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In these pages, Crusoe details his next nine years on the island. Through trial and error, mostly first through failures, Crusoe learns the time of rainy and dry seasons, explores his island, continues to hunt and expand his household, and moves on to creating tables, cooking tools, and spends four years, and many failed attempts, at making a boat. He also celebrates September 30th each year, while recognizing other coincidental dates in his life. For example, the same day of year he escaped his first ever shipwreck is the same day of the day he escaped from Sallee. This section begins with Crusoe’s second-year, including an account of his getting lost after continued exploration of the western fruitful side of the island, where sweet savanna fields run free. He finds his way back to his home due to a post he drove into the ground after hiking some miles east from the verdant, fruitful fields, and comments that he was never so happy to be back at his humble home.
In his third year, Crusoe experiences a major shift, becoming religious to the point he undertakes Scripture studies every day. Crusoe believes only God’s providence led him to this island where Crusoe has more than all he needs for happiness. His new experiences show the errors of his past life, similar to the story of St. Paul. “It was now that I began sensibly to feel how much more happy this life I now led was, with all its miserable circumstances, than the wicked, cursed, abominable life I led all the past part of my days; and now I chang’d both my sorrows and my joys; my very desires alter’d, my affections changed their gusts, and my delights were perfectly new” (82).
Crusoe learns to plant barley and rice stalks seeds before the start of rainy season, or else they do not grow, and doing so learns the start and end of each rainy season, according to the twelve-month calendar. Though at first fowl, and other wild creatures, prey on his corn harvest, after killing a few fowl, Crusoe learns to use scarecrows to protect his crops, of which he plants only enough to last one year—forty bushels of barley and rice. He also eats tortoise eggs and flesh. Once he learns to farm, Crusoe longs for an oven, and cooking utensils, which he succeeds in making after much trial and error. By mistake, he learns to make fireproof earthen pots, by leaving the clay in a fire to burn, like in a kiln. He eventually weaves baskets, builds a grindstone, then pestle and mortar for his corn. He uses skins of wild creatures to create rain coats, and makes a shirt from leftover lines salvaged from the wreck. Crusoe spends many years constructing a boat. On his first attempts, he makes a boat too large and too far from the sea for Crusoe to launch it and sail.
Towards the end of this section, Crusoe states the next five years pass in much the same manner. Here, Crusoe decides he must be closest to the Caribbean coast, where he heard of savages, man-eaters. His religious devotion grows serious. “In the middle of this work, I finished my fourth year […] By a constant study, and serious application of the Word of God, and by the assistance of his grace, I gain’d different knowledge from what I had before […] I look’d now upon the world as a thing remote, which I had nothing to do with […] as a place I had lived in, but was come out of it; and well might I say, as Father Abraham to Dives, Between me and thee is a great gulph [sic] fixed […] I had neither the lust of the flesh, the lust of the eye, or the pride of life. I had nothing to covet; for I had all that I was now capable of enjoying: I was lord of the whole manor” (94).
This section includes jumps in time that show glimpses of Crusoe’s life eighteen years into being cast away. Halfway through this section Crusoe spots a footprint near the shore that terrifies him. This section opens as Crusoe, at last, manages to construct a boat and describes his getting caught in a powerful rip current during a boat-journey six years into his stay. Crusoe almost meets sure ruin. After incredible efforts, Crusoe navigates free of the current. He returns to his bower, again praising the wealth of the island and deciding not to venture off it again.
As this section progresses, Crusoe further details his life on the island, describing his clothes, made of goat skin, which make him resemble a medieval knight, for he carries two pistols and a broad sword across his waist.
His routine remains similar for eighteen years. As Crusoe thinks about new needs—like wanting beer, and not having a large enough oven, he expands his cave into various apartments so that it occupies the inside of the hill and exits through a door on the side of the hill opposite his tent, and continues fortifying his wall, ultimately building another semi-circle wall outside his second wall, which includes holes for muskets. This because Crusoe sees a footprint, one day in his eleventh year, near the shore that breeds intense fear that his island might be inhabited, or visited by cannibals sailing from a nearby main island. At first Crusoe, “fancy’d it must be the Devil” (113). “O what ridiculous resolutions men take, when possess’d with fear!” Crusoe writes. “It deprives them of the use of those means which reason offers for their relief. The first thing I propos’d to my self, was, to thrown down my enclosures, and turn all my tame cattle into wild woods, that the enemy might not find them” (116). But his interior interrogations soon give way to reason. For months, Crusoe becomes bent on destroying the savages this one footprint must belong to. Every day Crusoe camouflages himself on top a hill, observing the shore where he spotted the print for any approaching ships. Crusoe’s fear leads him to create an enclosure for the goats, in a barely-seen wooded meadow near the western fruitful fields, he has tamed, which provide food. He plans to grow surplus barley and rice. Towards the end of this section, these fears prove half-true, as hiking towards the far southwest point of the island, Crusoe spots a beach littered with human skulls and bones.
As with other sections, Crusoe continues making biblical allusions, this time mentioning the story of Saul, who became St. Paul. Likewise, Crusoe continues to explore the role providence plays in his life. Crusoe comes to believe God’s providence created conditions where he shipwrecked on his side of the island, which visitors, likely savages, would not reach, since they would first think the island appears uninhabited and worthless. “I then reflected that God, who was not only righteous but omnipotent, as he had thought fit thus to punish afflict me, so he was able to deliver me; that if he did not think fit do it, ’twas my unquestion’d duty to resign my self absolutely and entirely to his will” (114). Thoughts like this remind Crusoe that in eighteen years, he never sees another human creature, which leads Crusoe’s mind back into safe quarters.
These pages chronicle up to the twenty-sixth year Crusoe spends living on the uninhabited island. The major event occurs during Crusoe’s twenty-third year, in the month of May, when for the first time Crusoe sees humans: “no less than nine naked savages, sitting round a small fire, they had made, not to warm them […] but as I suppos’d, to dress some of their barbarous diet, of human flesh, which they had brought with them, whether alive or dead I could not know” (133). Towards the end of this section, Crusoe hears gunfire that he judges comes from men in distress. Crusoe then lights bushel on fire on the side of the hill, as means of communication, which inspires more gunfire. But when the storm subsides the following day, Crusoe finds the men’s ship wrecked, and he resolves to approach it and scour for provisions.
The incident spotting the savages occurs at an interesting time in the narrative, as Crusoe spends the first part of this section in moral exploration, deciding that he would be a more barbarous sinner if he hunts and kills the savages than if he leaves them alone. For it is God’s Providence that allowed them to continue in their traditions for ages. “What authority or call I had, to pretend to be judge as executioner upon these men as criminals” he writes, “whom Heaven had thought fit for so many ages to suffer unpunish’d, to go on, and to be, as it were, the executioners of his judgments” (125). These inner explorations lead to Crusoe condemning Spain for its countrymen’s heinous behavior enslaving millions of natives in Brazil and abroad.
Even before Crusoe observes the savages, he changes his daily routine to reduce smoke from his fires. He spends more time in the wooded meadow, in which Crusoe encloses the goats, and one day, moving bushel and firewood, discovers a cave that inside is quite large. Crusoe begins using this cave as a place of security, believing no savage would venture inside. One day, he sees two eyes, and hears moaning, stirring his greatest fears, but finds it is a dying goat. In the cave, or grotto, Crusoe finds “the walls reflected a hundred thousand lights” but “whether diamonds, or any precious stones or gold” (130) he is unsure. Into this cave, Crusoe brings his magazine of ammunition and other provisions.
Before Crusoe observes the savages around their fire, his journal turns again to inner explorations, and God’s providence. He discusses his parrot, which often calls out Poor Robin Crusoe, and describes other animals he keeps: “several tame sea-fowls, whose names I know not, who I caught upon the shore, and cut their wings” (132). Crusoe journals how he could stay inside his enclave and never leave, for fear of savages: “How frequently, in the course of our lives, the evil which in itself we seek most to shun […] is oftentimes the very means or door of our deliverance, by which alone we can be rais’d again from the affliction we are fallen into” (132). These thoughts fill the pages leading up to the moment Crusoe observes the savages. Seeing them, Crusoe runs to a hill where he can better observe. There, he watches the savages canoe out to a larger group, with many more canoes, and watches them sail off towards a main island. In the years that follow, Crusoe learns they come every eighteen months or so, which alleviates some of his fears, allowing Crusoe to again sink into routine.
These pages chronicle Crusoe’s attempts to make the uninhabited island home. Note Defoe's narrative strategy of following description of physical hardship with philosophical inquiry. As with before, Crusoe’s mind moves back and forth between doubt and belief in God’s providence. Major changes occur in Crusoe’s thinking, as Crusoe comes to rationalize all events and behavior in the name of God’s providence, an ends-justifies-the-means philosophy. Note also how Crusoe’s fears and inner explorations often foreshadow what happens to him next on the island. Crusoe’s fear of savages grows, then Crusoe sees humans for the first time in twenty-three years: nine naked savages.
In these pages, it’s as though Crusoe returns to a state of nature. He further domesticates his homestead, covering basic needs, then developing tools to work on those needs. As each need is satisfied, another want or need surfaces. In this way, Defoe uses Crusoe as a means of exploring how humankind might have first evolved from the state of nature. At the time of novel’s publication, philosophers like John Locke wrote extensive treatises on the state of nature. Locke’s work heavily influenced the ideas of Thomas Jefferson, when Jefferson drafted the Declaration of Independence.
It’s interesting to note how Defoe moves the chronological timeline of Crusoe’s experience forward using the dates in the journal, while within the journal Crusoe jumps forward and backwards many years in time. These pages take one up to the book’s halfway point, and at the same time detail twenty-six years of Crusoe’s experience being a castaway. In a sense, this expands the novel, having the effect of stretching the space and time the story covers. This is an early technique in the realist novel for expanding a novel’s breadth. It allows Defoe to provide more details, and creates space for Crusoe’s longer inner explorations, which are as important to Robinson Crusoe as the time Crusoe spends on the island. The sea journey, like in the Odyssey, accounts for the least amount of narrative real estate. This suggests that while the sea stands as a symbol for man’s subjectivity to God’s power and indifference, Robinson Crusoe is more a novel about how a man thinks when he becomes cast away, and the various iterations of his psychological state during that time.
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