128 pages • 4 hours read
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The novel opens as Sophie Amundsen is heading home from school with her friend, Joanna. Joanna compares the human brain to a computer, but Sophie disagrees— “surely a person was more than a piece of hardware?” (3). They part ways as they continue heading home and Sophie marvels at the natural beauty around her, wondering what makes it so. Her house is on the edge of town and has a large garden in its yard. She lives with her mother and father and a menagerie of pets, though her father is away for most of the year working as an oil tanker captain, and her mother often works late hours. Her favourite pet is her cat, Sherekan.
Sophie opens her mailbox and finds a letter addressed to her with no sender or stamp. The piece of paper inside simply reads “Who are you?” (4). She takes the letter inside and ponders this thought while looking at herself in a mirror; she resents her unconventional looks and realizes she does not know the answer to this question, nor did she choose to be who she is. The next day, she goes out into the garden and ponders the sheer marvel of being alive, thinking of her Granny who recently passed before it occurs to her to check the mailbox again. Another letter is inside: “Where does the world come from?” (7). Sophie takes the letters to a secret opening between the hedges and thinks about how her garden reminds her of the Garden of Eden, “surveying her own little paradise” (9). She traces back the origins of earth and space and can find no end to it, with or without God in the equation. On the third day, Sophie finds another mysterious piece of mail: a postcard addressed to Hilde Møller Knag, from Hilde’s father. The postcard had been sent in care of Sophie’s name and address, but Sophie has no idea who Hilde is. The chapter ends as Sophie realizes she has many things to figure out, believing the three letters to be connected in some way.
Sophie grows skeptical of the trivial concerns of those around her and what she is taught at school. She tells her friend Joanna she is not interested in cards or badminton anymore; she is far too engrossed in philosophical questions. When she gets home, she finds an envelope in the mail for her: “Course in Philosophy. Handle with care” (14). Inside are three pages introducing Sophie to basic philosophical questions and their importance. The writer insists that questions about the nature of existence and humanity should be important to every person and explains there are few philosophical questions but many different answers posed throughout history and by various cultures. The writer goes on to explain to Sophie that “reading what other people have believed can help us formulate our own view of life” (15) and encourages her to do just that. The writer also explains that several mysteries throughout the ages have since been answered by science, but many are left unexplained. Citing Aristotle, the writer argues that “philosophy had its origin in man’s sense of wonder” (15). He compares the way people experience the world to a white rabbit in a magician’s top hat: People are the rabbit, or possibly even the microfibres on its fur; but unlike the rabbit, people question how this magic trick called existence unfolds.
Sophie is growing more excited by the minute and decides to go check the mailbox again. Sure enough, another envelope is inside. Another letter is enclosed called “The Strange Creature” (17). It starts by reminding Sophie that good philosophers embrace the faculty of wonder. The writer explains that babies exhibit this attitude, but it is gradually lost as people grow up. He requests that Sophie not let this happen to her, and then presents two thought experiments: thinking of oneself as a Martian or an “extraordinary being” (18), and the image of a father floating while his son reacts with his usual awe and the mother panics. The writer explains this is the result of habit; the son is still unsure what is or is not possible, so to him it is like anything else he witnesses. The mother, on the other hand, is habituated to people not being able to fly, and seeing it occur is shocking for her. It is kicking this habituation that forms the basis of philosophy. In this way, children and philosophers share a commonality: an ability to continue marveling at the world. The writer concludes by explaining that “all mortals are born at the very tip of the rabbit’s fine hairs, where they are in a position to wonder at the impossibility of the trick” (20). Most people, however, crawl deep down into the rabbit’s fur and settle there. Philosophers are the ones brave enough to stay on the edges and wonder. Ultimately, it is a matter of wanting to avoid the inner discomfort caused by these big questions. Sophie feels as if this philosopher saved her from the inevitable crawl. She confronts her mother later that evening, accusing her of being dull to the world. Her mother asks her if she is on drugs, and the conversation ends.
Sophie finds another letter in the mailbox, this one pertaining to “The Mythological World Picture” (23). In it, the writer explains that philosophy was born out of ancient Greece and that before then people relied on religious explanations or myths to understand life and the universe. He describes the Norse myth of Thor and how Norwegian people believed him to be responsible for thunder, rain, and thus their food supply. The struggle between these powerful gods of good and the evil giants of Utgard was believed to be the explanation for the struggle between good and evil. Philosophers reject these types of mythological explanation for the nature of things. The writer argues that these forms of dramatizing myths and performing rituals were ways for people to adjust to the lack of sense in their beliefs and cites Xenophanes, a Greek philosopher who lived around 570 BC and believed people created gods in their own image. Greece built city-states during this time, and because slaves performed the manual labor, others had ample time to devote to philosophical thought. The writer explains that “the aim of the early Greek philosophers was to find natural, rather than supernatural, explanations for natural processes” (28). Sophie performs her own thought experiment, creating her own little myth about the nature of the world. In doing so, she realizes if she had not been given proper explanations in school, she likely would believe her own story. She feels glad to exist in a period of history where science exists.
Sophie gets another letter with three questions enclosed: “Is there a basic substance that everything else is made of? Can water turn into wine? How can earth and water produce a live frog?” (31). These are the types of questions posed by natural philosophers, who wonder how natural processes occur and why. Sophie wonders about the answers to these questions and thinks about what separates one tangible thing from another (such as a frog versus a cabbage patch). Another envelope arrives, and the letter explains that specific philosophers can be thought of in terms of the questions, or projects, they undertake. Early Greek philosophers were usually natural philosophers, who posed questions about natural processes. The writer clarifies they did not yet wonder if existence ever came from nothing; instead, they assumed “something had always existed” (33). These philosophers were focused on transformation and what universal substance or force lie at its heart.
The writer explains that understanding the thought processes more than the conclusions was the most important aspect of examining past philosophers. He cites Thales, the first known Greek philosopher from Miletus (a Greek colony around 580 BC), who posed that “the source of all things was water” (34). The writer speculates as to the type of observations Thales might have made to come to this conclusion, such as the springing up of crops after massive rainfall. Anaximander, another philosopher from the same colony, proposed that the source of created things must be something “boundless” (35). A third philosopher from Miletus, Anaximenes, believed the source of everything was air. Each believed in the idea of a substance responsible for existence.
Next, the writer explains the problem of change, or the question of how one substance becomes another. Parmenides, another Greek philosopher of the era, believed that nothing never existed and never could. He also believed that human perception was mistaken and could not be trusted; instead, reason should be the source of knowledge (rationalism). Heraclitus, on the other hand, believed change was constant, and nothing remained the same for longer than a moment. He also proposed the importance of opposites, such as day and night or good and evil, and the idea of a universal law that guides existence but average people ignore. Heraclitus also believed that a force known as God, or logos (reason), encompassed everything within existence and was the source of it. Empedocles, a third philosopher, attempted to solve the debacle created by the other two and proposed that nature is made up not of one element but four: “earth, air, fire, and water” (38). In other words, while the senses perceive change, it is really just a combining and separating of these four elements. He further proposed that forces influenced these elements to combine and separate. Finally, Anaxagoras proposed that things were composed of invisible particles he referred to as “seeds” (40) and that the sun being made of stone rather than a god. Sophie marvels at the way each of these philosophers came to these conclusions through reasoning alone and without the aid of others or knowledge from books. She concludes by reasoning that “philosophy [is] not something you can learn; but perhaps you can learn to think philosophically” (42).
Sophie is proposed a single question by the philosopher: “Why is Lego the most ingenious toy in the world?” (44). She considers it a silly question but entertains it nonetheless. Sophie takes out her Lego and begins building, finding that Lego is versatile, reliable, and endlessly creative. Democritus, the latest Greek natural philosopher, proposed the idea of atoms: building blocks of existence that could not be broken down further. His thinking was that for something to be used as a building block, it had to eventually have a core. These building blocks also needed to be eternal “because nothing can come from nothing” (45). Democritus also believed that these atoms were infinitely varied with “hooks and barbs” (46) on them, which is why things in existence were infinitely varied. Lego blocks, the writer explains, are the same. Democritus was also a materialist, who did not believe in anything other than atoms and “the void” (47); he proposed that the soul was made up of specific atoms that dispersed and formed new things when a person dies. Sophie concludes that Democritus, along the with the three philosophers from Miletus, all had important points that might be correct. However, she is still left with more questions than answers.
In the novel’s exposition, protagonist Sophie Amundsen is exposed to the foundations of philosophy. Neither she nor the reader is yet aware of who Sophie really is. Sophie receives a series of unexpected and mysterious letters from an unknown sender and immediately plunges deep into the rabbit hole that the philosopher lays out for her. He presents ideas to her in an intentional order. By starting with the Garden of Eden question of where existence comes from, he metaphorically begins Sophie’s garden of philosophy. It is also discovered later that this is where Sophie originates; she is a character in the major’s book for Hilde and did not exist before the first page. Sophie is sitting in her garden, in a secret place between the hedges, while she reads these letters. Nature is constantly present, allegorically, metaphorically, and literally. Sophie is seen admiring the beauty and wonder of nature from the very first page: “It was extraordinary how everything burst forth at this time of year!” (3), and it is clear that her mind is already predisposed to philosophical thought. This is perhaps why she is chosen as the philosopher’s recipient. After easing Sophie into the style of thinking required in philosophy, he introduces her to the difficult task that lay ahead. Presented in the form of a metaphor about a rabbit in a magician’s top hat, the philosopher dares Sophie to break free from convention and remain “at the very tip of the rabbit’s fine hairs” (20), where it is less comfortable but far more rewarding. Sophie reacts to these messages with awe and wonder, entertaining each one and performing her own thought experiments as she is guided along by the philosopher.
After entertaining the origins of existence, the philosopher exposes Sophie to the origins of philosophy itself. He uses an allegory based on a mythical story of Thor and Loki. Because people naturally seek explanations for natural processes and their own existence, these myths served as those explanations for thousands of years. It was not until the first Greek natural philosophers of Miletus—Thales, Anaximander, and Anaximenes—challenged these ideas and presented their own notions of good and evil and nature itself that people began to seek explanations that did not rely on the supernatural. The philosopher clearly reveres these early philosophers, crediting them with being the catalyst for more scientific ways of thinking. He stresses that thought processes, rather than conclusions, are the central motivator of philosophy, urging Sophie to wonder what may have led these men to think in completely novel ways without any influence but their own reasoning or logos. Sophie engages herself in the questions the philosopher poses and grows eager for more with each passing day. The philosopher concludes his basic introduction to philosophy by discussing Democritus, the first man to propose that all things were made of buildings blocks called atoms. Shaped in infinitely different ways, he theorized that they attached together to form the massive variety of objects and creatures that exist in the world. The philosopher knows how to explain these concepts in a way Sophie will understand as well; for example, he urges her to compare the idea of atoms to Lego, and she takes this a step further by building with Lego as she ponders this idea.
Sophie is bombarded with mystery every single day. Not only does she have no idea who is sending her these letters, but these letters contain questions she has never thought about before. Furthermore, Sophie finds a letter in the mail addressed to a different girl but in care of Sophie. It seems that, like philosophy, Sophie’s life has become a series of questions with few if any answers. Even though Sophie finds some of these questions “pretty stupid” (31), she forces herself to engage with each one equally. At the same time, Sophie becomes increasingly disinterested in school and her own mother, complaining that the information at school is useless and that her mother has “grown so used to the world that nothing surprises [her] anymore” (21). As she learns most people are comfortable deep within the rabbit’s fur, she becomes skeptical and weary of them and her surroundings. Every day, Sophie becomes more and more focused on retrieving letters and considering the questions posed within them.
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