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Braille is used now in all subjects at the Royal Institute. However, its use has not yet traveled beyond the school. Pignier advocates the alphabet’s use to government officials, but embossing remains the official method of instruction; government officials feel that blind and sighted people should be using the same alphabet.
Braille demonstrates his system at the Paris Exposition of Industry; visitors read books to him or dictate messages, and Braille records what they say and repeats it perfectly. The King of France as well as the government official who had refused to adopt Braille’s alphabet watch his demonstration, but don’t adopt braille as the reading and writing method of choice for the blind.
Braille is praised for his musical talent, often playing at parties which he attends with Pignier’s friends and associates. Braille also plays the organ at Saint Nicholas-des-Champs church for the weekly Sunday service. Braille enjoys playing but resents being pitied or patronized due to his blindness. Braille’s health begins deteriorating, and he is diagnosed with tuberculosis.
Armand Dafua, a more conservative educator, replaces Pignier. He disapproves of and bans the use of Braille’s alphabet. He confiscates braille books and materials. Despite this, the students continue to use the system in secret to record diary entries and write notes to each other.
Dafau hires an assistant, Joseph Guadet. Guadet investigates the students' continued use of the still-banned alphabet. He also speaks to Braille (who is still a teacher at the school) and studies the alphabet; Guadet becomes convinced of braille’s efficacy. Guadet convinces Dafau that the alphabet will become ubiquitous. Dafau finally agrees; in a ceremony to celebrate new school buildings in February 1844, Guadet presents his booklet, published by the National Institute for Blind Youth—the school’s new name—explaining the many advantages of the raised-dot alphabet system pioneered by Braille.
Two students demonstrate the system; one girl records a passage and another (who’s been out of earshot) comes to the stage and recites the recorded poem precisely. A suspicious government official suggests that the poem could have been memorized in advance. He insists that the experiment be repeated with a ticket stub from his jacket; the girl repeats the recorded information perfectly. Braille, shy and modest, is praised. The braille system starts to be spread nationally and internationally.
Braille continues to work as a teacher until his health fails. He also continues to champion braille’s use, often using his own money to pay for students to record books in braille which can be distributed to others. Braille dies on January 6, 1852. Records are found after his death recording gifts and loans from his meager salary, attesting to his generosity.
Braille is now used universally and has been adapted to many other alphabets. Braille’s house in Coupvray is preserved as a museum, and the local square is renamed Braille square. A statue is erected in the square, depicting Braille teaching a blind child to read.
The public perception of people who are blind as less capable and intelligent is evident during the braille demonstration at the school. The government official’s suspicion recalls the treatment which Braille received throughout his life, the way his teachers were shocked and awed by his intelligence. Partygoers listening to Braille play the piano marvel that he is “so clever for a blind man” (62). Braille is upset and insulted by their condescending comments; he doesn’t want people to view his blindness as a handicap.
Freedman draws attention to the unjust stereotypes experienced by people who are blind at this time. Instead of considering people who are blind as equally intelligent or capable of mastery—or, in fact, more capable, given the significant barriers to education which exist at this time—the public assumes that people who are blind are inferior. Braille’s invention illustrates that, with appropriate systems for learning in place, people who are blind can excel in education or in their chosen fields. Unlike in 19th-century France, this is now held as self-evident, in large part due to Braille’s invention.
Freedman portrays Braille’s strength of character. Braille fits the trope of an underdog. The deck seems stacked against him, from public opinion about blind individuals to the government’s reluctance to adopt braille to the school banning the system. In spite of these challenges, Braille perseveres. He also fits the trope of the hero, overcoming obstacles to achieve extraordinary success.
Freedman uses Braille’s story to illustrate the importance of persevering through discouraging setbacks. He represents Braille’s quiet determination as admirable and inspiring, and characterizes him as generous and kind. We see this when Braille pays for books to be copied into braille for friends and students. Braille doesn’t seek fame or gratitude, or want others to know of or celebrate his gifts and loans. He simply wants people who are blind to be brought “into the mainstream of life” and to enjoy the pleasures of reading and writing (76).
Freedman emphasizes the far-reaching impacts of Braille’s invention. He invites the reader to consider Braille’s exclusion from reading and writing as a young boy and to note that, because of him, “networks of braille libraries offer blind people a vast range of reading material from specialized technical works to popular magazines” (76). Freedman shows how one person can affect many and have an enormous impact. People who are blind around the world can read and write due to Braille’s ingenuity and determination.
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By Russell Freedman