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After he embraces Tess, Angel reflects on what to do. He respects and cares for Tess; in his eyes, “[S]he was no insignificant creature to toy with and dismiss; but a woman living her precious life” (172). He knows that if he continues to spend time with her, it will be hard to resist his attraction to her, and he decides to take a few days away from the dairy to gain some perspective and talk with people he trusts about the possibility of marrying Tess. When Tess and the others learn that Angel has left the dairy, they become very upset and think that he is likely only a few months away from leaving for good.
Angel arrives back at his home to see his parents and his brothers, who have successful careers as clergymen and academics. After spending so much time around farmers and laborers, Angel now seems out of place with his conservative family, and they worry that he is losing his social graces. For his part, Angel is annoyed with what he perceives as his family’s narrow-mindedness and snobbery.
After dinner, Angel speaks with his parents about his future. Angel’s father explains that since he did not spend money on Angel’s education at college, he will provide Angel with an equivalent sum of money to buy land to set up his life as a farmer. Angel hints that, given his career aspirations, it is important for him to find a wife who is knowledgeable about farming and life in the country. His parents don’t dispute this but want Angel to marry a woman who is pious and religious. Angel brings up his feelings for Tess, explaining that she is extremely pure and virtuous and that she can help him with farming. He also explains that while Tess comes from humble origins and a working-class family, she is naturally sensitive and well-bred. As Angel explains, “[S]he is a lady, nevertheless—in feeling and nature” (181).
Angel’s parents remain uncertain about the match, so he drops the topic for the time being. Later, the conversation turns to the work of Angel’s father and his efforts to convert sinful individuals. Angel’s father explains that he has been working with a wealthy and libertine young man named Alec d’Urberville, trying to help him change his ways.
Angel returns to the dairy farm and is more struck by Tess’s beauty than ever. He immediately asks her to marry him and is stunned when Tess refuses. Angel is even more confused when Tess admits that she does love him, telling him, “I would rather be yours than anybody’s in the world” (188). When he presses for an explanation, Tess vaguely says that she is not well-bred enough to marry someone from Angel’s social position. He tells her that he will give her more time to think about his proposal.
Time passes, and Angel persists in trying to persuade Tess to marry him. He is increasingly confused by her refusals and even asks her if she loves someone else, which Tess denies. In September, when Tess rejects him again, Angel complains that she is toying with him like “a coquette of the first urban water! They blow hot and blow cold, just as you do” (194). Tess agrees that in a few days’ time she will tell him why she keeps refusing to marry him. Yet, as this date approaches, Tess admits to herself that she wants to simply marry Angel.
The other workers at the dairy gossip about the collapse of a local marriage wherein a woman misrepresented her financial status. Once her husband found out the truth, he felt betrayed. This story makes Tess uneasy and strengthens her conviction that she must keep refusing Angel. However, as the autumn passes Tess feels increasing desire for him. One day after refusing Angel again, Tess reluctantly agrees to accompany him to deliver some milk to a nearby town.
As they drive through the countryside, Angel points out the ruins of an old house and explains that it was once owned by the d’Urberville family. He reflects that it is sad that ancient families have gone extinct, and Tess impulsively explains that her family descends from the d’Urberville lineage. She says that this is the secret she has been keeping from Angel and that she believed this information would make him unwilling to marry her. Angel is merely amused; he explains that he doesn’t care about her family history and that this background might even assuage his family’s concerns about their marriage. With no excuses left, Tess finally agrees to marry Angel. They are both joyful. Tess tells Angel that she will write to her mother, and Angel realizes that he first saw Tess long ago at the May Day dance.
Tess writes to her mother to announce that she is engaged and asks if she should tell Angel the truth about her past. Joan Durbeyfield advises her that there is no reason to tell Angel the truth, but Tess remains uncertain. However, she ignores these feelings as the autumn passes and she enjoys spending time with Angel. When they tell the other dairy workers that they are engaged, everyone is pleased for them. This kindness from her friends makes Tess even more ashamed that Angel chose her.
Angel suggests that he and Tess set a date for their wedding. He wants to move ahead with setting up his farm and sees the marriage as the first step towards that future. However, Tess panics about actually going ahead with the wedding and tells Angel that she wants things to stay the same. Tess becomes consumed with a need to confess her past to Angel.
The seasons are changing, as are the rhythms of life and work at the dairy. Angel always expected to leave around Christmas, and when he discusses plans with the dairy master, both men agree that this would also be an ideal time for Tess to leave. Tess agrees to marry Angel on December 31, even though she tells him that she wishes “that it would always be summer and autumn, and [him] always courting [her], and always thinking as much of [her] as [he] ha[s] done through this past summer-time” (221). After they marry, they will spend some time at a flour mill so that Angel can learn about mill work. They are going to stay in a nearby farmhouse that was once one of the grand houses owned by the d’Urberville family.
On Christmas Eve, Tess and Angel go shopping in a nearby town. A man from Tess’s hometown recognizes her and makes an insulting comment referencing her sexual impropriety. Angel is outraged and strikes the man, who backs off and claims he made a mistake. After Angel and Tess drive away, the man tells his companion that he was not mistaken but did not want to cause any more conflict.
Angel brushes off the incident, but Tess is shaken and asks if the wedding can be delayed. Angel rejects this suggestion and soothes her. However, late that night, Tess writes a letter in which she tells Angel everything about her past, slipping it under the door to his room. The next morning, he doesn’t reference the letter or treat Tess any differently. She hopes that this means he has read the letter and doesn’t care. However, on the morning of their wedding, she sneaks into his room and looks under the carpet. The letter is there, still unopened; when Tess slid it under the door, it slipped under the carpet, and Angel never found it.
Tess tries to find a moment to tell Angel about everything, but it is a busy day, and he tells her that they can talk once the wedding is over. Racked by doubts, Tess goes ahead and marries Angel, even though she believes that the woman Angel “love[s] is not [her] real self, but one in [her] image; the one [she] might have been” (233).
Tess and Angel drive to the ancient farmhouse where they will be staying; it is isolated and derelict, but the newlyweds are happy to be alone together. A messenger arrives with a delivery from Angel’s father; when Angel was young, his godmother bequeathed some jewelry to his future wife. Tess and Angel are pleased with these jewels, and Tess puts them on. Another messenger delivers some of their possessions from the dairy and explains that chaos immediately broke out after they left. One of the dairymaids tried to drown herself; another was found drunk and wandering outdoors. Tess feels guiltier than ever.
Angel and Tess share their deepest secrets with one another. Angel explains that when he was younger, he had an affair with a woman in London and asks Tess if she can forgive him. Tess readily does and tells him that hearing Angel’s confession makes her feel more confident telling him her own story. Tess then tells Angel about her past with Alec.
At the start of the novel, Tess does not experience any moral struggle or temptation; she is unaware of Alec’s full intentions to seduce her, and she does not waver in refusing his advances. Tess’s struggles and temptations come later and result from resisting not seduction but something much more tempting: marriage to a man she truly loves. This structure establishes the integrity of Tess’s character: She had no qualms refusing Alec, even though he was willing to provide material luxuries and comfort to her, but she finds it impossible to resist a humbler but more authentic relationship with Angel. What Angel offers is both socially and emotionally legitimate, unlike the illicit affair Alec proposed.
Nonetheless, Tess is initially determined to resist and stubbornly persists in refusing for months, despite the pain it causes her: “‘O Mr. Clare—I cannot be your wife—I cannot be!’ The sound of her own decision seemed to break Tess’s very heart, and she bowed her face in grief” (188). In this quotation, Tess shows her humility and decorum by using a formal form of address for Angel and trying to maintain distance between them. Nonetheless, the quotation also shows that Tess is deeply in love with Angel and wants to be with him. Tess feels ashamed and unworthy of Angel because of her previous history and feels that she is not good enough for him.
Despite Tess’s resistance, Angel persists in wooing her. Angel’s persistence in trying to get Tess to marry him parallels Alec’s earlier persistence in trying to get Tess to sleep with him. Upon Tess initially refusing his proposal, Angel is unperturbed, reflecting that “the negative often meant nothing more than the preface to the affirmative” (192). While his intentions are more honorable, this quotation reveals that Angel holds an attitude towards women that is quite similar to Alec’s. He does not take boundaries or refusals seriously. The parallel deepens when Tess does finally accept Angel’s proposal: The two of them are out driving alone together, mirroring how Alec and Tess were alone on the road together just before she either gave in or was raped.
The changing of seasons in this section of the novel creates a different setting and impacts the mood. Up until this point, most of the action has taken place in spring, summer, or autumn, skipping over the winter months; in this section, however, the plot follows Tess through the autumn months, leading up to her wedding to Angel on New Year’s Eve. In contrast to the lush, abundant, and hopeful atmosphere of the heady summer months, their engagement spans a season where the weather becomes colder and the earth more barren as the year draws to a close. Significantly, Tess and Angel marry on the last day of the year, suggesting that their wedding marks an end rather than a new beginning.
Tess’s misgivings never cease, and she makes a final, desperate attempt at confession, showing that she values Angel’s happiness and integrity more than her own. However, Tess’s letter confessing to her past is mislaid and goes unread, heightening the sense that her doomed fate is out of her control: Even when Tess does try to act, events continue to spiral. During the interlude in which Tess is unsure of whether or not Angel has read her letter, she wonders, “[C]ould it be that her doubts were childish? That he forgave her; that he loved her for what she was; just as she was?” (228). This quotation reveals how Tess’s innocence continues to render her vulnerable; she is just naive enough to cling to the belief that Angel truly might not care when he finds out about her past. With both Alec and Angel, Tess assumes that men are better than they actually are and ends up suffering as a result of this misplaced faith.
The wedding and immediate aftermath between Tess and Angel is almost Gothic in its dark and fateful symbolism. As Tess and Angel depart from the dairy, a cock crows in the middle of the day, indicating a bad omen. The isolated mansion where they will be spending their wedding night is a “mouldy old habitation” (235), and outside, “[T]he restful dead leaves of the preceding autumn […] tap[] against the shutters. It soon [begins] to rain” (237). This imagery creates a gloomy and foreboding mood linked to decay, death, and haunting secrets.
Tess is also symbolically linked to her aristocratic d’Urberville ancestors in a foreboding manner; she finds herself disturbed by ancient portraits of d’Urberville women who seem to display “merciless treachery [and] arrogance to the point of ferocity” (235), and when she puts on the diamonds that Angel gives her, she assumes the appearance of a much wealthier and yet more sinister woman, with “each diamond on her neck giving a sinister wink like a toad’s” (244). Angel’s revulsion against Tess will stem from the way he stops seeing her as an innocent and natural dairymaid after learning her true history, and her transformation into a different type of woman in his eyes is presaged by her physical transformation on her wedding night.
Angel’s confession about his previous sexual indiscretion reveals his sense of masculine entitlement; he tells her, “I did not mention it because I was afraid of endangering my chance of you” (242), but he also seems matter-of-fact, assured that she will forgive him. Angel is also completely unaware of what Tess is going to tell him, and in a moment of dramatic irony jokingly calls her “wicked little one” (243). Angel is so invested in the fantasy he has created of Tess as completely virginal and pure that he assumes she is going to confess to something innocent and unremarkable. His lighthearted manner gives Tess confidence, allowing her to say, “’[T]is just the same! I will tell you now” (243). Tess mistakenly believes that the same sexual standards will apply to both Angel and herself; because she is largely a child of nature, she operates outside of social norms and doesn’t understand the extent to which gender informs social mores.
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