55 pages 1 hour read

Soldier X

Fiction | Novel | YA | Published in 2003

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Symbols & Motifs

Clothes

Within Soldier X, clothes—in particular, military uniforms—are a symbol of identity. While this is inherently part of the purpose of a uniform itself, the novel extends the symbol and repeatedly exaggerates how uniforms work as a shorthand for personal belief and loyalty, replacing individuality with conformity and assumptions. The use of uniforms contrasts heavily with the first-person narration, allowing the reader to experience X as an individual rather than a nameless soldier, contrasting with the perception of others—while some more disconnected from the military view him as an individual, most simply see him as another faceless member of the army whose uniform he wears. X is also able to become a liminal figure—a figure who operates between boundaries—using uniforms. They symbolize his ability to fluidly move between his nationalities, as all he must do to “become” Russian is wear a Russian uniform. In the war-torn Eastern front, people do not have time for individuality or specifics; the uniform is enough to convey someone’s entire belief system and even value as a person.

Significant, too, is that the German uniforms are all reused from dead soldiers, leaving bloodstains, obvious signs of wear and repair, and other grisly reminders of their origin. This situation symbolizes the decay of the German army—as they do not have the materials to give new uniforms to every soldier—but also symbolizes the ultimate devaluing of human life during the war. The uniforms are more important than the soldiers in many ways; the soldiers are dying faster than the uniforms can be produced, so the army simply puts new soldiers in them and sends them to die in turn. This reuse of uniforms additionally serves as a literal reminder to the soldiers that they are fodder for violence and the hand of the state—even if they die, their uniforms will remain, with no indication of who they were as individuals.

Narcissus

The imagery of Narcissus flowers calls to mind beauty and vanity, yet the book contrasts this by also having it represent love, acceptance, and recovery. Narcissus, in Greek myths, died because he could not stop contemplating his own beauty, paralleling X’s own decaying mental health due to his appearance at the end of the war and the trauma this caused. While the book does not condemn X for his response—instead, viewing the loss of his arm and facial injuries as a genuinely traumatic event—the narcissus does, ironically, bring him and Tamara back together. This also contrasts with the myth since Narcissus starved and could not hear the love of Echo over his obsession with his appearance. The flowers help symbolize that Tamara does not care what X looks like; rather, she loves him as he is.

Narcissus flowers are also sometimes viewed as symbols of death and loss, further symbolizing X’s loss of self. While this is not complete—as he retains his family and Tamara—the end of the book does change him completely, finishing his brutal bildungsroman arc. The use of the flowers at his and Tamara’s wedding contrasts with this, transforming the symbol from one of death to one of a new beginning. X cannot be with Tamara as he was, but he can be with Tamara as he is now, and the flowers serve as the foundation for that new relationship.

Hals’s Shrapnel

Hals’s shrapnel—which hangs around his neck until the day he dies—is a symbol of the affection, however short-lived, between Hals and X and the brevity of life. Hals is not in the novel for long—a mere 43 pages or so—but he leaves a significant impact on X’s life, shaping his care for others and his first genuine experience of brutal grief during the war. The shrapnel is the symbol of their friendship and of X’s true nature as a healer rather than a soldier. The first act X feels good about during the book is fishing the shrapnel out of Hals’s scalp, and he goes on to work as an orderly at the Russian hospital and help in the German hospitals even while masquerading as a refugee. The shrapnel does not appear again after Hals’s death since he dies with it around his neck, but it serves as a symbol of what X is truly capable of.

The shrapnel is significant because of its relative insignificance as an object. In the grand scope of war, it is nothing—just a simple shard of a bomb or bullet, not even useful. To Hals, however, who nearly died from it, it is deeply significant. This builds the contrast between the scope of war and the scope of human life. A piece of shrapnel cannot change war, but it can change the course of an individual’s perspective and even existence. Hals, who himself symbolizes X’s earliest tether to humanity, is inherently tied to this piece of shrapnel, as he remains uniquely aware of how fragile life is and how important it is to value human connections that preserve it.

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