85 pages • 2 hours read
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Fourteen-year-old Jay Berry Lee, the story’s protagonist, lives on a farm in the Oklahoma Ozarks in the late 1800s. The people in Jay Berry’s life are his immediate family members (Mama, Papa, and twin sister Daisy) and his grandparents. Jay Berry is especially close to his grandfather, who runs a general store and often make trades and deals with the Native people who live in the surrounding regions. Jay Berry has a bluetick hound named Rowdy with whom he is very close as well.
The novel is told in Jay Berry’s first-person point of view; he opens the narrative as an adult telling a story about a summer in his youth. He introduces the idea that he experienced a happy and contented boyhood but that the monkeys he encountered that summer “all but drove [him] out of [his] mind” (1). This bit of hyperbole announces the novel’s conflict immediately and offers an early taste of Jay Berry’s storytelling style. As Jay Berry’s story continues, readers piece together indirect details about Jay Berry: He loves his family and has a sincere respect for his hardworking parents. He loves his twin Daisy but is easily aggravated by her teasing. He counts on Grandpa’s advice throughout the novel, especially when the monkeys prove increasingly hard to catch. Jay Berry does his chores without complaint and shows initiative in completing them early to make time for catching the monkeys. His lifestyle is simple and humble; he wears Papa’s patched overalls and goes barefoot outside in the summer. He does not read widely, unlike Daisy, and does not mention school or friends from school. When he sees the university students in Tahlequah, he tells Grandpa, “That wouldn’t be a bad place to go to school […] Instead of having to stay in the schoolhouse to study, you could just go outside and sit under a tree. I think I'd like that” (155), indicating that traditional lessons in the schoolhouse were not favorable to him.
Jay Berry has two material goals: a pony and a .22 rifle. He is uncertain how to come by these possessions, as his work on the farm is an expected part of his responsibilities (he does not earn an allowance). When the opportunity arises to trap and return the monkeys for reward money, he shows tenacity and enthusiasm, always returning to the vision of his sought-after pony and rifle for motivation. On the occasions he cannot find the monkeys immediately in the river bottoms, he despairs for the loss of his much-wanted items, and when he feels he is close to catching the creatures, he exalts in how soon he will be able to lay hands on his prize. He is a spirited optimist. Despite being thwarted in his attempts to capture the monkeys, he doesn’t give up. Ultimately, his compassion for the monkeys and concern for their survival enable him to lure them home and receive his prize money.
While parts of Jay Berry’s character arc and coming-of-age experience are built on his willingness to learn perseverance, his bigger, more influential steps toward adulthood and maturity occur when he sacrifices his coveted pony. Earlier in the novel, Jay Berry saw his sister’s leg and operation as his family’s concern. Now, he realizes that he is the one who can—and must—help her. Just when he finally brings the perfect pony home, he realizes he will return her to help his sister. Jay Berry experiences his own altruistic act with a higher degree of fulfillment when, six weeks later, he sees the improvements in Daisy’s quality of life; then, recognition of his role in her life-changing surgery supersedes any residual sadness about the pony. Grandpa provides Jay Berry with his pony after all, illustrating that one’s moral coming of age should be rewarded.
Daisy is Jay Berry’s twin sister. She was born with a “twisted leg” that progressively worsens as she grows: “It seemed as if that old leg of hers held her growing back. Each year it got worse and worse. The foot part kept twisting and twisting, until finally she couldn't walk on it at all” (5-6). The condition may be clubfoot or a similar birth defect. Daisy can maneuver on the crutch Papa makes for her but she cannot run or walk beyond the house, barnyard, and her playhouse. Daisy possesses a curious affinity for small woodland creatures like birds, squirrels, and rabbits; they behave as tamely as pets in her presence. She believes in the myth of the “Old Man of the Mountains” and in fact claims to see him often.
Daisy symbolizes purity and humanity with her desire to protect and nurse those who are sick, injured, or scared, and she promotes the idea of divinity or a higher power with her sightings of the Old Man of the Mountains, her creation of Christ’s face in red clay, and her discovery of the wish-granting fairy ring. Daisy is a dynamic character in that her abilities improve after her leg heals; her energized spirit and newfound capabilities are illustrated when she runs with Jay Berry in the last chapter of the book.
Grandpa is a mentor character archetype. In fact, Jay Berry seeks Grandpa’s counsel and guidance throughout the story as he needs multiple new ideas for catching the monkeys. Grandpa advises Jay Berry and takes him to Tahlequah, a major step in Jay Berry’s character arc as he leaves his ordinary world and is inspired by the buildings, people, library, and university. Symbolically, Grandpa encourages Jay Berry to steer the wagon over the bridge on the way to town, and Jay Berry finds the action much easier on the way home. Grandpa also serves as a mentor when he gives Jay Berry the advice and clues he needs to sacrifice his prize money for Daisy’s operation, then allows Jay Berry to make the difficult decision on his own.
Mama, Papa, and Grandma each serve as mentors to Jay Berry, though not as strongly as Grandpa does. Mama is frequently worried about Jay Berry’s well-being when he is away from the farm and gives him warnings and reminders for his safety. Papa guides and advises Jay Berry in a calm and good-natured way, often calming Daisy’s dramatics and Mama’s worries with a gentle laugh and common sense counsel for Jay Berry’s benefit. Grandma provides food and sustenance to Jay Berry and his family, representing generosity and caretaking. She also serves to plant concern for Daisy and make readers aware that money for Daisy’s hoped for surgery is a hope for Mama, Papa, Grandpa, and her.
Jimbo is the chimpanzee who serves as the “leader” of the little monkeys in the group after they escape the wrecked circus train. Jay Berry consistently (and incorrectly) calls Jimbo the “big monkey” or “largest monkey.” Jimbo is a trickster/shadow character archetype. At first, Jimbo proves a wily and notable adversary in that he foils each attempt Jay Berry makes to catch the monkeys. Ultimately, Jimbo is outdone by a force of nature he cannot withstand (the storm) and chooses to go willingly with Jay Berry to the warmth and safety of the farm’s corn crib. In terms of personality, Jimbo is protective of the little monkeys and cleverly puzzles his way through challenges like Jay Berry’s steel traps and butterfly net. Jimbo is elated to see his trainer and happily rejoins his circus family, leading all the little monkeys along with him.
Rowdy is a bluetick hound dog whose age is unknown but whom Jay Berry refers to as “old.” The author characterizes Rowdy with strong personality traits; Rowdy provides comic relief with his vocal baying in the library and train depot, his fast dislike of the monkeys after they nip and harass him, and his eagerness to escape Daisy’s nursing. He is a constant, static, and loyal ally character archetype, joining Jay Berry on trips to Grandpa’s store, to Tahlequah, and to the bottoms (though he is understandably resistant to get near the monkeys there).
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