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Oroonoko begins with the narrator’s claim that the story she will tell is a true one. Discuss the significance of this claim. Is truth always valued in the novel? Are there any points at which it seems like the narrator might not be telling the truth?
The novella depicts different kinds of slavery. What are the differences between them? Is one better than the other? Is slavery ever justified?
Plantation slavery in the United States was predicated on a racial hierarchy that resulted in black people being enslaved, while white people were free. How is the slavery depicted in Oroonoko different?
Aphra Behn’s novella has been praised for its sympathetic portrayal of African characters. How is race represented in the text? Are Behn’s depictions of African people completely positive?
The representation of Surinam’s indigenous people recalls the idea of the “Noble Savage”. Explain what is meant by the “noble savage” and give examples of the idea from the text.
Aphra Behn is famous for being one of the earliest female English writers. How does she deal with the idea of the woman writer in the novella? How does this relate to the role of women in the text more generally?
Imoinda’s virginity is the object of competition between Oroonoko and his grandfather. Discuss the ways that women’s sexuality is represented in the novella. Are they in control of it? What does this suggest about gender roles in the seventeenth century?
What is the significance of the narrator’s repeated references to the Dutch conquest of Surinam?
Civilization is a central concern of the novel; who is civilized and who isn’t. What makes a culture civilized? Is civilization a fixed idea or does it change over time?
Over the course of the novel, Oroonoko becomes increasingly critical of Christianity. Do you think that his criticism is fair or warranted? Given that the English captain initially refused to accept Oroonoko’s word on the basis that he was a “heathen”, do you think this is a hypocritical attitude for Oroonoko to take? How does religion act as a marker for English or European identity in the novella?
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