64 pages 2 hours read

She's Come Undone

Fiction | Novel | Adult | Published in 1992

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Symbols & Motifs

Whales

Content Warning: This section contains descriptions of child sexual abuse, domestic violence, suicidal ideation, and self-harm.

Whales are a key symbol in the novel, and their symbolic meaning changes as Dolores herself does. In Dolores’s youth, whales are a symbol of her obesity and the way she feels isolated and lost within a vast, open world. She meets Dottie, who tells Dolores that their obesity makes them worthless and urges Dolores to stop caring about consequences. Dolores refers to herself and Dottie as two beached whales after their sexual encounter, thinking of the whales that had begun beaching themselves at Cape Cod.

To escape everything, Dolores goes to Cape Cod to see the whales. What she finds is a massive humpback, half-beached, flailing, and screaming for help. People around it stare helplessly. Dolores describes the state of the whale:

The whale lay surrendered on its belly, its head pointed out to sea. Most of its body sat stuck in shallow, red-clouded water, but the massive black tail reached up onto the beach. Incoming water lapped and channeled around and over it. The larger waves broke against its face (246).

Disturbed by the people around her and the whale’s inability to save itself, Dolores leaves the scene and returns after the people have gone and the whale has died. She strips down and swims beside it, staring into its eyes and feeling like she herself is a beached whale, unable to live in accordance with her own will. She kisses its “soft and coarse” skin (254), expressing an understanding and oneness with it. It is also a freeing experience for Dolores, as she feels weightless as she swims through the water. Dolores is found there and taken to a psychiatric hospital, where she spends seven years releasing herself from her own mental prison. She speaks honestly with Dr. Shaw and to herself in order to wash away what has been blinding her about her past: “He wanted me to lift up my rotting whale to see if Ma was under it” (267). Dolores even swims in a pool during her therapy sessions, feeling weightless and free like she did in the ocean.

After her time in the hospital and after leaving her abusive relationship with Dante behind, Dolores transforms from the dead whale she felt like before into a living, vibrant, hopeful version of herself, which is mirrored in the breaching whale she sees at the end of the novel with Thayer. Dolores’s story ends on this moment, as she experiences the power and freedom of the whale and her own pride in how far she has come.

Sexuality

Sexuality is a central motif in the novel and plays a key role in the way Trauma Accelerates the Loss of Innocence and the decline of Dolores’s mental health. As a child, Dolores’s knowledge of sex is minimal, but she recalls moments like seeing her mother’s breasts floating in the water and the way her father inappropriately touched her by the pool. She soon starts learning more about it when she meets a new friend named Jeanette at age 10. At age 13, Dolores is groomed and then raped by her adult neighbor, Jack. This process instills a sense of disgust and shame in Dolores in relation to sex, and she spends years wondering why other women pursue it at all. This is further compounded by the way Dottie slowly manipulates Dolores into sex; Dolores later discovers that she isn’t interested in women at all. Dolores is also molested by Kippy’s boyfriend at the Halloween party.

These negative experiences leave Dolores feeling like sex is simply not worth the pain and manipulation that seems to accompany it. In the hospital, Dolores develops a crush on Dr. Shaw for a time, but this diminishes when he assumes the mother role in their therapy. When Dolores leaves the hospital, she meets Dante, who seems kind at first but eventually starts using Dolores for sex, manipulating her into it when she doesn’t want to, and guilting her into letting him penetrate her anally. Dolores does not experience a healthy sex life until she meets and marries Thayer, the first sexual partner to treat her with the respect and consideration she deserves.

Bernice’s Flying Leg Painting

While in the hospital, Bernice sends Dolores a painting of a leg flying through the clouds on the wings of a parrot. Dolores finds it strange at first but grows to see it as a symbol of the type of person her mother wished to be, but never could: free, uninhibited, and fully accepting of herself and her flaws. Because Bernice is struggling with her mental health when she creates the painting, it is also a metaphor for the way that Bernice was never able to fully take the leap—the most she could muster was a part of herself. The wings on the painting are inspired by Petey, the parrot that Bernice grows to love before Tony releases it. Dolores takes the painting with her to college, and after she defends herself from a boy who molests her, he takes revenge by destroying her belongings, including the painting. Dolores sees the painting as the last remaining piece of her mother and takes a fragment of the canvas with her, which she later frames when she takes over her grandmother’s home. Dolores takes many years to find the freedom of self-embodied in the painting, but when she does, she is forever changed: “I couldn’t stop—I felt wonderful, as free as Ma’s flying leg” (402). She finally heals, accepting her flaws and shouldering the pain of her past without allowing it to control her anymore.

Food

In Dolores’s life, food becomes a symbol of her pain, the weight of her past, and the power she seeks to cope with it. It also symbolizes the lust and greed men express toward Dolores until she meets Thayer. Dolores’s experiences with food begin when she goes with her father to visit Mrs. Masicotte and is left alone with the woman’s dog. The dog is obese and preoccupied with food and seems to care only about the cookies on Dolores’s plate. Dolores takes to teasing the dog with the cookies, gaining a sort of dark pleasure from making it long for something it cannot have. Dolores introduces her story as follows: “Mine is a story of craving: an unreliable account of lusts and troubles” (17). After her father leaves and her mother is admitted to a hospital, Dolores finds herself isolating, becoming irritable, and pushing away those she loves. When Jack rapes her, Dolores feels more powerless than ever and copes with this by binge eating and then becoming sick. When Dolores is over 250 pounds, she is told that she is likely to die young. Dolores’s weight adds to her position as a social outcast and diminishes her self-worth even further. She is only able to feel weightless and heal when she is given the opportunity to relive her childhood through a nurturing caregiver.

Television and Media

Television and media form a central motif in the story and in Dolores’s life. They serve to provide a setting in relation to time and to emphasize Dolores’s isolation from the outside world during her youth. Dolores opens her entire narrative with her memory of her family’s first television in 1956, an event that she marks as the moment that “would begin [her] family’s unraveling” (3). At first, it was like a glowing source of joy for Dolores, but because the television was tainted by the fact that it was a gift from Tony’s boss, Dolores relates it to her parents’ relationship falling apart. Along with a series of painful changes in her life, Dolores becomes increasingly dependent on television and less and less interested in the world around her. She gains weight as she sits and watches episode after episode. Dolores’s life is also accented by key events she witnesses on TV, such as The Beatles’ appearance on The Ed Sullivan Show, Marilyn Monroe’s and Elvis’s deaths, the moon landing, and Woodstock. TV is a window into the cultural atmosphere of each period of her life. Seeing a news broadcast about whales who are beaching themselves in Cape Cod is also what leads Dolores to want to go see them, leading to the years that transform her life and catalyze her healing. Looking back, Dolores realizes she spent most of her life watching television. The novel itself is named after a song by The Guess Who, which tells the story of a woman whose obstacles in life were insurmountable.

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