The commander at Red Fire Farm who forms a close relationship with Anchee and grapples with her position and personal desires within the Party's framework.

An effeminate and influential figure in the artistic production of Jiang Ching’s films, also serving as Anchee’s protector and critic.

The antagonist at Red Fire Farm, who opposes Anchee and Yan, showcasing a staunch loyalty to revolutionary principles.

A teacher at the film studio who embodies the pervasive influence of Mao's propaganda and antagonizes Anchee.

An initially friendly competitor at the film studio who vies for the same role as Anchee but reveals underlying antagonistic tendencies.

Yan’s brief love interest, depicted as nervous and lacking significant development beyond his relationship with Yan.

A dynamic character at the farm, initially confident in her own pleasure-seeking, whose trajectory challenges revolutionary ideals.

Anchee’s favorite teacher from her youth who inspires her, yet falls victim to Anchee's revolutionary zeal.

A representation of traditional acceptance of revolutionary roles, who experiences personal hardships and struggles with Anchee's evolving identity.