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Robyn stands at the edge of T.C. and announces free food is there for the taking while Laurel begins waking people up. Key drives up on the moped and scolds Robyn for once again deviating from the plan. Key saw Robyn in the truck and was about to open the gates when she rushed out to get the wires and alerted the guards. Robyn feels guilty but tells herself getting the wires was a necessity. Key and Robyn fight, with Key telling Robyn she is not being a team player.
Once the T.C. denizens have taken all the food, Robyn drives the truck to Nottingham Cathedral. Parking the truck on the road, she leads the others inside the church through Tucker’s secret plywood door.
From inside the church, Robyn, Tucker, and the others watch MPs converge on the truck. When Tucker says that Mallet will definitely pin the blame for the truck theft on someone, Robyn is once again flooded with guilt. She does not want others to pay for her actions. She asks Tucker for paper and pen, and he hands her green sticky notes. On a sticky note, she writes that it was she who confiscated the truck for its rightful owners, the people of Sherwood. Robyn signs the note with her initials, and “sincerely, Robyn” (249), and places the note inside the truck when the MPs are turned away. Very soon, a wanted poster describing her goes up all over the city, calling her as a “hoodlum” (250).
When Mallet gets news of the brazen note, she immediately realizes the thief is Robyn Loxley, whom Mallet let get away that night. Mallet is furious. Crown’s strict orders were to apprehend even the children of the traitors, and that is because moon or Crescent lore prophesized the coming of a leader from that group. Mallet decides not to report this to Crown and to apprehend Robyn on her own as soon as possible. She moves Robyn to the #1 WANTED slot, even ahead of Nessa Croft.
Key scouts the city for Robyn’s wanted posters and discovers that the MPs are “practically hunting” (253) for Robyn. He is still angry at Robyn for acting brashly, and Robyn yells at him and Laurel that they’ll never understand her desperation to discover the whereabouts of her mother and father, as they do not have parents. Stung, Key tells Robyn that he doesn’t want to be around someone so mean. Laurel, who is crying, agrees with Key, and they both leave the church.
Alone in the church, Robyn gravitates toward the moon shrine. She wishes her parents were there to guide her and touches the sun and moon diagrams. When she places her hand on the sun etchings, the warmth of the stone reminds her of her mother. She feels the presence of her parents in the shrine and lies down on the ground, willing herself to sleep. When she awakens in the middle of the night, she can see the full moon overhead. To her surprise, the curtains are glowing in the moonlight.
When Robyn looks closer, she can see the words “darkness” and “hope” (251) glowing on the curtains. However, she cannot see how the disjointed words are linked. Looking for clues, Robyn decides to climb the second stairway. It leads to a door with a keyhole that reminds her of her mother’s white stone pendant. Robyn wonders if her mother’s pendant is the key to the door. She suddenly recalls Tucker’s books on moon lore and wonders if the library book Eveline had suggested is among them. Robyn finds the book in Tucker’s stash and, leaving him a note that she has borrowed it, heads to the Tree House. On the way, she can see screens flashing with her wanted poster. When Robyn reaches the tree house, it is empty.
In the tree house, Robyn worries that Laurel and Key have left for good. Nessa Croft’s broadcast plays on the radio, congratulating Robyn Hoodlum for her act of bravery. Robyn digs into the library book she borrowed from Tucker, which retells the origins of the moon lore. According to lore, when the universe was young, the Light and Shadows were apart, as they were oppositional forces. Over time, Light and Shadows met and fell in love. They ran to a corner of the universe and gave birth to their daughter, Earth. When the universe discovered the breach, it cursed Light, Shadows, and Earth to remain separate. Light was balled up and thrown into the sky as the sun. The Earth twisted around the sun, yearning for her mother. When Earth saw the sun, Shadows disappeared. At night, the Shadows came, but the sun could not be seen. Thus, the family could never be together at one time.
In time, Earth’s own children, humans, forgot this ancient story. The children of Light and Shadows fought like the universe had predicted. The children of Light built great palaces, while the children of Shadows burned fires in the night, reuniting light and shade briefly. Shadows was happy and gave them the moon, which too combines the essence of light and dark. Yet, the dream of reunion remained incomplete since the children of Light craved only power and forgot the children of the Shadows. The enmity grew, and the Earth, troubled by greed and violence, began to come apart in storms, earthquakes, and fires.
Robyn stops reading the story, overwhelmed. She recalls her parents often referring to moon lore, calling rain “the tears of Earth’s mother” (269). Moon lore has always been a part of her heritage, but Robyn was not paying attention. Now she knows moon lore has an important part to play in her quest but still cannot see a clear path ahead. Just then, Laurel, wet from the rain outside, climbs into the tree house. Robyn is overjoyed to see her; the friends hug, and Robyn promises Laurel she won’t be mean in the future. Laurel tells Robyn that she does have parents, but she does not know where they are.
While Laurel sleeps, Robyn figures out how to use the TexTers for messaging. They will come in handy for staying in touch with Laurel during a mission; the chances of texts getting apprehended are minimal since no one pays attention to the old cell phone towers. In the morning, Key visits the tree house, still angry with Robyn. They argue, with Key telling Robyn that she does not believe in cooperation. For instance, she does not understand that the moon lore is not about one person, but about the Crescendo, or all the believers in Light and Shadows, coming together. Robyn is frustrated at Key for being enigmatic all the time. She and Key are interrupted by the sound of Laurel crying in pain. They hurry to her and see the telltale rash of stingbug infection on her abdomen.
Scarlet takes Robyn into the library by hacking the door code to the staff entrance. She tells Robyn that they’ll be hacking into the city’s computer network with the modem; because modems are obsolete, wired technology, no one monitors them anymore. They can track people’s IDs through the Nott City database, but to get information about the prisoners, they will have to connect to the physical terminal that runs the system. Robyn asks Scarlet to hack into the BioNet system so they can break into Sherwood Clinic and procure medicine for Laurel. Scarlet tells her they will have to connect to the physical terminal at the clinic to do that.
Robyn and Scarlet head to the locked pharmacy section of the clinic, and Scarlet hacks the keypad. Inside the pharmacy, they find the antibiotics. Getting away with the medicine will be tough, as not just the bottles, but even the pills are tagged and will be read by the clinic’s InstaScan system. The only solution is for Scarlet to hook the modem to a computer and keep the sliding doors open so Robyn can rush out without being scanned. Robyn decides to trust Scarlet with the modem and agrees to the plan.
Just then, they hear footsteps. Robyn and Scarlet duck. Thankfully, one of the people is Merryann, who volunteers at the clinic. Merryann spots Robyn and diverts the others away. When she returns, she and Robyn discuss the stingbug epidemic. Though Merryann is loath to believe her uncle is evil, she does acknowledge keeping people away from bitterstalk leaves is bad. Robyn requests Merryann to keep her signature green post-it note, taking responsibility for the heist in the pharmacy. Scarlet works the doors open, and Robyn runs out.
Merryann joins Robyn and Scarlet on their way to the cathedral. As they discuss the crisis in Nott City, Robyn asks Merryann if she knows the location of Centurion Gate, where her parents may have been taken. Merryann turns pale and refuses to believe Robyn’s parents are in Centurion Gate. She knows the place but is reluctant to reveal the details. She denies that her uncle has ordered murders since everyone in Castle District thinks Crown is working for the betterment of Nott City. Robyn and Merryann argue, with Robyn calling Merryann deluded and entitled. Merryann walks away in anger. Robyn regrets having revealed their hideout in the church to Merryann.
This section plays a crucial role in developing Robyn’s coming-of-age story. At the start of the novel, Robyn is lost and confused, missing her parents’ protection and advice. Though her father has left her clues, Robyn cannot make sense of them yet. She often addresses her father in her head, wishing he was around to guide her. However, as Robyn faces increasingly challenging situations and moral dilemmas, she is forced to use her instincts and knowledge to move ahead. One example of Robyn’s growth is her decision to claim public responsibility for the food-depot heist. The narrative frames this decision as a moment of inspiration since “Robyn’s mind clicked around the problem” (248). This highlights The Ethics of Resistance Against Oppression, as Robyn does not want others to be punished for her crimes.
This penultimate section chronicles Robyn’s transformation from Robyn Loxley, daughter of parliamentarians, to the outlaw Robyn Hoodlum. The sticky note becomes Robyn’s calling card and adds a touch of humor to the proceedings. That the government’s most wanted enemy leaves behind brightly colored green notes is funny and brash. The act shows how humor and lightheartedness can offer resistance to oppression. Significantly, the color of the note Robyn leaves behind is green, just like Robyn’s beret. This is a reference to popular depictions of Robin Hood, who is often shown clad in green. Green also symbolizes nature, life, and hope, linking Robyn with the naturalistic ethos of the moon lore. Robyn’s signature is “Sincerely Robyn,” (247) followed by an R pierced through with an arrow. Reminiscent of the arrow markings on Dad’s map and the arrows carved in the trees at Sherwood, the symbol represents Ronyn’s solidarity with the rebellion.
The stingbug epidemic incident highlights the novel’s important theme of resistance and oppression. The powerful continue to tighten their net around those they seek to oppress by denying them basic rights like food and medicine. Moreover, inequality is shown to be a vicious cycle. The people most affected by stingbugs are the poor because they were not vaccinated against the infection in the first place. Now, the same people are denied medicine because of their lack of access to tags. This cycle of oppression is a commentary on how power operates in the real world.
The moon lore creation story describes how people can live in harmony with nature and each other. Earth is plunged in chaos when the children of Light forget their connection to the children of Shadows and begin to oppress them. Significantly, the children of Light are described as building “great palaces, their halls lined with blazing bulbs” (266). This shows the children of Light represent the wealthy and powerful who consume resources endlessly; the lore also states that the bulbs blaze through what should have been night. Thus, instead of accepting the harmony between day and night, the children of Light turn to greed. The moon lore describes the children of Shadows as burning fires in the night, a reference to the campfires at T.C. Thus, the children of Shadows stand for those who resist the status quo of wealth and power. Interestingly, because of the dark/light symbolism, it can also be interpreted that the children of Shadows represent the global South and East of the real world, while the children of Light represent wealthier Western nations. The crumbling of the earth symbolizes climate change, which is linked to excessive consumption of resources and disrespect of the environment. Thus, the poetic tale of the moon lore can be seen as an allegory of the problems facing the real world.
This section illustrates several literary techniques Magoon uses to flesh out her characters and themes, such as dense plotting, parallelism, and juxtaposition. Objects introduced in the early sections of the novel move the plot along in these chapters, such as Barclay’s modem and the TexTers Robyn’s father left her in the bike. Merryann’s character emerges as a foil to Robyn’s, since Merryann, like Robyn in the first half of the novel, is sheltered from reality because of her privilege. Though Merryann is compassionate and helpful, she initially refuses to see that her uncle is behind the crisis in Sherwood. She tells Robyn that people in Castle District like the changes Crown is making. In the beginning, Robyn displayed a similar naivete. Like Robyn, Merryann will come to question her privilege and the narratives she believes. Robyn and Merryann’s journeys illustrate the themes of the importance of questioning official narratives and The Role of Youth in Social Change.
While Robyn and Merryann were sheltered from the truth, characters like Key and Laurel live with the knowledge of an unjust world and find hope despite their circumstances. The juxtaposition of Robyn and Merryann with Key and Laurel further underscores the complex way in which inequality works in the world.
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By Kekla Magoon