45 pages 1 hour read

Sex and Vanity: A Novel

Fiction | Novel | Adult | Published in 2020

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Part 2, Chapter 10-Part 3Chapter Summaries & Analyses

Part 2: “New York, 2018” - Part 3: “Capri, May 2019”

Part 2, Chapter 10 Summary: “Cissinghurst, East Hampton”

Cecil arrives at Rosemary’s dinner party with flowers for Marian and Charlotte. He apologizes to everyone for being in a bad mood at the club. Then, he takes Lucie aside and explains his behavior in depth. He recounts a time as a boy when he was shamed at the country club for wearing something inappropriate. The Dorset incident triggered and upset him. Lucie feels guilty and apologizes. They share their mutual family frustrations, and Cecil reiterates how perfect they are for each other. He then presents Lucie with a small box containing a car key. Outside, he shows her the new “Aston Martin DB11 Volante convertible” he bought her as an apology gift (253). Everyone comes out to see the car. Cecil gives George his phone so that he can take photos of them in front of it.

Over lunch, everyone asks George about Viv. She’s away on a photoshoot and isn’t dating George. Cecil is scrolling through his phone, exclaiming at his car post. He then announces that they will all see Glimpses of the Moon, a movie set to premiere at the Toronto International Film Festival.

Lucie is shocked to learn that Olivia Lavistock wrote and produced the film. She, Freddie, Cecil, and George settle into their seats. Lucie is initially pleased with the sets and cinematography. However, she’s horrified when the movie’s events begin to align with the events in Capri. At the end, the lovers who’ve been eyeing each other throughout the wedding celebration get caught by a drone camera having sex. Lucie storms outside, furious. She confronts George in the alley, demanding to know if he told Olivia about what happened. He swears that he didn’t, and Lucie realizes that Charlotte must have told her. George grabs Lucie, and they kiss. She pushes him away but then pulls him back toward her and begs him to have sex with her. A voice in her head tells her to stop, and she runs away, bumping into Cecil and Freddie outside the theater. Cecil and Freddie are exclaiming about the film, insisting that most of the story is unrealistic.

Part 2, Chapter 11 Summary: “Outlook Avenue, East Hampton”

The group returns home to find Marian and Charlotte wearing face masks, drinking wine, and listening to music together. Lucie gets the others to leave and arranges a private conversation with Charlotte. She confronts her about the movie and what she told Olivia about Capri. Charlotte reveals that she only told Olivia about “the drone thing” because she needed help destroying the footage to protect Lucie (268). Furious, Lucie blames Charlotte for humiliating her and causing George to kiss her in the alley and flee back to the city. Charlotte assures Lucie that they’ll drive into the city in the morning, find George, and resolve the whole mess.

Lucie privately obsesses over everything that’s happened. She thinks of everything she hates about George and everything that’s good for her about Cecil. She fears George ruining her plans to create the perfect life with Cecil.

Part 2, Chapter 12 Summary: “Three Lives & Company, West Village”

Lucie arranges to meet George at a bookstore in the West Village to avoid running into people they know. However, she and Charlotte must leave the shop immediately because they see several familiar faces. Outside, they run into George and lead him to a nearby garden. Lucie tells him that she can’t see him anymore and wants him to stay away from her homes and family. George is outraged by what Lucie told Charlotte about their kiss after the film. He tells Lucie that he loves her and that she shouldn’t marry Cecil. He rants about Cecil’s inability to understand Lucie and promises that he does. Afraid of ruining everything with Cecil, Lucie tells George that she doesn’t love him, and George runs off.

Part 2, Chapter 13 Summary: “Doubles, Fifth Avenue”

Lucie can’t stop thinking about what happened with George. Meanwhile, everything Cecil does annoys her. Throughout their afternoon at Doubles, she tries to ignore his irritating behaviors. She gets upset, however, when Cecil makes a scene about her not wearing her ring. He leaves the restaurant to get the ring and bring it back for Lucie to wear in front of the other guests. Lucie, Freddie, and Marian start lunch without him. Marian has an upcoming fundraiser and wants an animal rights activist to attend. The siblings suggest Cornelia Guest, but when Cecil returns and hears the plan, he refuses to ask Cornelia on Marian’s behalf. He’s friends with Cornelia and tells Lucie that Marian’s event is beneath her.

Part 2, Chapter 14 Summary: “Rockefeller Center, Midtown Manhattan”

Lucie and Freddie walk together after lunch. Freddie finishes sending some texts and reveals that he got Cornelia for the fundraiser. The siblings talk about the event, their childhood, and how they’ve seen each other over the years. Freddie is sorry to hear that Lucie has been holding in so much for so long.

Part 2, Chapter 15 Summary: “Tea & Sympathy”

Lucie has Cecil meet her at a tearoom in the West Village. He complains about the menu and is rude to the waitress. Lucie returns his ring and breaks off the engagement. Cecil protests, insisting that they’re perfect for each other. Lucie explains her reasons for not wanting to marry him, and Cecil remarks that Lucie suddenly seems like a different person.

Part 2, Chapter 16 Summary: “Jacqueline Kennedy Onassis Reservoir, Central Park”

Lucie’s morning run doesn’t make her feel any better. She can’t tell if she’s anxious or guilty. She runs into Auden, who informs her that he’s heard from the Ortiz sisters that they’re adventuring in Mongolia for the next several months. Auden, expressing his condolences about the end of Lucie’s engagement, insinuates that she ended things with Cecil to be with George. Lucie rebuts the remark. Back home, she runs into Rosemary. Lucie is shocked to discover that she’s applying for an apartment in Lucie’s building. She wishes that she could join the Ortiz sisters abroad.

At the apartment, Lucie and Charlotte talk about their grandmother and how she’s seen each of them over the years. Lucie doesn’t think Charlotte understands her perspective. Charlotte repeatedly insists that everyone wanted to protect Lucie after her father died. The conversation shifts to the Zaos, and Lucie discovers that Marian is writing a letter to the board recommending Rosemary to the building. After Charlotte leaves, Lucie edits her mother’s note to disparage Rosemary.

Part 2, Chapter 17 Summary: “The Animal Rescue Fund Summer Gala, Southampton”

Lucie attends her mother’s fundraiser with Freddie, Charlotte, and the board. Lucie meets Cornelia, and they share a pleasant conversation. Then, she runs into the apartment board director, and, hoping the director won’t let Rosemary into the building, Lucie lies about Rosemary’s illicit past. Afterward, Lucie runs into Rosemary, who begs to know if George and Freddie are fighting since George refused to attend the fundraiser. Lucie feels guilty, and she feels even worse when she realizes that Cornelia has overheard her conversations. She tries to explain herself, but Cornelia says that the only person Lucie is lying to is herself.

Part 2, Chapter 18 Summary: “Montauk Highway, the Hamptons”

Marian and Lucie drive to the Hamptons in Lucie’s new car. Cornelia’s words replay in Lucie’s head throughout the trip. They stop to collect Charlotte, but she has already gotten a ride.

Part 2, Chapter 19 Summary: “The Preppie Guru Lounge, Amagansett, Long Island”

Charlotte informs Lucie that Rosemary wants to speak to her. Lucie feels nervous, but Rosemary is kind. George finally told Rosemary everything that happened between him and Lucie and about his feelings for Lucie. She’s decided to leave New York because she’s already caused Lucie’s family too much pain. George also plans to move to a new city. Lucie tells Rosemary not to make these decisions and professes her love for George.

Part 3, Epilogue Summary: “La Grotta Azzurra, Anacapri”

Lucie and George elope and take a trip to Capri. One day, they visit the Blue Grotto. They swim in the water together, and Lucie realizes how happy she is. She and George kiss and express their love for each other.

Part 2, Chapter 10-Part 3 Analysis

The novel’s final chapters lead the narrative through its climax, descending action, denouement, and resolution. Throughout this section, Lucie struggles to reconcile her feelings for George with her competing desire to marry Cecil and create a new life for herself. In Chapters 10-19, the narrative stakes shift for Lucie when she and her cohort see Olivia Lavistock’s revealing film, Glimpses of the Moon. Lucie had believed that her romantic dalliance and sexual encounter with George had been a secret for the past five years. However, Olivia’s movie makes the affair public and thus heightens Lucie’s internal conflict. Her feelings for George and her impulsive decisions about their relationship are suddenly free for public consumption. As a result, Lucie’s shame, guilt, and powerlessness redouble. With Cecil, she believes that she is creating the ultimate happy life and future. She feels in control of her fate, her reputation, and her social presentation for the first time. Glimpses of the Moon robs her of this control, makes her feel helpless, and compels her to make increasingly erratic, desperate decisions. The private screening of the film is thus a narrative turning point that inspires Lucie to evaluate her true feelings, confront the truth of what she wants, and take active steps to fulfill her desires.

Lucie’s feelings for George contrast with her feelings for Cecil in that each character allows her to inhabit an alternate version of herself. Once she learns how George feels about her, she considers who she wants to be. George’s heartfelt profession in Chapter 12 particularly accelerates the narrative pacing and challenges Lucie’s character to change. George not only tells Lucie that he loves her and “see[s] the beauty inside [her], and also [her] sadness, [her] fears, [her] flaws” but also insists that Cecil only “loves the idea of [her]” and therefore “the image of [her]” (276). Lucie recognizes the flaws in Cecil’s character and often feels irritated with his performative and exhibitionist behaviors. However, she has chosen to ignore these aspects of Cecil’s character to secure the life she’s been taught that she’s supposed to have. George’s words challenge Lucie to examine the truth of her circumstances and the reality of a future with Cecil, a man who does not and cannot fully “support [her] passions and dreams” (277). At the same time, Lucie resists George’s professions of love and assessments of her relationship because she doesn’t think she can “ruin everything, not even for [George]” (277). Lucie’s decision to tell George that she doesn’t love him reveals the severity of her entrapment. She remains confined to her social class and cannot claim her voice or own her experiences. She knows she feels different about George and that George and Cecil are men of different calibers. Still, she fears that following her happiness and self-realization will disappoint her family and community.

Cornelia Guest’s character catalyzes Lucie’s awakening and propels the narrative through its denouement and resolution. Throughout the novel, Lucie has done everything in her power to make her peers, elders, friends, and family believe that she is the demure and deferential model of the ideal daughter and wife. Because everyone believes Lucie’s charade, none of the characters challenge her beliefs or question her behavior. However, Cornelia is a guest in Lucie’s world, and she can see her more clearly than Lucie’s friends can see her. She confronts Lucie at Marian’s fundraiser and compels Lucie to own her feelings and beliefs. As a result, Lucie articulates her feelings and claims her identity. In turn, she balances her internal and external worlds when she is honest with herself and with others. Part 3 is the novel’s Epilogue and depicts Lucie in a happy new reality with George. These final scenes offer Lucie’s complex internal journey a hopeful and peaceful resolution.

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