutions are guided by the same principles that supported enslavement.
6. What does the text credit Black American activists with?
A) Inspiring today’s environmental justice movement
B) Promoting social welfare as the purpose of government
C) Increasing freedom and opportunity for Americans in general
D) Inventing the principles of nonviolent resistance
7. Which does the text not suggest was made possible by enslavement?
A) Capitalism
B) Territorial expansion
C) The global financial industry
D) American culture
8. Which topic is discussed most often in the book’s essays?
A) Education
B) Healthcare
C) Religion
D) Economics
9. What does the text suggest as a primary means of promoting Black equality?
A) Prison reform
B) Anti-redlining laws
C) Affirmative action
D) Reparations
10. What does the text assert is the primary motivation for the brutal practices of American enslavement?
A) The racist belief that Black people are subhuman
B) The fear of intervention from the North
C) The intention to control Black people through fear
D) The desire to justify enslavement as an institution
11. Which contemporary institution does the text argue is effectively a continuation of the slave code?
A) The banking system
B) The prison system
C) The bicameral legislature
D) The two-party system
12. Which is not one of the claims the book makes about medicine and healthcare?
A) They overemphasize the impact of racism on Black Americans’ health.
B) Black Americans have lacked access in meaningful ways.
C) Black Americans are underrepresented in medical institutions.
D) They have objectified and dehumanized Black Americans.
13. Which does the text point to as a means of preventing marginalized groups from uniting?
A) Religious factionalization
B) Economic inequality
C) Racial hierarchies
D) Informal segregation
14. What point do the essays “Fear” and “Self-Defense” and the poem “Race Riot” all make?
A) Black activists’ legitimate grievances are often obscured by false perceptions of aggression.
B) Generational trauma explains more about violence in Black communities than does poverty or racism.
C) Historical experiences with violence are a continuing source of stress for Black Americans.
D) White Americans’ fear of Black Americans is often weaponized against Black Americans.
15. Which does the text point to as an example of Black Americans repurposing an aspect of White culture to contribute to their own resistance?
A) Music
B) The church
C) Sports
D) Higher education
Long Answer
Compose a response of 2-3 sentences, incorporating textual details to support your response.
1. What are the text’s primary critiques of the traditional telling of American history?
2. Why does the text argue that legal freedom for Black Americans is insufficient?
Multiple Choice
1. B (Various chapters)
2. C (Various chapters)
3. B (Various chapters)
4. A (Various chapters)
5. D (Various chapters)
6. C (Various chapters)
7. A (Various chapters)
8. D (Various chapters)
9. D (Various chapters)
10. C (Various chapters)
11. B (Various chapters)
12. A (Various chapters)
13. C (Various chapters)
14. D (Various chapters)
15. B (Various chapters)
Long Answer
1. Traditional telling of American history centers a mythic version of the nation’s origin that makes white Americans comfortable and encourages pride in white identity. They do this by erasing the contributions of Black Americans and understating the impact of enslavement on contemporary America. (Various chapters)
2. Legal freedom is not the same thing as actual equality. Since enslavement was abolished, both de facto and de jure discrimination and violence have prevented the majority of Black Americans from creating the same kinds of generational wealth and engaging in the same opportunities as white Americans. (Various chapters)
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