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In 2015 Aleppo, Mahmoud and his family are driving in their station wagon, trying to find the fastest route to the Turkish border. He sees a large poster of Assad looming over them on the journey. They encounter a group of four rebel soldiers who climb into their vehicle. Confusion ensues as everyone suggests a different route to get out of the country without encountering a hostile force: “Between Assad and Daesh and Russia and America, Mahmoud thought, there wasn’t much of a Syria left to fight for” (70-71). As they drive toward the highway, gunfire erupts nearby. Stray bullets hit the car, and the soldiers climb out to return fire. Mahmoud’s father grabs their cell phones and chargers, and the entire family flees, leaving all their possessions and the car behind.
During the Atlantic crossing in 1939, Josef’s bar mitzvah ceremony is about to take place in the ship’s social hall. Beforehand, the officiating rabbi asks that Hitler’s giant portrait be taken down. Josef's father refuses to leave the cabin, thinking the gathering is a Nazi trap. Despite his father’s absence, Josef is pleased to see 100 men gathered to perform the ritual with him. Later, Josef overhears two crew members saying that their ship might be turned away when they reach Cuba if the country is already too full of refugees Josef wonders, “[i]f he and his family didn’t make it to Cuba, if they weren’t allowed in, where would they go? (80).
North of Havana in 1994, the boatful of emigrants is celebrating their departure with food, drink, songs, and dancing. They all chat about how their lives will be different when they get to America, and everyone is in a good mood. However, the festivities are short-lived because “the motor spluttered and died, and the music stopped” (86).
At the Turkish border in 2015, Mahmoud and his weary family wait in line for permission to enter the country. They had walked for two days in the company of other Syrian refugees: “Together the shambling throng of refugees was ignored by the American drones and the rebel rocket launchers and the Syrian army tanks and the Russian jets” (88). Once the family is cleared at the checkpoint, they find themselves in a tent city. Mahmoud’s father learns of a smuggler who can get them from Turkey to Greece, but they must set out immediately.
Aboard ship in 1939, the captain gives Josef and a group of children a tour of the bridge. When Josef asks him about the rumors that their ship is racing two other vessels to get to Cuba first, the captain seems uncomfortable but denies the gossip. A petty officer then leads the children down to tour the engine room. They encounter drunken, abusive Nazi crew members below decks who make Josef feel uneasy: “It was a different world below decks […] outside the magic little bubble he and the other Jews lived in above decks on the MS St. Louis. Here, below decks, was the real world” (98).
In the Straits of Florida in 1994, Isabel’s companions struggle to get the boat’s engine started again. An argument breaks out, and Isabel’s grandfather declares that they should never have left Cuba. He says that Isabel will lose her connection to her homeland forever. Isabel counters that her father will be arrested if they go back: “No—as much as she feared the loss of her music, her soul, she wouldn’t trade that for her family” (103). The argument ends abruptly when Isabel sees a tanker bearing down on the small boat.
After four days in Turkey, Mahmoud is frustrated that his family still hasn’t left the country. Every day, the smuggler promises that a boat will come tomorrow, but none appears. Because all the hotels are full, the family is forced to take refuge in an abandoned shopping mall. They are running low on funds, and there is nowhere else to sleep.
There is a shipboard funeral as Josef’s family crosses the Atlantic. At first, his father refuses to attend because he believes that the Nazis murdered the dead man. When Landau is reassured that the old man died of cancer, he decides to leave the cabin for the first time and attend the ceremony. One of the Nazi stewards objects when the body isn’t draped in the swastika flag as the law demands, but the captain overrides the complaint. Josef’s father whispers, “[a]t least he didn’t have to be buried in the hell of the Third Reich” (115).
In the Straits of Florida, a huge tanker is bearing down on Isabel’s boat, which is still dead in the water. Darkness has fallen, and the tanker’s crew can’t see the tiny craft. The passengers are afraid to signal the ship to rescue them because they would be forced to return to Cuba. The ship misses them by inches just as someone gets the motor to start. Afterward, they are nearly swamped in the ship’s wake, and Señor Castillo falls overboard. Without a second thought, Isabel dives in to rescue him.
After several more days of being stranded in Izmir with the promise of an incoming boat, Mahmoud is ready to throw a tantrum. That night, when his weary family returns to the mall to sleep, two thugs tell them that they need to pay rent to spend the night there. After the family leaves, Mahmoud impulsively flags down a car for help. The driver is a former Syrian refugee who offers to let them sleep in his shop. Just then, Mahmoud’s father receives a text from the smuggler that their boat has arrived.
This set of chapters focuses on the threats and dangers facing the refugees in their journey toward a better life. The alternative perspectives in each chapter build suspense as Gratz portrays these dangers. For example, Chapter 17 ends with a tanker approaching Isabel's boat, but the outcome is not revealed until Chapter 20.
Each of these dangers highlights the children’s vulnerability in a political climate that they did not create. All three children are connected by journeys by sea in which they are not the captain of the boat, representing their lack of control amid something vaster. Furthermore, the setting of the ocean connects the children literally given that the unique contours of their lands are left behind and each simply faces monotonous open water.
In the midst of this vulnerability, Gratz explores Coming of Age in a Humanitarian Crisis. Mahmoud seeks invisibility in large crowds but begins to break out of his shell slightly when he stands in the middle of the road to signal a car for help. At home in Syria, such a move would be fraught with peril. In Turkey, the strategy works in Mahmoud’s favor because a driver stops to help the family. Josef’s bar mitzvah officially makes him a man, but manhood can’t be conferred simply through a religious ceremony. Josef becomes painfully aware that he has no role model to help him become an adult and is forced to grow up when he finds himself the target of Nazi crewmen and hears the rumor that Cuba may not take the refugees. Isabel’s fear of identity loss is triggered by the quarrel that breaks out among her companions when the motor dies. Her beloved grandfather insists that she will never know who she is now that she’s left Cuba. He casts doubt on her father’s ability to care for his family once they arrive in Miami. As each character grapples with their identity, Gratz suggests that coming of age is catalyzed by crisis.
These chapters also foreground the motif of the false promise of tomorrow. Mahmoud grows increasingly irritable every time the smugglers assure the refugees that a boat will arrive to carry them to Greece “tomorrow.” Isabel also wonders when they will reach Miami and when “tomorrow” will come. This sense of waiting builds the rising action before the climax, when each character reaches a destination.
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