22 pages 44 minutes read

September 1, 1939

Fiction | Poem | Adult | Published in 1939

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Background

Historical Context: The Onset of World War II

The title of Auden’s poem—“September 1, 1939”—is also the day the German army, under direction of dictator Adolph Hitler, first invaded Poland in their effort to secure domination of Europe. Hitler claimed the invasion was necessary as the land was needed to support the German people; however, the ultimate aim stretched far beyond the land borders of Poland. Shortly after Hitler’s move on Western Poland (and prior to this poem’s publication, though not necessarily to its creation), Poland was attacked from the east by the Soviet Union. Caught between two powerful armies, Poland was overwhelmed and forced to admit defeat. Both Germany’s and Russia’s invasion of Poland were a direct result of a non-aggression pact made between Germany and the Soviet Union, signed in late August 1939 and known as the Molotov-Ribbentrop pact. In this agreement, the countries “agreed that they would not attack each other and secretly divided the countries that lay between them” (“Germany and the Soviet Union Sign a Non-Aggression Pact.” Anne Frank House). This pact and the subsequent invasions of Poland were widely viewed as a violation of the Munich Agreement, a peace treaty signed in September 1938 with the intention of avoiding war in Europe altogether. The Munich Agreement gave Germany possession of Sudetenland (then a part of former Czechoslovakia) and “in exchange, Hitler abandoned his plans to usurp the rest of Czechoslovakia” (“The Munich Agreement.” Anne Frank House).

In response to the invasion of Poland, the British government issued Germany with a command to extract itself from Poland. Predictably, Hitler refused; this led England and France to declare war, effectively starting what would quickly become known as World War II. Although it took a few days for all-out war to be established, September 1, 1939, marked the beginning of the end; the Polish invasion was widely circulated through newspapers, meaning it was a hot topic of discussion in both Europe and America. Opinions, informed and otherwise, were being made at an alarming rate; loyalties were tested and the world was blanketed in the outrage and fear—all emotions that Auden references in his poem. This poem is notable because it wasn’t written at the height of battle, but at the birth of it. Auden’s observations of humanity and society contained marked insight of the days to come.

Authorial Context: Auden’s Life and Influences

“September 1, 1939” was not written in a dive bar, as the opening lines suggest, but was written shortly after Auden had left his native England behind and arrived in America. He was widely criticized for his move, with many believing he left to escape the coming war. However, Auden and his partner Christopher Isherwood moved to New York City a full nine months prior to the outbreak of WWII—most likely to escape the growing notoriety and scandal around their relationship. Auden quickly made America his home. Despite the rumors, he was courageous and active in the war effort. He registered for the US army in 1942, but was rejected due to being a gay man. Throughout the war, he assisted those in need, including financially supporting two war orphans through school and agreeing to marry the daughter of a friend so that she could escape Nazi Germany (See: Poet Biography). Auden was one who wanted to be at the forefront, yet was constrained by societal norms of the time.

This poem has become one of Auden’s most widely anthologized and most enduring; notoriously, however, Auden personally rejected it from his canon during his lifetime. In post-publication revision, Auden changed the line “We must love one another or die” (Line 88) to “We must love one another and die,” recognizing that in wartime, love is no buffer against death. Auden became frustrated with the work and ultimately discarded it. He found it to be a dishonest portrayal of humanity—the antithesis of the poet’s art. Despite this, however, it contained clear precursors to the political themes that would become a cornerstone of Auden’s body of work.

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