Summary
Chapter Summaries & Analyses
Prelude (227-230)
The Speech of Lysias (231-234)
Interlude—Socrates’s First Speech (234-241)
Interlude—Socrates’s Second Speech (242-245)
The Myth. The Allegory of the Charioteer and His Horses—Love Is the Regrowth of the Wings of the Soul—The Charioteer Allegory Resumed (246-257)
Introduction to the Discussion of Rhetoric—The Myth of the Cicadas (258-259)
The Necessity of Knowledge for a True Art of Rhetoric—The Speeches of Socrates Illustrate a New Philosophical Method (258-269)
A Review of the Devices and Technical Terms of Contemporary Rhetoric—Rhetoric as Philosophy—The Inferiority of the Written to the Spoken Word (269-277)
Recapitulation and Conclusion (277-279)
Key Figures
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Phaedrus praises the speech Socrates has just givenand suggests that Lysias is no match for him as an orator. Phaedrus mentions that an Athenian politician had recently criticized Lysias for being a speechwriter rather than a good speaker. Phaedrus and Socrates then consider the difference between good and bad writing; when Phaedrus wonders whether this is a worthwhile subject, Socrates, hearing the noise of cicadas around them, begins to tell another myth to illustrate his point.
Socrates states that before the Muses came into the world and invented song, cicadas were human beings. When the Muses invented music, these men were so taken with its beauty that they forgot to eat and drink. They would have died, but the Muses freed them from the need for food and drink, declaring that they should spend their entire lives singing. The cicadas tell the Muses how men on earth spend their time: those that spend their days engaged in the discussion of philosophy earn the greatest reward. When Socrates completes this tale, Phaedrus is convinced that they should continue their discussion.
Plus, gain access to 8,450+ more expert-written Study Guides.
Including features:
By Plato