63 pages 2 hours read

Quicksilver

Fiction | Novel | Adult | Published in 2024

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Themes

Fate Versus Personal Choice

Saeris and Kingfisher fulfill the “fated mates” trope, a romance genre feature wherein two characters are destined to be romantically involved, no matter the obstacles they face. The novel overlays this with the enemies-to-lovers structure, another romance genre standard, as they start out in constant conflict, but find that the pull that makes them ideal for one another is too hard to resist, leading them to gradually fall in love. The idea that two characters are meant to be together inherently raises the question of free will. If the forces of the universe unite two people against insurmountable odds, the novel asks, can they also choose to be together?

The novel posits that while Saeris and Fisher cannot opt out of their fate, they can decide how they are going to interact—this is the choice that holds their free will. As Zareth explains when he summons Saeris to see him, she can decide how to proceed, as it is only the meeting between Saeris and Fisher that is fated. What they do with their relationship is their own call. This is presented to Saeris as both oppressive and liberating. She dislikes the idea of being wholly controlled by fate and finds the prospect of her love life determining the survival of the universe daunting. Yet, when asked to choose between accepting the burden or abandoning it, Saeris chooses to accept, as it is the only way she can save Kingfisher. Because Fisher is Saeris’s fated mate, however, the autonomy of this decision is in question. Saeris chooses to save Fisher because she loves him, but does she love him because she chose to or because fate decreed it to be so?

The novel does not have a clear answer, leaving the debate ambiguous, particularly as Saeris returns to Yvelia as a newly created half-Fae, half-vampire. Saeris’s knowledge that fate has placed the universe’s survival (or destruction) on her greatly increases the stakes of Saeris and Fisher’s fight against evil forces. This makes the novel’s ending a cliffhanger, setting up the sequel. Readers are left to wonder what fate has in store for Saeris and Fisher and how the pair’s ability to make choices for themselves will ultimately play out.

Scarcity Versus Abundance

Quicksilver’s two fantasy settings have starkly opposed climates. Zilvaren, where Saeris grows up, is an arid desert with two suns that never set. Queen Madra’s totalitarian rule and unequal dispersal of resources leave water as the most valuable commodity. In Yvelia, by contrast, water is easy to access; the cold landscape sees frequent snowfall, something that astonishes Saeris when she first witnesses it. Saeris finds this shift disorienting; when Everlayne remarks with distaste that Saeris must be uncomfortable after more than a week without a bath, Saeris privately reflects that she’s never had a bath, as that much water could have sustained her family for weeks in Zilvaren. The lack of water in Zilvaren plays into the novel’s climax, in which Saeris and Carrion nearly drown: They cannot swim, as they have never had access to enough water to learn how.

In Yvelia, silver is the most valuable commodity, as it is the only substance that can permanently kill vampires. Gold, by comparison, is used for little more than decoration. This, too, shocks Saeris when she suggests that Fisher sell some of the abundant gold at Cahlish to purchase silver, only to find that the relative values of the two substances are reversed from that of her world, and that silver cannot be purchased for any amount of money in Yvelia. This, they later learn, is part of manipulation on Belikon’s part, who keeps all silver for himself in order to aid Malcolm, who is his brother.

The novel’s worldbuilding thus follows the economic principle of supply and demand: The worth of various materials correlates to its scarcity and abundance in different environments. The novel does suggest, however, that though value of certain commodities may shift according to the availability, all commodities are important. Yvelian Fae, for example, do still rely on water, even when it is abundant; in Chapter 20, for example, Ren explains that the Darn river is important to mountain people; when it freezes, walking on it is the only method of transportation available to their isolated communities. The Darn also serves as an important boundary, as the dead cannot cross running water. Though the value of precious metals in Zilvaren is less apparent, these metals are still key—without their presence, Saeris would never have uncovered her skills. Thus the text suggests that in its fantasy world, resource value is dependent both on abundance and scarcity, and on inherent magical qualities that give commodities other functions.

The Effects of Immortality on Morality

Quicksilver plays with the fantasy convention that long-lived fantastical species have different morality systems than those of their human counterparts. In this novel, the long lives and greater hardiness of the Fae influence their worldview; in particular, when combined with long rule or a hunger for unending life, they lead to corruption.

The antagonists and protagonists are characterized by the way they use the length of their lives—either to amass power or to protect those who are harmed by the powerful. Madra and Belikon stand on one side of this divide; they have each spent their long lives oppressing others, though Madra’s tyranny is more overt than Belikon’s subtle manipulation of his kingdom to benefit Malcolm. Kingfisher, Ren, and Lorreth, meanwhile, have spent their centuries fighting to defend the people of Yvelia, even when these battles are likely to be unending. A long life has made Fisher somewhat callous toward short-lived creatures—as when he disparages Saeris’s pet fox Onyx. However, the novel argues that this kind of change in perspective is not inherently bad, merely the consequence of long experience—he is protecting himself from the grief of losing a beloved animal by preemptively not getting attached. Having a shorter lifespan thus does not necessarily provide a more moral perspective. As Saeris gets to know Kingfisher, the revelation of how long he has tried to right the wrongs of Gillethrye indicates that humanity does not have a monopoly on morality.

The novel’s main antagonist, Malcolm, displays the moral decay that comes with the hunger for eternal existence. In Chapter 22, Saeris learns that the immortality of vampires is earned by killing others. The text argues that desiring immortality is unnatural, as it interferes with the cycle of life and death—something that, the novel’s final chapters indicate, threatens the entire balance of the universe.

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