51 pages 1 hour read

Ragtime

Fiction | Novel | Adult | Published in 1975

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Part 2, Chapters 14-21Chapter Summaries & Analyses

Part 2, Chapter 14 Summary

Father returns from his Arctic expedition to find Mother caring for the woman and her baby. He is shocked by the changes at home and in himself; he finds that physically, mentally, and emotionally he has changed after the expedition. He gives his family presents, but they are bemused at the bizarre gifts, which include bear skins and tea tins—“the embarrassing possessions of a savage” (110). Later, Mother initiates sex with Father, but he feels guilty because he cheated on his wife with an Eskimo woman on the expedition. Father and Mother’s Younger Brother meet to discuss the patriotic goods business. Mother’s Younger Brother is passionate about the work, throwing himself into his job after Evelyn Nesbit left him for a ragtime player. Father is disturbed by the inventions of Mother’s Younger Brother, which include unusual firecrackers and overly powerful bombs.

Part 2, Chapter 15 Summary

The little boy gathers a secret treasure trove of his family’s discarded goods, including Father’s trashed Arctic expedition journals and Evelyn’s relics, left behind by Mother’s Younger Brother. The boy collects discarded things, “alert not only to discarded materials but to unexpected events and coincidences” (115). He is close to Grandfather, who he considers one of his family’s discarded things. The boy clings to Grandfather’s stories and becomes consumed with their themes of transformation and evolution. The little boy observes his family through the lens of change, studying how his father came back from his expedition a different person. To the little boy, “It was evident […] that the world composed and recomposed itself constantly in an endless process of dissatisfaction” (118). Winter arrives, and the family brings the little boy ice skating. He enjoys studying the tracks left by other skaters, seeing how the different paths overlap.

Part 2, Chapter 16 Summary

That same winter, Tateh and his daughter move to Lawrence, Massachusetts. Tateh begins working at a mill and refuses to allow the girl to attend school. After one mill shortchanges their workers’ pay, Lawrence’s laborers go on strike. The Industrial Workers of the World (I.W.W), a labor union, becomes involved in helping the laborers maintain the strike. Violence brews as the mills and local government call in militia to keep the workers at bay. Even with the tension, the girl enjoys the strike because it allows her to leave the house and see her father’s political passions on display. The strike becomes famous nationally due to press coverage. A children’s crusade program is created wherein upper class families across America offer to house striking families as a move of solidarity. Tateh debates whether to send the girl away to one of these boarding families, ultimately sending her to Philadelphia. The morning of the girl’s departing, an incident occurs on the train platform. The police violently separate parents from their children, preventing the families from sending their kids away. Tateh lifts the girl onto the train just as a policeman begins beating him. The violent scene eventually clears. As Tateh regains his strength, he hears the girl calling his name. Her train is leaving. Tateh races toward her and jumps on the train just as it leaves the platform.

Part 2, Chapter 17 Summary

A doctor tends to Tateh’s wounds on the train. They arrive in Philadelphia, and Tateh sees that newspaper headlines are all about the police violence back in Lawrence, Massachusetts. Exhausted by the constant antagonism associated with being a laborer in America, “Tateh began to conceive of his life as separate from the fate of the working class” (131). He observes Philadelphia’s many shopfronts and enters a store called the Franklin Novelty Company. Tateh presents himself as an artist and shows the proprietor samples of his silhouette work. Tateh leaves with a $25 advance and a letter of agreement commissioning him for a series of art books.

Part 2, Chapter 18 Summary

The first of Henry Ford’s Model T automobiles is produced in Highland Park, Michigan. Ford basks in the victory of inventing a new form of labor: the production line. This allows for industrial bosses to hire anybody for production, ending the necessity of hunting down specialized workers. Ford knows this will revolutionize American labor. He allows for his executives, managers, and assistants to enjoy a brief celebration before pushing them to get back to work. Ford wants the workers’ production to be improved.

Part 2, Chapter 19 Summary

Despite his penchant for innovation, Ford does not occupy the top spot as America’s leading businessman. That title goes to Pierpont Morgan of the J.P. Morgan Company. Morgan enjoys travel and collecting rare artifacts, manuscripts, and religious relics. He becomes obsessed with ancient Egyptians and their belief that “there is a sacred tribe of heroes, a colony from the gods who are regularly born in every age to assist mankind” (142). After his travels, Morgan returns to America and takes a liking to Ford and his focused techniques. Morgan is disgusted by other business tycoons and their apathetic approach to life. He feels that Ford will share his fascination with ancient Egypt.

Part 2, Chapter 20 Summary

Morgan invites Ford to his New York City residence in Murray Hill. Morgan brings Ford into a secret room which houses an original folio of The Chemical Wedding of Christian Rosencrutz, a book recounting the work of Christian alchemists in the 17th century. Morgan tells Ford that he believes in magic and gods, and that he adheres to the ancient Egyptian belief that gods walk amongst mankind. He believes that he and Ford, as leaders of American innovation, are gods reincarnated in human form. He invites Ford to an expedition to Egypt to investigate the matter further. After a long silence, Ford tells Morgan of a book he read as a child that he bought for 25 cents: An Eastern Fakir’s Eternal Wisdom. He says that this book taught him about reincarnation, which he also believes in; he feels that his genius comes from his spirit having lived multiple lives. Ford taunts Morgan by telling him that he learned all of Morgan’s spiritual discoveries in his youth for mere pennies. Ford does not go to Egypt with Morgan, but the two will later found a secret and exclusive club called The Pyramid. Though the two men are the only two members, the club “endowed certain researches which persist to this day” (153).

Part 2, Chapter 21 Summary

One morning, a Black man driving a Model T car arrives at the New Rochelle house. The little boy greets him. The Black man is named Coalhouse Walker, Jr. and is looking for a woman named Sarah. Realizing he means the Black woman with the baby, the little boy fetches Mother. She tells Sarah that she has a caller, but Sarah refuses to see him. Mother goes to tell Walker that Sarah has refused his company but finds him already inside gazing at the baby. Mother kicks him out of the house, outraged that he came inside without a proper invitation.

Walker continues to call on Sarah every Sunday and becomes a regular guest at the house. Sarah continues to refuse his calls, but the family grows very fond of him. They discover that he is a professional pianist who works in New York City. Walker plays a series of ragtime pieces for the family, and everyone is impressed with his playing. In the late winter, Sarah finally agrees to see Walker, but is slow to forgive him for their past. Mother’s Younger Brother feels drawn to both Sarah and Walker, empathizing with their romantic troubles after his failed relationship with Evelyn. One Sunday in March, Sarah leaves the New Rochelle house with her child and goes off with Coalhouse Walker. The two plan on getting married.

Part 2, Chapters 14-21 Analysis

Doctorow continues to place his characters in key moments of American history. However, in Part 2, Doctorow doesn’t use this narrative tool simply for dramatic effect. His exploration of American history adopts an increasingly critical, sardonic tone as the novel’s characters encounter newly absurd obstacles. The artistic and political ideologies of Ragtime emerge, wherein Doctorow makes it clear that his novel is a sharp criticism of American power systems. In Chapters 14-21, Doctorow critiques American labor history; he uses Tateh as a catalyst to explore capitalism’s oppressive regime and the waning strength of American Leftism in the early 20th century.

Chapters 14-21 foreshadow Doctorow’s political intentions with Part 2. Tateh’s experiences in Lawrence, Massachusetts immediately follow Chapter 15, in which the little boy meditates on discarded objects, people, and moments. This order suggests an ideological through-line between the chapters and their respective episodes. Indeed, Tateh and his daughter can be read as discarded themselves: discarded by the working class, Leftist movements, and America as a whole. Tateh suggests as much himself in Chapter 17 when he laments feeling abandoned by the I.W.W. after fleeing to Philadelphia with only six dollars to survive on: “A salary of six dollars and change. Would that transform their lives? […] Tateh shook his head. This country will not let me breathe” (130).

Earlier, Tateh flees New York after being disillusioned by prominent Leftist intellectuals like Emma Goldman, who he feels are too theoretical and do not deliver on practical promises to help him. When he arrives in Lawrence, Massachusetts, Tateh is again disillusioned by the American Left’s inability to help when their plan to house striking families’ children dissolves. In both instances, Leftism and radical concepts of the working class cannot hold steadfast against police violence: The police break up Emma Goldman’s speech as well as intervening at the train station. In Chapter 16, the police beat Tateh, who is unprotected by the Leftist theory he thought would save him. It is the ultimate embodiment of Tateh being discarded by ideology and nation.

Tateh’s character arc in these chapters explores the complex history of American Leftism, with all its victories and pitfalls. It is no mistake that Doctorow placed Tateh in Lawrence, Massachusetts. The events that Tateh experiences in Chapter 16, including the I.W.W’s children crusade plan and the violence at the train station, all occurred in 1912. This historical episode is referred to as the Lawrence Textile Strike or the Bread and Roses Strike. Strikers eventually secured positive changes to their pay structure. The prolonged strike and its episodes of violence inspired other New England mills to adopt similar policies to avoid worker discontent. Doctorow chose a specific historical moment in which Leftist actions resulted in positive changes for laborers. Even still, by 1912, labor strikes were increasingly difficult to carry out in the United States due to police crackdowns and oppressive state violence—as Tateh himself witnesses in Ragtime. Radical organizations like the I.W.W were powerless in the face of intense state pressure, surveillance, and brutality. Unions became weak and eventually scarce as the 20th century wore on. The American working class suffered a complete lack of options as they lacked Leftist support.

Tateh reflects the embittered abandonment of workers from the Left. He chooses to abandon working class politics altogether in Chapter 17: The narration reveals that after the events of Lawrence, “Tateh began to conceive of his life as separate from the fate of the working class” (131). Doctorow doesn’t use the events of Chapters 14-21 to critique Leftist ideology, but the American power structure which makes it impossible for radical movements to survive—all at the expense of the immigrant and laboring classes that comprise American citizens like Tateh.

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