21 pages 42 minutes read

Paul Revere's Ride

Fiction | Poem | Adult | Published in 1861

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Further Reading & Resources

Related Poems

The Courtship of Miles Standish” by Henry Wadsworth Longfellow (1858)

This popular poem, written at the time of “Paul Revere’s Ride,” is an example of Longfellow’s upcycling of the materials of American history, in this case the complicated romance between Puritans John Alden and Priscilla Mullins, as subjects fit for poetic treatment. The poem, much like Longfellow’s elevation of Paul Revere, created a version of history that, in turn, became part of American pop culture.

Concord Hymn” by Ralph Waldo Emerson (1847)

Commissioned by the town of Concord for its commemoration of the 50th anniversary of the Battles of Lexington and Concord, this poem, which contains the much-quoted line about the shot heard ’round the world, celebrates the minutemen who died in this first skirmish of the Revolutionary War. Like Longfellow, Emerson assures the reader that such courage will not be forgotten.

Barbara Fritchie” by John Greenleaf Whittier (1863)

If Longfellow’s colonial narrative is seen as his call to preserve the Union against Southern secession, this poem, written by another of New England’s Fireside Poets, commemorates an event that drew on but was not limited by historical accuracy. The story of the Maryland nonagenarian who defies the invading Southern armies by refusing to pull in the Union flag she is flying became, like Longfellow’s poem, a rallying cry for the Union cause.

Further Literary Resources

How Longfellow Woke the Dead” by Jill Lepore (2011)

This much-reprinted article explores how Longfellow uses the materials of Paul Revere’s midnight ride to call his own nation to arms. In this reading, the speaker addresses those gathered in the tavern and uses the story to remind them that a war is coming and that now is the time for heroism.

What Is There to Love About Longfellow?” by James Marcus (2020)

Written by one of the most respected scholars on 19th-century American literature and culture, this article takes issue with Longfellow’s relegation to the margins of American poetry, engineered largely by Modernists who dismissed Longfellow as a tedious moralist. The article explores the range of Longfellow’s themes, his remarkable ear for prosody, and his position as the first international voice of American poetry.

Listen to Poem

Of the dozens of recordings of the poem, one of the most impactful is this 2011 recording, available on YouTube, by veteran voice performer Ron Hall. Illustrated with paintings that capture the Massachusetts setting, Hall works with Longfellow’s lines and never lets the rhythm and rhyme become distracting. Hall captures the ad-lib feel of the speaker surrounded by tavern patrons.

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