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140
Novel • Fiction
Colonial Colombia • Late 18th century
1994
Adult
18+ years
Of Love and Other Demons by Gabriel García Márquez is set in late 18th century colonial Colombia, where Sierva María de Todos Los Ángeles, a neglected child of nobility, is raised by slaves and later believed to be possessed after a rabid dog bite. Confined to a convent for an exorcism, she forms a forbidden bond with Father Cayetano Delaura, leading to tragic consequences. The book addresses themes of religious persecution, colonialism, and mental health.
Mysterious
Melancholic
Bittersweet
Romantic
Fantastical
80,297 ratings
Loved it
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Gabriel García Márquez's Of Love and Other Demons enchants with its lyrical prose and rich historical setting. Critics laud its exploration of love, mysticism, and colonialism. However, some find the narrative slow and underdeveloped in places. Overall, it's praised for its poignant storytelling and magical realism.
A reader who appreciates mystical realism, poetic prose, and historical contexts will enjoy Gabriel García Márquez’s Of Love and Other Demons. Comparable to readers of Isabel Allende's The House of the Spirits or Laura Esquivel's Like Water for Chocolate, they seek narratives that blend the supernatural with the human condition.
80,297 ratings
Loved it
Mixed feelings
Not a fan
Father Cayetano Delaura
A priest with a small frame and a streak of white in his black hair, who struggles between his secular desires and his duties. He is drawn to literature and arrives from Spain with the Bishop.
Don Ygnacio de Alfaro y Dueñas, the Second Marquis de Casalduero
A shy and fearful nobleman who inherits wealth and land but never enhances it, often sleeping in his orchard hammock. His faith is shaken by the tragic death of his first wife.
Don Toribio de Cáceres y Virtudes, the Bishop
A physically imposing but health-compromised Bishop rooted in a decaying palace and driven by self-interest in handling cases. He distrusts the involvement of Sierva María with the controversial doctor, Abrenuncio.
Abrenuncio de Sa Pereira Cao
A Portuguese Jewish doctor of imposing appearance, practicing a blend of medicine and intuition, believed to have once revived a man. He insists that Sierva does not suffer from possession or rabies.
Bernarda Cabrera
The mestiza second wife of the Marquis, scheming to marry with malice but descending into vice and despair. She becomes addicted to cacao and resents Sierva for her perceived life ruination.
Josefa Miranda, the Abbess of Santa Clara
The narrow-minded and authoritative abbess ruling over the convent with intolerance, instantly distrusting Sierva and the clergy opposing her convent. She is embroiled in a feud with the Franciscan Bishop.
Dominga de Adviento
The formidable head slave who keeps the Marquis' household in order and raises Sierva according to Catholic and Yoruban faiths. She ensures Sierva's survival by dedicating her hair to the saints.
Dulce Olivia
A woman claiming the Marquis' house, once hoped by the Marquis to marry, now confined as an inmate with cunning wits disbelieved as madness. She often cleans and visits the Marquis' home stealthily.
Martina Laborde
A former nun imprisoned for inexplicable violence, maintaining an obsession with freedom and befriending Sierva. She utilizes Father Delaura's tunnel to eventually escape.
Father Tomás de Aquino de Narváez
A Franciscan priest with experience in both worlds, familiar to Sierva through ministering among slaves. He tragically dies before he could offer help to Sierva.
Judas Iscariote
A hedonistic and immoral black man who willingly becomes Bernarda's partner, introducing her to destructive habits. His death triggers Bernarda's irreversible decline.
Doña Olalla de Mendoza
The Marquis' first Spanish-born wife, with cultural refinements from Spain, tragically dying early after being struck by lightning. Her musicianship and encouragement fail to change the Marquis' ways.
Sagunta
An Indian woman who suggests that Sierva may be afflicted by rabies, attempting to treat her with unproductive folk remedies. Her prediction of tragedy coincides with Sierva's struggles.
Don Rodrigo de Buen Lozano, the Viceroy
A mature, vibrant Spaniard overseeing the colonies without grasping their true dynamics, preferring cultural pursuits. He dismisses formalities in favor of prohibited entertainments.
The Vicereine
A mischievous young woman invested in the welfare of Sierva María and Martina, enhancing Sierva's conditions despite failing to secure their freedom.
140
Novel • Fiction
Colonial Colombia • Late 18th century
1994
Adult
18+ years
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